Character of Mr. Watts
Tom Christian Watts, known locally as Pop Eye, is an elderly white man living in the village with his black wife, Grace. Grace is from the village and now suffers from an undisclosed mental illness. He and his wife are local eccentrics, providing the children with entertainment on occasions when Pop Eye, wearing a clown’s red nose, pulls his wife along the village in a trolley. In turn, she stands regally looking at no-one. Matilda is keen to understand what this behaviour means, ‘sensing a bigger story’, but the adults ‘looked away’ as if embarrassed by the sight. Only at the end of the novel is the ‘bigger story’ made clear.
At the start of the story Matilda only knows what she sees of Mr. Watts: he wore ‘the
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But she changed it. Her name is Sheba.’
The reader now thinks of Pop Eye with his clown’s nose pulling along his queenly wife on the trolley.
Why did Grace feel the need to change? What had she moved from and to?
Later on Mr. Watts comes into open conflict with Dolores over her disapproval of Mr. Watts’ teaching of a work of irrelevant fiction, as Dolores sees ‘Great Expectations’, instead of God’s word and His influence on Matilda’s thinking. Dolores challenges Mr. Watts to deny the Devil’s existence in a story of her own. His response is:
‘Pip is an orphan -----emigrant’s experience. Each leaves behind the place they grew up in . Each strikes out on his own. Each is free to create himself anew. Each is also free to make mistakes---‘
While we recognise the similarity of explanation given to Matilda earlier in the story we begin to understand that he is talking to Dolores about Grace and that some of Dolores’s hostility towards Mr. Watts has to do with his wife, a childhood friend of Dolores. By the end of the novel the reader understands he may be referring to himself.
When the redskins finally arrive at the village looking for rebel soldiers there is confusion caused by seeing Pip’s name in the sand. Daniel tries to be helpful by explaining ‘Pip belongs to Mr. Dickens, sir’, pointing to the school and the officer misinterprets this to be Mr. Dickens instead of Tom Watts. Mr. Watts causes further confusion by owning up to being Mr.
The Eye of the Sheep, written by Sophie Laguna is a strong example of how memorable texts can both disturb the reader as well as instil hope. The novel follows the story of the narrator Jimmy Flick, a young, unusual boy and his family. Laguna’s writing style and use of language throughout the text enables the reader to feel the pain and distress in Jimmy’s family without ever losing hope that things will work out. One of the ways in which she does this is through the use of Jimmy’s voice, as it allows the reader to feel the positive energy bubbling inside of Jimmy, while still witnessing the problems that Jimmy’s family have to deal with, such as his father’s drinking habits. Another way is the manner in which the characters are constructed. All the members of Jimmy’s family have multiple facets to them. They are all complex characters that have both light and darkness within them. Through these cleverly constructed characters, Laguna how even good people can do disturbing things. While reading the Eye of the Sheep, there have been multiple different perspectives that have enriched my own interpretation of this text, that again show different facets to the story.
Great Expectations tells the ultimate rags to riches story of the Orphan Pip. Dickens takes his readers through life changing events that ultimately mold the identity of the main character. Dividing these events into sections will provide the basis for interpreting which events had the most profound effect on Pip’s identity towards the end of the novel. These life-changing events provide the catalyst for the development of Pip’s character from childhood, his adolescence, maturing into a social gentleman, and finally becoming a self-aware man of society.
