The Blame Game By Eugene O ' Neill 's Long Day 's Journey Into Night

News article, “Revenge and the people who seek it” written by Michael Price explores an in-depth perspective on the concept of revenge and how it effects people. Revenge is used in a variety of different ways. It can be used to, find personal satisfaction, show dominance, or a way of keeping order. People seek revenge for different reasons depending on their culture. However, most of the time people motivated by power tend to be more vengeful. Revenge can often times be confused with catharsis. An experiment conducted by Kevin Carlsmith, a social psychologist, resulted in showing that revenge seems to be sweet and relieving, but in the end it does not solve any problems and you end up feeling worse.

A Long Day’s Journey Into Night, by Eugene O’Neill, is a deeply autobiographical play. His life was rampant with confusion and addictions in his family. Each character in this play has a profound resemblance, and draws parallels and connections with a member of his own family. The long journey that the title of the play refers to is a journey into his past. Fog is a recurring metaphor in the play; it is a physical presence even before it becomes a crucial symbol of the family’s impenetrable confusion. It is referred to in the text as well as stage directions in this play. It sets the mood for the play in all its somber hues.

or this project we viewed the original 1957 version of Twelve Angry Men, an American Drama, adapted from the teleplay written by Reginald Rose with the same name starring Henry Fonda as the lead role.

In “The Victims” by Sharon Olds it describes a divorce through the eyes of the parents’ children. The first section is shown through past tense as the speaker is a child and the last section is shown in present tense with the speaker already being an adult trying to make sense of past events. The word “it” in the first two lines carries a tremendous weight, hinting at the ever so present abuse and mistreatment, but remaining non-specific. The first part generates a negative tone toward the father who is referred to as malicious by the mother who “took it” from him “in silence” until she eventually “kicked him out.” Through the entirety of the poem the children are taught to hate their father. Who taught them? Their mother showed them that their father was a villain and were taught to have no sympathy for him but “to hate you and take it” and so they did so. Although the poem never directly states what the father did to receive the family’s hated, the speaker gives examples as to why he is hated.

In 1966 Truman Capote shocked the world with a novel unlike anything ever seen before. Capote’s novel “In Cold Blood” not only entranced readers with its often dark and mysterious tone, stunning imagery and controversial elements but introduced its audience to an all new genre, a non-fiction novel. In 2001 Lois T. Stover commented on the complexity and depth found in quality young adult literature, she stated that “Good young adult literature deals with the themes and issues that mirror the concerns of society … it help readers understand the complexities and shades of grey involved in dealing with these issues." “In Cold Blood” is a superb example that there is nothing simple about quality young adult literature, themes and messages found in capotes crime/thriller novel did and still relate heavily to our growing society. “In Cold Blood” explores numerous social issues; including the detrimental effects of mental illness, the banality of evil and the importance of family however it’s the commentary Capote makes on the so called “American dream” that questions its authenticity, takes centre stage throughout the novel.

The American Dream is a sought after idea sold to Americans and immigrants alike. It promises the opportunity to create a better future for oneself. So long as said individual works hard it promises a happy ending. Arthur Miller reveals the reality of the American Dream in his play Death of a Salesman through the life of Willy Loman and his family. Willy represents the primary target audience as a working class man providing for his family. His pride causes him to be two steps behind in his life-long quest to achieve the American Dream and his family inherit his failures in their own individual quests.

To kill a man is to take away everything he has, and ever will have; and in War, death is inescapable. Vietnam War veteran Tim O’Brien was drafted to fight in the War in 1969 and states in the book as his “character/narrator” self that he attempted an escape to Canada out of fear. But the stronger fear of people being ashamed of him took over and had him turning back to home to enlist in the U.S. Army. O’Brien published The Things They Carried in 1990 and explored the physical and mental realms of war-time combat with stories. These stories are based on his own experiences, but they include a fictionalized version of himself as “the narrator” and are said to only be what felt like the truth rather than being the actual truth. Despite this, the intention of these stories are to give readers the understanding of what it was like to be a soldier fighting for their life and country overseas. In the chapter “The Man I Killed”, the narrator tells the story of a man he killed outside the village of My Khe who was “a citizen and a soldier” of Vietnam (119). Although this man was the enemy, O’Brien’s character displays how ending another’s life in battle is not an easy pill to swallow. O’Brien, the narrator, uses repetitive descriptions, vivid and gory details, and his glum emotional response to the fatality he caused in the chapter to illustrate how feeling responsible for another man’s death can have traumatic effects on the mind.

