Helen’s marriage to Huntingdon causes her become a shell of her former self. Her temper seems to flare more often than not, and she finds herself close to despair at most times. She can know that technically she must remain married to Arthur, but in her heart she has left him and become a single woman. Not only does her husband not value her enough to stay faithful to the vows that mean so much to her, but he is willing to share Helen with other men that he finds worthy. When Lowborough finds out about the affair between Huntingdon and his wife, Annabella, he asks Helen how long she has suffered from the news, to which she replies, “‘Two years ago; and two years hence you will be as calm as I am now, - and far, far happier, I trust, for …show more content…
I believe that if Helen would have stayed with Arthur, her situation could have very likely ended up like the one mentioned above. Norton writes, “If the wife sue for separation for cruelty, it must be “cruelty that endangers life or limb,” and if she has once forgiven, or, in legal phrase, “condoned” his offences, she cannot plead them; though her past forgiveness only proves that she endured as long as endurance was possible” (457). If Helen were to sue for separation, I am not sure that she would have won, and things would most likely get much worse for her. Helen would have to keep living with her abuser in the same house until either he died, or he killed her. Running away might not have been the most socially acceptable option for Helen during the Victorian era, but it kept Helen and her son alive. When Arthur goes through Helen’s things and reads her diary, he does not seem troubled about the fact that he may be losing his wife, or that she is immeasurably unhappy because of him, but that he would be shamed. He says, ‘So you thought to disgrace me, did you, by running away and turning artist, and supporting yourself by the labour of your hands, forsooth? And you thought to rob me of my son too, and bring him up as a Yankee tradesman, or a low, beggarly painter?’ ‘Yes, to obviate his becoming such a gentleman as his father’” (Bronte 311). He does not care that he is losing Helen,
In the beginning of the movie, Helen starts out writing in her diary about her 18th anniversary approaching with her husband Charles. For 18 years, she had been Blinded by what she thought was love. After marrying Charles, Helen gave up a lot. She lost connection with her family and only focused on his need and wants. She dressed and styled her hair to his likings. We see this happening in
This personal confession shows that Mrs. Mallard, though she will mourn at first, now is free to “live for herself,” (228) not for her imposing husband. Before her husband’s death, Mrs. Mallard believed she was in a healthy, normal marriage. This death revealed to her how while she cared about her husband, she despised the lack of freedom her marriage had given her. All of the realizations that Mrs. Mallard reaches during her time of reflection shows the readers exactly why she will no longer mourn the death of her husband.
eye on the institution of marriage is very characteristic of her stories (11). In "The Story of an Hour", we do not so much see as intuit Mrs. Mallard's skeptical eye.
He never returned home so she thought that he was dead. She says that she was young and not necessarily ready to marry Roger when she did. She loved him but she wasn't in love with him. She did care about Roger because he asked her not to tell anyone that he was her husband and she didn't tell anyone. She respected what he wanted done and if she didn't care about him at all then she would have told everyone that he was her husband. She was in love with Arthur but could never confess that to anyone else besides him because she didn't want anything to go wrong for Arthur. Arthur was supposed to set a good example about how to deal with life and not to commit sins because he was the minister of the church in their city. Little did everyone know that he was the adulterous. No one ever suspected him of it because no know would've thought that a minister would do
This can be highlighted by contrasting Rhiannon’s influence during the wedding feast, with Rhiannon’s influence after her son’s disappearance. During the wedding feast Prince Pwyll grants Rhiannon to the man she did not want to marry “You better not say anymore for I have never seen such a feeble-witted performance” Rhiannon is aware that as a woman in Welsh Medieval society she must conform to the role of a wife and following marriage produce an heir, therefore her impatient nature towards Prince Pwyll is down to her feeling like she has not been able to work the system to her benefit to the result of having the husband she desires. This is a reflection of Welsh society as women were held to a fairly high status by Welsh Law regarding property, rights over their children, and to an extent marriage due to the three grounds of divorce, unlike other regions of European society. As the tales’ progress the influential power Rhiannon exerts is diminished, this can be exemplified with the chambers maids lack of faith in Rhiannon. “Poor souls, you will come to no harm for telling the truth.” However, no matter