Mary Maloney and Miss Strangeworth are the two main characters in the story. The two of them make up the main parts of the stories. Mary Maloney kills her husband and tries to cover it up and Miss strangeworth is the one who sends the mean notes and is a very fake person, who comes off sweet and innocent, when in reality she is mean and a liar. Mary Maloney kills her husband and tries to cover it up and Miss strangeworth is the one who sends the mean notes and is a very fake person, who comes off sweet and innocent, when in reality she is mean and a liar. Mary Maloney goes to the grocer to cover it up and says, ”Patrick’s decided he’s tired and doesn’t want to eat out tonight,” she told him. “We usually go out Thursdays, you know, and now he’s caught me without any vegetables in the house.” Miss strangeworth is portrayed as a very stuck up and brags to everyone about how her father built the town and how she has been there the whole time. It also introduces her roses. Miss Strangeworth's roses are her life. She tends to them all the time,
Pip is first blinded by material consumption when he meets Estella. It is she who raises this concept of class stratification in him by criticizing his thick boots. Estells calls him a "common labouring-boy" and criticizes him for the terms by which he calls his cards, "'He calls the knaves, Jacks, this boy!' said Estella with disdain, before our first game was out. 'And what coarse hands he has. And what thick boots!'" (73; ch.
In the beginning of the story, Matilda begins by being lazy and falling back asleep after her mother demands her to wake up this instant. She wakes up and finds that their serving girl Polly hasn’t arrived yet and then were introduced to the Grandfather and Eliza. At the end of Chapter 2, Matilda finds that Polly has passed and at the end of Chapter 3 Matilda and her mother Lucille argue about Matilda going to Polly’s funeral. Mother says, “The girl was our servant, not a friend.” (16). This shows that maybe Lucille and Polly might of had a rocky relationship. And towards the very end of
The first character to play a big part in shaping Pip’s personality is his sister, Mrs. Joe Gargery. His sister’s vicious attitude and harsh punishments force Pip to have an unfriendly childhood. This bringing up “by hand” has caused him to be a “sensitive” boy. The constant threat of being beaten with the Tickler has also instilled the fear of speaking out against adult’s treatment of him because it would send his sister into a “terrible Rage.” However, her brutality has also made Pip able to feel when something was a “keen injustice” because he himself feels so about her actions and words towards himself.
When Tom introduces the characters in the play, he includes his father as one of them although clearly stating that he is not going to appear on stage. Tom also gives a brief description of his father, helping to establish a lasting impression on the audience after seeing the photograph which Williams has described to be “blown-up” and Tom describes as “larger-than life”. Mr. Wingfield is described by Tom as a “telephone man who fell in love with long distances”, “gave up his job with the telephone company and skipped the light fantastic out of town”. In addition to that, Tom provides us in his opening narration information about the postcard from his father containing the message of two words “Hello – Goodbye!” From Tom’s narration, we see the lasting effects of Mr. Wingfield’s abandonment on Tom.
One critic, Leonard Mustazza, argues that Mrs. Hale recruits Mrs. Peters “as a fellow ‘juror’ in the case, moving the sheriff’s wife away from her sympathy for her husband’s position and towards identification with the accused woman” (494). Though this is true, Mrs. Peters also comes to her own understanding. What she sees in the kitchen led her to understand Minnie’s lonely plight as the wife of an abusive farmer. The first evidence Mrs. Peters reaches understanding on her own surfaces in the following passage: “The sheriff’s wife had looked from the stove to the sink to the pail of water which had been
The class system becomes a focal point in young Pip's life. Pip first began to think about his place in society when he was sent to visit the wealthy, old lady, Miss Havisham at her mansion. Through these visits Pip becomes socially conscious and begins to dislike his commonality. Almost instantly he wants to become uncommon. The adopted daughter of Miss Havisham, Estella, becomes a focal point and goal for Pip to obtain. Any morality Pip used to have slips away with each visit. Pip walks in circles in a barely lit room with Miss Havisam holding onto his shoulder and in doing so, Pip is somehow leaving behind all the values he was raised with. Miss Havisham and Estella end up corrupting Pip with the rich life. Greed, beauty and hubris are Pips downward spiral into an immoral life. Pip finds Estella very attractive, but Estella calls him common and this does not sit well with Pip. All of Pip's expectations of becoming a rich gentleman are due to this love of Estella.
All of this Pip did for his best friend; he took money out of his own pocket and used it to make his friend's life better. The friends cared deeply for each other and loved each other sincerely. Every incident they found themselves in served to deepen their friendship.