The tragic fall of an individual is brought about by a tragic flaw. In Arthur Miller’s Death of a Salesman, Willy Loman is seen as a densely flawed human being. Ironically, the flaws that Willy lives off of are what ultimately leads to his demise. The major faults that contribute to his downfall are his compulsive lying, his selfishness, and his unrealistic expectations and perceptions.

In his novel, The Fault in Our Stars, John Green describes the hardships, endless love, and a tragedy, that two teenagers must push through to find their forever. Hazel Lancaster, an intelligent, aware, and selfless young girl, has struggled with cancer since the early age of thirteen. Augustus Waters, a smart, metaphor loving, cancer stricken kid, falls completely in love with Hazel Grace, but a great misfortune cuts their time together short. “Some infinities are bigger than other infinities (Green, 260).” Both Hazel and Gus learn to appreciate the time they spend together and make their small infinity one to remember. This novel is based off of a girl by the name of Esther Earl, she and Green met at a Harry Potter convention and Green thought her story would be an amazing way to spread the word about this dreadful disease. Green’s purpose of this novel is to bring awareness of the horrible disease called cancer and how it not only affects the patents life, but others as well. Since this book is narrated by Hazel, it has a tone of being very frank, Hazel tells it like it is and does not sugar coat anything with the fear that if she does she will hurt someone even more. With the use of ethos, logos, and pathos, Green appeals to his audience of young people who may not realize how extremely well off they are and inspire the people who are struggling to find themselves.

The things the American consumer eats are not what they seem to be. Much like pollution, the major food companies are treating America to unhealthy products that can cause physically damage to the human body. From motivational competition to company rivals, people aspire for greatness, to be the best at what they do. Some people desire to be the best will even go to drastic measures to get what they want. Companies like General Mills and Procter & Gamble, Coca-Cola, Nestle, Kraft, and Nabisco have more than their friendly share of competition, some could even say that they are fighting for the monopoly of the food industry.

“In a Dark time” by Theodore Roethke gives a retrospect into the inner turmoil’s of finding oneself through a haze of doubts in till reaching a moment of clarity. Each section of the poem describes a different emotion, or inner thought that spirals from fear of death, to emotions of desire. The use of imagery between nature and uncertainties of the narrator give a glimpse into Roethke’s own mind during the time he wrote this poem. Without hundreds of pages Roethke created a poem that connects readers to their own self-doubts and struggles of finding ones way again.

“In modern war... you will die like a dog for no good reason.” - Ernest Hemingway.

Guilt is defined as an emotion of regret or accountability for some offense, which drives a person to make amends in some way. Shame is defined as a painful emotion arising from the consciousness of committing something immoral. The Reader, by Bernhard Schlink, is a novel that is filled with various examples of guilt and shame. Guilt is especially important because the symbolic meaning of the story contains illustrations of both collective and personal guilt. This emphasis on guilt begs the question: “How can the novel, The Reader, be seen as a study in collective and personal guilt?” The Reader can be seen as a study in collective and personal guilt because it shows how Hanna and Michael represent the guilt of Germans communally and individually.

Women are often perceived as mother figures who stand by their husbands no matter what type of situation they encounter. They are expected to give a perfect image to society and do not get the greater say. Eugene O 'Neill’s play, A Long Day’s Journey into the Night (1940), gives the reader a representation of a woman who is still influenced by these standard societal expectations. The character, Mary Tyrone, depends greatly of her husband and will not leave him even if she wanted to. In The Awakening (1899) by Kate Chopin, the reader is introduced to Edna Pontellier who is the complete opposite. She exposes the dissatisfaction that women feel and decides to act upon it. These two characters feel that they do not belong in the lifestyle they are given. They struggle with their identity due to their husbands’ lack of affection. As a result, marriage becomes a barrier to their happiness and individual fulfillment. The sense of displacement, marital dissatisfaction, and loss and gain of identity pushes both Mary and Edna to take major decisions in order to deal with their pain and desires.

In the play, Mary is a beautiful woman and lives the life like any other girls of her time; but she is emotionally attached to her sons and her family when she marries into the Tyrone family. She is also getting old, so she keeps going on her days worrying about her change of appearance. She suffers from a morphine addiction and she is psychologically wounded because of her past. She tries many times to break free but she could not stop as she spends time with her family. She has gone through many struggles but she cannot move on with her life. She keeps looking back into the past; and she regrets marrying into the family because of the dreams she had to sacrifice such as becoming a nun or a concert pianist.