The African American Subculture in Changes by Tupac Essay

subcultural group that developed in the late 20th century in the “wild, wild west,” and it can be argued that the subculture is highly

In Changes by Tupac Shakur a black hip-hop artist, now deceased, he rapped about the African American subculture in America. The record label released this song in 1998; it is still popular within subcultures of America. He grew up in the 1980s. The policies of that period had influenced some of his music. I found videos of the song after a quick search on YouTube. The lyrics of this song are found on the internet from Google search of “Tupac, changes”. I have read the lyrics while listening to the

Tupac begins his song with the verse, “I see no changes, I wake up in the morning and I ask myself, Is life worth living or should I blast myself, I’m tired of being poor, and even worse I’m black”. He also explains racism well with his stanza “Cops give a damn about a negro, Pull the trigger, kill a nigga, he 's a hero, give the crack to the kids who the hell cares, one less hungry mouth on the welfare”. Another stanza which demonstrates racism toward African Americans is, “I see no

From Eminem’s hardcore explicit lyrics, to Lil Kim’s outrageous outfits to the late Tupac Shakur’s “thug life” image, the rap subculture has been under a lot of speculation. Many rappers lyrics contain violent messages that parents fear are encouraging youth to become violent. The media has a field day covering protests against rappers, such as Eminem about their explicit lyrics towards gays, women and their promotion of violence. The main concern is how rap is influencing today, particularly towards

Hip-hop Rap Music and Subculture The topic I have chosen for this review is the association between a particular music genre and a subculture. In particular, the issue of focus is the association of the hip-hop rap genre with the black youth subculture in America. As a youth subculture, hip-hop emerged in the 1970s from New York City’s borough of the Bronx. The African American community was the root of the music genre, which gained popularity in the 1980s and 1990s. As part of its growth, the genre

Rap and Rebellion: The Relationship Between Politics and Hip-Hop Music The rap subculture is widely agreed to have been established in the Bronx, New York during the 1970’s. At a time when block parties became popular, especially among African-American youths, hip-hop music was a means of expressing opinions and values and as a new source of communication. At these gatherings, DJs would play percussive breaks from popular songs, often on two turntables to enable them to extend these breaks. This

produces and circulates it, not just African-Americans. As a new force, rap levels the playing field, opening doors to new cultural players, and ripens for new corporate snakes to pounce on. Circulating ideas, images, sound, and style, it is becoming central to the new multimedia global culture and is an expression of a multicultural world with no borders and limits. A raw expression of urban hip hop culture, rap quickly became the sound of African-American anger, rebellion, cultural style, and

Rap music led to more black professionals in the music industry. Rap can be traced back to its African roots. Before rap stories were told rhythmically over drums and instruments. This era was known as the golden age of rap. Rap did and has changed the face of music for the better. Old school flows were relatively basic and used only few syllables per bar. Simple rhythmic patterns, and basic rhyming techniques and rhyme schemes. There are different variations of flow, such as the syncopated

Charlie Pride did it in 1971. Darius Rucker did it in 2009. That’s it. Two black men, spanning thirty-eight years, are the only black artists to win a Country Music Association Award. With country music rooted in bluegrass and rhythm and blues, why aren’t there more black country music stars? When considering the roots of country music, and how closely related country is to blues, bluegrass and honky tonk music, an examination of what happened to all the black musicians seems warranted, no? This