In addition, Pip’s improvement changes the outlook that is perceived by others of him. For example, after Pip learns how to be a gentleman, Biddy began to address Pip as “Mr. Pip”. Also, The Blue Boar, a local inn treats him differently by how when he was affluent, he was accommodated with the best room. On the other hand, when he had lost all his riches, the Blue Boar only provided him with an indifferent room among the pigeons.
The entire story is told through the eyes of an adult Pip, even though Pip is a small child during parts of it. In his early years, Pip was strongly influenced by his guardians, Joe Gargery and his wife, Mrs. Joe. Joe instills a sense of honesty, industry, and friendliness in Pip, while Mrs. Joe does a great deal to contribute to his desires and ambitions through her constant emphasis on pomp and property. Pip is generally good-natured and thoughtful, and very imaginative. His false values, which are bolstered by his love of Estella, decrease the amount of respect that he has for Joe. His alienation from Joe and Joe's values builds through the second part of the novel, as Pip becomes selfish, greedy, and foolish. During the period when his expectations are intact, his only morally positive act was to secretly help Herbert Pocket into a good position. Upon discovering that Magwitch is his benefactor, a new phase begins in Pip's moral evolution. At first, Pip no longer feels the same human compassion for Magwitch that he did the first time he saw him out on the marshes. Gradually, Pip changes his perception of Magwitch, unlearning what he has learned. Pip becomes concerned with the man, and not the expectations that he could provide. When Jaggers presents the thought that there may be a way for Pip to get his hands on Magwitch's property, the idea sounds hollow and utterly empty to Pip. Pip learns about Estella's parentage through
This shows us that the mother is already aware of Little Red Riding Hood’s curiosity and bad behaviours. She expects her daughter to forget about her sick grandmother and give into her Id, which she does. Little Red Riding Hood has the primitive mind of a baby – all Id -- guided by her needs and feelings. She does not think about the consequences of her actions and follows only one rule: “the pleasure principle”. She does not think about the outcome of her decisions in a world of reality, but instead in her own world ruled by pleasure.
“The Boarding House” is one of the most interesting stories in the book. First we meet Mrs. Mooney, Polly Mooney the main character’s mother. Because of her history, mostly her exhusband she has become a very tough self sufficient women. Then we have Polly and her love entrust Bob Doran. At first it seems like Bob a thirty five year old matured man is taking advantage of this young sweet nineteen year old girl. As the story goes on and the Mrs. Mooney knows of the affair and lets it happen and then wants something from it we are still not sure. Then Mr. Doran’s indasigen when he was thinking of what had to be done. “Perhaps they could be happy together.......” It just made him seem so innocent and like a victim(Joyce P.58). But just like the two other stories I discussed the end tells all. Just before Mr. Doran was going to go down to meet with Mrs. Mooney Polly was sitting with him on the bed crying
There are salient junctures in Pip’s upbringing that make him who the person he was; this is a tale that in which Pip was soliciting for awareness of himself, as well he realized that his life had major elements of obscurity; due to the fact, he was presented clearly, two radical different lifestyle choices; one, involving a life as a blacksmith and the other; involving the path as life as am affluent prosperous gentleman. Dickens carefully wrote in the periods of Pip’s life and how those set of circumstances; affected by choice, as well affected Pip’s later choices he had made. The temptation of class and wealth perverted the actions of Pip and other people around him; Pip is therefore contemplating on how he was saved by reminiscence of the stages of his life. In the first stage; Pip encounters Magwitch; by accident, this affects the outcome of later events of his life; Pip is than introduced to Miss Havishism and Estella, he fell in love with Estella, and was dramatically persuaded by the promises he made to himself, from his encounters with Miss Havhishism and Estella. Dramatically; Pip than learned the truth about his wealth and that Magwitch was Estella 's father; this collapsed Pip’s vision of reality and forced him to alter his exceptions concerning the truth; Pip than had to save himself from his own selfishness, as well as his malice actions, to the ones who were faithful to him; finally, at the end Pip is a full grown adult and had gain