She wanted to be a role model for her children and at the same time, she wanted to become friend with them. Helen valued education, and she wanted Julie to go to college and have a successful life. However, after she found out that Julie had secretly being together with Tod, the poor, unambitious man. She was disappointed, betrayed, sad. Julie moved out of Helen’s home. Later, when Helen found out that Julie and her husband Tod had nowhere to live, she let them move in with her. She is a permissive parent, yet, she cares about her children, provides them as much support as she can. Helen stayed calm when Gary told her he wanted to live with his dad for a while. I can see her heart was bleeding when she heard her son’s words. She gave Gary his father’s phone number anyway, and Gary talked to his dad over the phone and figured out the cruel fact that his dad didn’t care for them anymore. Helen wanted to comfort Gary but he refused to talk. I felt Helen’s guilt and desperation at that moment. After she broke into Gary’s room and found out that Gary was carrying the bag that contains pornography, she immediately asked Tod’s help to talk to Gary. She had a chance to talk to Tod and had learned that Tod came from a broken family. She had a better idea of who Tod was and his help to Gary gained Helen’s respect. Helen supported Tod and helped her daughter Julie overcame the tough situation in marriage. Helen
(Forster 181). As a sister looking out for what’s best, I understand that this announcement of his proposal may come as a shock and Helen suggests he does not really truly love her. Helen fears that Margaret will start to be like Mrs. Wilcox and become “gruffer, more downright, and inclined to patronize the more foolish virgin” (Forster 160). Here, we see the true feelings of Helen as she becomes disconnected with her sister and feels anger towards her sister’s fiancé, Henry. Helen punishes her sister by disconnecting herself from Margaret’s life and moving far away; out of sight, out of mind. Unsatisfied with the way things were left after telling Helen about the engagement and their continuous arguments on the subject, Margaret asks to meet up at Howard’s End where they start reminiscing about all the strong family bonding experiences they had years ago. By talking and laughing about the good old days, the sisters were able to reunite and rebuild that family connection they had lost. It is evident in this realistic example between to loving sisters’ causes family bonds and connections to forever remain. Although they may be damaged due to disagreements, these close relationships can never be broke. John Colmer mentions in his critique, “Marriage and Personal Relationships in Forster’s Fiction, that, “Personal relationships triumph between the two Schelgel sisters,
the many constraints to which she is subject.Helen appears in only six encounters in the Iliad, with a different audience
As the tale begins we immediately can sympathize with the repressive plight of the protagonist. Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be. She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170). However, in a time
Helen may have been unfaithful in her marriages, but this was out of her control. For example, Helen did not want to marry menelaus,”Helen had no say-so in this, Menelaus was a political choice on her father’s part”(Bell).
The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by
In his book The Force of Things: A Marriage in War and Peace, Alexander Stille vividly captures and conveys Ugo Stille and Elizabeth Bogert’s tumultuous marriage, which was akin to the plight undergone by Helen, The Tenant’s heroine. The author writes thus:
In the world today, many men and women believe divorce is always a dreadful thing that occurs, but there is actually a beneficial side to it. Divorce has been around for many years and mainly just men were the only ones capable to make the decisions. Until, The Guardian states,” The 1857 Matrimonial Causes Act allowed ordinary people to divorce.” Under this new law, it was capable for women to make the decision, they just had to prove the facts to withhold a divorce. Following 1857, in 1923 there was a private member’s bill that allowed women to petition for a divorce for adultery. However, it only made it a little bit easier, they still needed to prove the reason. A few years later, they were able to pass another law, this law allowed divorce
Emotional and financial grave hardship is undoubtedly going to transpire with any divorce, however with five years’ separation it must be substantial, therefore is difficult to prove. The courts’ persistent and harsh application of this hardship was displayed in in Archer v Archer where the wife was forced to depend on her own capital to ensure she does not experience financial hardship emanating from the divorce. This was the decision due to the fact that where there is a possible alternative source of income, they will not be successful in arguing grave hardship.
The characters of Anne and Helen both offer different elements to this story. In the story and movie, Helen is portrayed as lost in her younger years. She does not know right from wrong; all she knows is happiness and anger. The movie shows a scene that involves Helen walking around taking food off of her family members plates. The family does nothing to stop Helen. They allow her to take whatever she wants so that they can continue in conversation. This is appalling to Helen’s teacher, Anne Sullivan. When Helen tries to take something off of her plate she reacts and cannot believe the family allows this. This scene displays how Helen’s life has been thus far. It shows that because of her condition, her family never made her mind any manners. This led to Helen knowing no difference between right and