The Birds ( Hitchcock, 1963 ) And Psycho

Beloved, by Toni Morrison, and Frankenstein, by Mary Shelley, are masterpieces of literature that use different components to criticize society and explore the nature of humankind. Some of the main characters in the novels – Sethe and Beloved, and Victor Frankenstein and the Monster – have intricate relationships based on love, hatred, remorse, and mainly vengeance. The gothic thematic of each novel is demonstrated through elements that explore the setting of most scenes, as well as the nature of human behavior. The characters who were unnaturally brought to life, Beloved and the Monster, serve as catalysts for the development of the narrative, and have profound effects in all remaining characters.

The Hitchcock film titled ‘The Birds’ is set in Bodega Bay, California. For no apparent reason, as soon as a woman arrives in the area, birds have been attacking the residents, and causing death and destruction. In one scene, where Melanie Daniels (portrayed by Tippi Hedren) is stuck inside a house alongside Mitch Brenner (portrayed by Rod Taylor), and his mother Lydia, and his younger sister Cathy, trying to protect themselves from another relentless wave of bird attacks.

     The Birds, the movie was directed by Alfred Hitchcock and was based on the short story “The Birds” written by Daphne du Murrier. If you would have read the book and then watched the movie, you would see that very few things are the same. In both the short story and the movie flocks of gulls, robins, crows, and sparrows join each other. This is really weird because different species of birds never work together. The story and the film both have the same climate. It is cold and chilly; “the ground is frozen and it will be a black winter.” The climate gives the versions of the story a creepy and suspenseful feeling.

Miloš Forman and John Steinbeck in their texts One Flew Over the Cuckoo’s Nest (1975) and Of Mice and Men (1937) heavily use and explore the key ideas of ambition and companionship explored throughout their texts, primarily through the use of characterization but also through imagery and symbolisms. Alongside techniques, Forman and Steinbeck utilise other themes and ideas to further develop and convey their ideas, exploring the effect and power of ambition and dreams alongside belonging and individuality being used to explore themes of companionship.

Psychologists have suggested the idea that correlation does not imply causation. In The Birds, viewers find themselves unable to identify the purpose or the cause for the birds’ attacks. Hitchcock does not want us to know the answers either, since Hitchcock marvels at his ability to make viewers question his films and struggle at truly enjoying without fully understanding them. Although this essay cannot find a cause for the attacks in the town or to the characters that seem to be innocent like the children and the old man in the farm, it should shed some light on the correlation between the timing of the attacks near the Brenner family and Melanie and their internal struggle. The symbolism of the caged birds versus the free birds, the Jocasta complex Lydia struggles with, and the imagery of the light versus darkness when the birds attack represent the journey Mitch and Melanie face in trying to be together.

This essay is a comparison between the short story, “The Birds” by Daphne du Maurier, published in 1952, and the 1963 film, The Birds by Alfred Hitchcock. The story, in brief, was about a man named Nat, and his family. They lived on a farm and had to protect themselves in their house when the bird population spontaneously attacks. Although du Maurier’s story and Hitchcock’s film portray the same major conflict and theme, the other major story elements are very different.

The Birds, the movie was directed by Alfred Hitchcock and was based on the short story "The Birds" written by Daphne du Murrier. If you would have read the book and then watched the movie, you would see that very few things are the same. In both the short story and the movie flocks of gulls, robins, crows, and sparrows join each other. This is really weird because different species of birds never work together. The story and the film both have the same climate. It is cold and chilly; "the ground is frozen and it will be a black winter." The climate gives the versions of the story a creepy and suspenseful feeling.

In the ‘Parlor scene’ Marion and Norman are seen in contrasting lights. The bright light on Marion symbolizes warmth, innocence and naivety. The half lit, half shadowed face of Norman alludes to his dark side and split personality. Furthermore, the crosscutting between the two has been manipulated as so the two are never seen in the same shot, reinstating the separateness of the two. The monotone delivery of Norman’s line “I like to stuff things” not only foreshadows later events, but elucidates his twisted, sick mind. The symbolism of Marion’s name itself also re-establishes the polarization and predator-prey relationship between the two, creating feelings of dread and revulsion inside of the

Alfred Hitchcock in the film Psycho and Peter Shaffer in his stage production Equus both explore the true nightmares that manifest from sexual and emotional repression. The writers emphasise the motives and the reason for the characters actions opposed to how the causations of this repression occurred. Conversely, both works draw on the common theme of the disturbed human psyche, offering a critical perspective on the upbringing of each individual with regards to their early development, each characters subcontious fixations and abnormal behaviours through the use characters behaviours and representations. The characters Norman Bates and Marion Crane in Psycho and Allan Strang and Martin Dysart of Equus all face internal struggles against

Many questions have been asked if Hamlet, McMurphy and Chief Bromden are crazy or sane. Hamlet is the main character from a play by William Shakespeare called Hamlet. McMurphy and Chief are characters from a novel by Ken Kesey called One Flew Over the Cuckoo’s Nest. There have been many scenes in the play where Hamlet might seams crazy but without a doubt he is sane. Even though McMurphy do some crazy things he is definitely not crazy because he is aware of his actions and he does all these insane things just to make the Nurse Ratched mad. Chief Bromden’s character can easily be identified as sane because he knows how to stay out of trouble and from getting electric shock treatments.

The novels, “Beloved” written by Toni Morrison and “The Color Purple” written by Alice Walker both represent two women, the protagonist of both books, are able to accept their past and be able to find fulfillment and move on with their lives to be something better than were they were left off. Comparing acts of love and the moral support from the community to be the strong independent women they originally are. Toni Morrison and Alice Walker represent these two women, Celie and Sethe, in ways that they have the potential to help others but, when it comes to themselves they back down, which is what is not realized by these women.

asks if she is OK. I think most people would if you saw this woman

The short story "The Birds" was written by Daphne du Maurrier and was filmed and directed by Alfred Hitchcock. It has a very interesting and suspenseful plot. The short story was well written and the film was well played, both are very similar. Although, they have a few differences the film and short story have the same mood and theme. Would the differences in the film and the short story affect the suspenseful and frightening plot?Alfred Hitchcock did an outstanding job filming the movie matching it with the short story. In both the short story and film flocks and flocks of gulls, robins, and sparrows join each other.

A little girl and a young boy play in a field, as the sky gets darker. The clouds are not covering up the sun, but instead there are hundreds of large birds. The birds start to fill up the sky, it is just full of the animals all shape, size and size. The children start to bolt to safety, but they are too late. The birds dive bomb the children like rain, tearing at their fragile skin. This is the picture that Daphne du Maurie painted in your mind and Alfred Hitchcock put on your screen. Daphne du Maurier's short story “The Birds” was written in 1952, which lead to the idea of the movie The Birds in 1963 by Alfred Hitchcock.

Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.