The Awakening And A Doll 's House

In Henrik Ibsen's, A Doll's House, the character of Nora Helmer goes through the dramatic transformation of a kind and loving housewife, to a desperate and bewildered woman, whom will ultimately leave her husband and everything she has known. Ibsen uses both the characters of Torvald and Nora to represent the tones and beliefs of 19th century society. By doing this, Ibsen effectively creates a dramatic argument that continues to this day; that of feminism.

In Kate Chopin’s novella The Awakening, Edna fights a psychological battle between the majority’s restrictions and her own desire for freedom. Although she hungers for independence and the pleasure to do as she wishes, Edna is controlled by her marital bonds and weighed down by the responsibilities of her family. These hindrances are so strong in fact, that Edna is unable to break free. By depicting Edna’s failure, Chopin suggests all women of the day will face insurmountable obstacles when attempting to attain independence from society.

In Henrik Ibsen’s A Doll’s House, Nora Helmer is a traditional “angel in the house” she is a human being, but first and foremost a wife and a mother who is devoted to the care of her children, and the happiness of her husband. The play is influenced by the Victorian time period when the division of men and women was evident, and each gender had their own role to conform to. Ibsen’s views on these entrenched values is what lead to the A Doll’s House becoming so controversial as the main overarching theme of A Doll’s House is the fight for independence in an otherwise patriarchal society. This theme draws attention to how women are capable in their own rights, yet do not govern their own lives due to the lack of legal entitlement and

Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life.  Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men.  The assumed superiority of their husbands traps them in their households.  Edna and Nora share many similarities, yet differ from each other in many ways.

It is easy to forget how far our society has come in the last hundred years in recognizing the equality of all people. Often when we take a look into the past what we see is very shocking. Such is the case in a Doll House by Henrik Ibsen. Here we see Nora presented as a victim of her father and male dominated society; however she also plays the role of victimizer against her husband, family, and friends. As Nora takes both sides of the conflict we see how she is forced into both roles.

In Kate Chopin’s book, The Awakening, the women characters’ represent different types of women during the 19th century. The main character, Edna Pontellier, goes through a phase in figuring out her persona. Adele Ratignolle and Mademoiselle Reisz provide options for Edna’s future. While Adele represents the “sleeping” woman, Mme. Reisz symbolizes the “awake” woman. Edna decides to wake up, but her desire for a man leads her to failure.

Kate Chopin’s “The Awakening” can arguably be considered a feminist piece, but regardless of whether it is or not, the short story unmistakably describes how life was for women in the late 1800’s. Her story is a great example of the sexist views of the time and existing social roles for each gender. The literature includes a large interplay between society and gender roles, which affected the reader’s response to the plot and other literary devices such as imagery back then and even today.

Throughout the nineteenth century, gender assumptions were made stating that women were the substantially and intellectually the weaker sex. Due to this mindset, it was believed that women must always serve under male control. This belief caused most women in the nineteenth century to bask in an aura of oppression and repression. Feministic views’ commence from the awareness of the inequality of treatment that women faced. Many stories such as, The Yellow Wallpaper written by Charlotte Perkins Gilman , and the The Story of an Hour written by Kate Chopin , demonstrated the oppression that women endured and expressed women’s regression. However, only The Yellow Wallpaper and the The Story of an Hour are attributable to the play A Doll’s House through it’s use of symbolic symbols. In A Doll's House, Henrik Ibsen symbolic use of the letter box, tarantela, macaroons,and the Nora’s slamming of the door, exhibits a change in the

Individualism, self-worth, and freedom are important concepts when someone is in search of themselves. The coming of age theme persists within the role of women in The Awakening, Joy Luck Club, and A Doll’s House. The Awakening, Edna tries to find herself through a free spirit. Joy Luck Club, June is trying to discover herself with the help of her heritage. A Doll’s House, Nora tries to be herself and not a trained doll she was raised to be.

A Doll’s House, by Henrik Ibsen, creates a peephole into the lives of a family in the Victorian Era. The play portrays a female viewpoint in a male-dominated society. The values of the society are described using the actions of a woman, Nora, who rebels against the injustices inflicted upon her gender. Women’s equality with men was not recognized by society in the late 1800’s. Rather, a woman was considered a doll, a child, and a servant. Nora’s alienation reveals society’s assumptions and values about gender.

Nora is treated like a child by Torvald, but she is accustomed to it and believes he loves her dearly. However, an important component of a successful and true marriage is trust, which is lacking in the Helmers’ marriage. Nora keeps a secret from Torvald while he is reluctant to trust her with money, let alone his reputation (Ibsen 2, 3, 13). When Torvald discovers that Nora has kept a secret from him, he is furious and takes away her right to raise the children without a second thought (Ibsen 83). However, while Torvald was throwing a fit, Nora comprehends that he has never loved her and that she was forcing herself to believe she loved him (Ibsen 87). Like Nora, Edna knew that she and her husband, Leonce, never loved each other; she thought he was her ticket out of her old life while he thought of her as his possession (Chopin 8, 29). Both Edna and Nora were raised to be obedient wives, but Edna, after her awakening, felt like marriage was “one of the most lamentable spectacles on earth” and did not try to save her marriage (Chopin 100). Love was sometimes not a factor that determined marriage; money and image was usually more preferred.

Unexpectedly, Robert and Edna become extremely close with each other by summer's end. Unwilling to further his relationship with a married woman, Robert leaves the country for Mexico. Furthermore, Leónce truly believed he had no obligation to care for his children and that it was Edna’s duty to do so. “If it was not a mother’s place to look after the children, whose on earth was it?” (Chopin 7). In society’s eyes, all a man needed to do was support their kids financially while the woman supported them in other ways. Chopin focuses on two other female characters in the story, Adele Ratignolle and Mademoiselle Reisz. These women are examples of how women should be in the nineteenth century. Adele was an example of a "motherly woman.” She would gladly sacrifice anything to care for her children, husband, and household, while Edna would not. Edna finds both role models lacking and begins to see that the life of freedom and individuality that she wants goes against society. Not only did society have a specific look on how a women should be, but Leónce as well, towards Edna. “’You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage.” This shows how Edna is not an acceptable color according to her husband’s wishes. Edna had specific guidelines to follow

In A Doll's House, Henrik Ibsen focuses on the importance of women's roles and freedom in society. Widely regarded as a feminist paean, the play features two major female characters; the most prominent of whom, Nora Helmer, shatters her position as a subservient, doll-like female when she walks out on her husband and children with a flagrant "door slam heard round the world." Nora’s evolution, though inspiring, should not overshadow another crucial woman in the play: Mrs. Kristine Linde. Both women attain freedom in a society dominated by the adherence to conservative marital roles, but do it in different ways. While Nora reaches her consciousness and slams the door on her shackling domicile, Mrs.

A Dollhouse by Henrik Ibsen is the story of one woman’s struggle to free herself

In Kate Chopin’s novel, “The Awakening”, Edna finds herself in a society where women were socially confined to be mothers and wives. This novel embodies the struggle of women in the society for independence along with the presence of women struggling to live up to the demands that their strict culture has placed upon them. A part of Edna wants to meet the standards of mother and wife that society has set, however her biggest desire is to be a woman free from the oppression of a society that is male dominant. Readers will find that the foundation of “The Awakening” the feminist perspective because of the passion that Edna has for gaining her own identity, and independence,