The Black Walnut Tree
I fell in love with this poem “The Black Walnut Tree” written by Mary Oliver when I first heard about this poem. It is precise and “free verse” (it is type of verse used in poetry to show that the poetry is free from restrictions of formal or traditional rhythm) poem of thirty-five lines. The title immediately draw’s my attention toward the natural and pastoral world. It made me so curious about what happened in this poem and I really want to read it. Besides, the title also pointed out the center emotional conflict in the poem(Anonymous, 2016, p.n.d). Like the large branches of an ancient walnut tree, the poem is shrouded in the shadow of Oliver’s family tree. She used the first person
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One day the poet and her mother discussed about the walnut tree which they have in their backyard, this is not an ordinary tree for them, lots of emotions and feelings of them are attached with this tree the poet and her mother struggle to decide whether they will have this walnut tree on their property or not, they will be able to pay off their home’s mortgage (Messineo, 2014 , p.n.d), if they choose to remove the tree and sell it for the lumberman. However, if they want to keep it and be faithful to what the tree represents such as father’s memory, they will face the reality that the roots would smash the house and then owe a debt or worse, the poet used “figurative language” in this poem, “Likely..... Storm....will churn.... its dark boughs,” this phrase is the example of the “figurative language” which shows the tough time, diversity and difficulty in their life. They didn’t want to cut it down but during this
While reviewing “Stopping by Woods on a Snowy Evening”, it should be noted that the key is the rhythm of the language. The first, second, and fourth sentence rime while the third sentence of each rimes with the 1st, 2nd, and 3rd sentence of the next stanza. In relation with the cryptic language draws the question, there is a more sinister back drop of loneliness and depression in this poem much deeper than the level of nature orated by the Narator.
The mood of the speaker changes to guilt as the speaker and her mother realize they would "crawl" with "shame" and leave an "emptiness" in their father's heart and yard. The author negatively connotes "crawl," "shame," and "emptiness" to invoke a more serious and shameful tone. The beginning of the conveyed a more matter-of-fact and pragmatic tone, but changes into a more sentimental one by the end to convey family is more important than the money. The symbol of the tree represents the family, and connects it to their father's hard work and dedication to the family. If they were to cut it down, it would be symbolic of their betrayal. Imagery of the tree is used to describe the freedom and beauty of the tree as it "swings through another year of sun and leaping winds, of leaves and bounding fruit." The tree represents their family bond and how strong it is even through the "whip-crack of the mortgage."
The poem at the cemetery, walnut grove plantation, south carolina, 1989 by Lucille Clifton is a six stanza poem with many repetitions throughout the poem conveying the idea of how the slaves that worked in the walnut plantation were forgotten and not honored. The speaker of the poem, who is taking a tour around the plantation and cemetery, expressed anger throughout the poem as the tension slowly escalates ending with repetitions of “here lies”. Putting all the elements of the poem together, paradox and repetition, it perfectly articulates the underlying meaning of the poem, which is to remember and honor the dead slaves, men and women, whom worked in
Jane Hirshfield connects to nature at her home in Marin County, California this is where she gets her inspiration for her poems. Hirshfield published “Tree” in 2000 as a free verse poem, divided into 4 stanzas and 4 sentences to convey the nature world. The poem represents a “young redwood” (line 2) growing near a house, near a kitchen window. The redwood is already scraping against the window frame of the house, reminding the reader of the “foolish” (line 1) idea of letting it grow there. Humans were created to be one with nature, but as they evolved as a species, they were obligated to choose between the materialistic world or the world of nature.
The diction in the excerpt is an essential component to the dramatization of the plot’s central incident. Jewett uses rich language to intensify the simple nature of the main character Sylvia’s journey up a “great pine-tree.” For example, in describing the tree, the narrator uses personification as he mentions the “huge tree asleep yet in the paling moonlight.” The use of personification harkens back to those universal moments in childhood in which everything alive had human feelings, and creates an emotional attachment between the reader and the tree. Jewett also uses other figurative language, like similes, to relate the grandeur of the tree to the audience. She writes, “It [the tree] was like a great main-mast to the voyaging earth…” In comparing the tree to the great mast of a ship, the author invokes feelings of awe at its size.
