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The As An Academic Poet

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Although Zapruder can be considered an academic poet, currently making his living as a faculty member at UC Riverside-Palm Desert, his poetry reaches out to grasp the mundane life of everyday people, distort it into something unrecognizable, and pull in even the most indifferent reader. The subjects of his poetry vary from people and objects that are encountered on a daily basis to pop culture to scientific research. Stripped of the formalities of set structures and rhymed lines, his poems are honest and bare. The single voice used throughout his work is one closely aquatinted with a surreal view of reality, diving deeply into the energy and mystery that is often hidden behind the repetitiveness of life and capturing these camouflaged moments in his poems. This relationship between reality and the unseen is often suggested in Zapruder’s titles, “Pocket,” “January,” “Canada,” “Spring,” “Scarecrow,” “They,” and “Lamp Day,” many of which consist of experiences that can be felt by any person.

The key to Zapruder’s poetry, however, is using language that conveys a dark, wild, or comical side to the mundane and capturing the surrealism hidden within it. The vast world of a pocket, for example, is something that any person wearing pants is carrying around with him or her. In “Pocket,” a poem from Come On All You Ghosts, the pocket of the speaker suddenly becomes “dangerous” and exciting like “standing in a forest and staring at a picture/ in a plant book while eating scary

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