She is explaining a deeper meaning using nature as her based. She states that things can seems perfect, but can change quickly. For example: pain and illness. Sometimes we can bear these problems and have to give in. You don’t know when death will come because it’s uncertain. She describe this reality with the sky becoming saturated as the color of the clouds turn gray. At any moment it can fall and it did. It hit the small leafs, but also affected the old elm tree which can only take a small of amount rain. The ground failed first then the tree, all that was left was
Perez’s use figurative language throughout the poem transmits the concept of avarice in mankind with the ambition for amelioration. A representation of similes in the poem would be “Darkness spills across the sky like an oil plume.” In the literal sense, he is stating that it is nighttime which creates the setting of the poem. However, when referring to oil plumes, Perez is discussing the environmental damages such as destroying habitats and the source of diseases
Trees are important not only physically but also spiritually and for many this fact is lost. Physically trees provide humans with beauty and a healthy ecosystem. Spiritually trees provide humans a connection to nature. Their importance has been lost in our modern times as humans further separate themselves from nature. While forgotten by many, their actions still resonate. The two modern poems “The Tree Agreement” by Elise Paschen and “Living Tree” by Robert Morgan trumpet the value trees hold in comparable ways. In the poem “The Tree Agreement” the speaker argues for the benefits of the Siberian Elm against a disagreeing neighbor. By structuring the poem in this manner, the poet highlights how people are blind to the services trees provide while simultaneously highlighting said services. The tree is portrayed almost as a friend or ally to the speaker. The speaker describes not only to the significance of the tree to humans like the neighbor and the speaker but also to the other living creatures surrounding them. The poem “Living Tree” focuses on the actions performed by trees in cemeteries. This poem follows a more spiritual route when compared to Paschen’s poem. This poem describes the process those who have been buried go through and the role trees play in this process. The trees in this poem are portrayed as lightning rods for the chemicals and spirits of the dead. This relationship is portrayed positively, as the trees are a monument to the passing of life. These poems
In this poem, symbolism is used to help reader’s find deeper meaning in the little things included and show that everything comes back to the father’s fear of the child he adores growing older and more independent. “In a room full of books in a world of stories, he can recall not one, and soon he thinks the boy will give up on his father.” This sentence makes a reader assume that the story the five year old so
The speaker also chooses her diction precisely, so that there is clear contribution to the overall idea that the poem is indeed about the quest for change and longing from escape from the swamp. Two very different forms of description are used to represent this source of dread: once by the simple name, swamp, and
The narrator's vision of her ancestors expanding a plentiful life is emphasized with the picturesque “blue fields…with leaves and vines and orchards.” This then strikes the narrator with the realization that cutting down the tree would be a betrayal to their ancestors, their dreams and the demise of the heritage of the
Both speakers ply nature as setting to express their emotion.the speaker in the poem “The Lonely Land”apply “cedar and jagged fir’s action” as setting to express the lonely environment of the poem and the negative attitude.
There is also figurative language used in phrases such as “Having come from the clouds” and “tilting road”. This adds to the effect of imagery and emphasis on the journey to the sawmill town. It also helps to make the stanza more interesting to the reader.
This is significant because it emphasizes the melancholy and mournfulness that he depicts with imagery in the first stanza. Later on in the second stanza, he author describes the tree the narrator would have planted as a “green sapling rising among the twisted apple boughs”. The author uses visual color imagery of the color green to describe the sapling in order to emphasize just how young the newborn was when he died. Later on in the poem, the narrator speaks of himself and his brothers kneeling in front of the newly plated tree. The fact that they are kneeling represents respect for the deceased. When the narrator mentions that the weather is cold it is a reference back to the first stanza when he says “of an old year coming to an end”. Later on in the third stanza the author writes “all that remains above earth of a first born son” which means that the deceased child has been buried. They also compare the child to the size of “a few stray atoms” to emphasize that he was an infant. All of these symbols and comparisons to are significant because they are tied to the central assertion of remembrance and honoring of the dead with the family and rebirth.
“Storm Warnings,” true to its literal subject matter, possesses flowy sweeping syntax created by the strategic use of commas and phrasing to draw parallels between the physical oncoming winds and the gales of life. The author crafts a long run-on sentence that spans the first stanza and carries on into the latter portion of the second to mirror the continuous flowing of windy weather and the forward motion of life. Once the speaker notices the brewing storm, they “walk from window to closed window, watching boughs strain against the sky.” In this portion of the affromented run-on sentence, alliteration, rhythm, and the repetition of words all contribute to the impression of movement. The various “w” sounds at the beginnings of words and the repetition of the word “window” create a sensation of continuously flowing forward, especially when read aloud; the comma adds a small swirling pause to the rhythm, which is then soon after resumed with the word “watching.” Just as the poem rhythmically moves forward with its long phrases connected with frequent commas, so must life carry on with each additional experience, whether it be misfortunes or joys. The elongated syntax allows all these elements to work together within sentences to highlight the similarities between physical storms and emotional struggle and to stress the inevitability of predicaments in life.