In conclusion, in Dickinson’s poem, she writes about death from the perspective of a deceased person thinking about the day they died. Dickinson experienced the death of many people close to her, which is believed to be the cause of the topics of most her poems being about death. “The Chariot” focuses on the life that is left behind, and shows her view that death is not to be feared since it is just a part of life, shown in how she personifies death as a gentleman.
This provokes the readers' psyche of a lonesome, fragile individual, standing isolated at the end of an dark, treacherous road. This imagery is successfully used to illustrate a portrait of Dickinson, or even the individual reading the piece themselves, as they’re yearning for their new life, which right now is filled with darkness and sorrow. The poem is comprised of five stanzas, each consisting of four lines. The monotonous nature of the poem is nothing gleaming or eye catching, and this is purposely done for the conspicuous fact that sometimes, precious values and things you love are vaporized. With the abandonment of something important, the world does not stop revolving around you and seemingly mold itself for you. It will continue to revolve in the same way it always has for four and half billion years, but now only seeming to be filled with darkness, difficulty and
“Afraid! Of whom am I afraid? Not Death – for who is He?” (F345). Dickinson, on the other hand, was not shaken by the thought of death, but rather welcomed it. Dickinson’s poetry not only portrayed death as nothing to fear, but it also counterbalanced society’s disdain for death. In one of Dickinson’s most popular poems, she writes “Because I could not stop for death- he kindly stopped for me” (F479). Culture typically sees death as an unwelcome end that everyone must face, but her poetry depicts death as being kind enough to halt its progress to accommodate her. Why is Emily Dickinson’s poetry so in love with death? Death is the only reliable constant (Ottlinger, 42). “All but Death, Can be adjusted Dynasties repaired – Systems – settled in the Sockets – Citadels – dissolved – Wastes of Lives – resown with Colors By Succeeding Springs – Death – unto itself – Exception – is exempt from Change -” (F789). Perhaps the harshest aspect of her poetry’s death is that after it has taken another soul, life moves on simply
Dickinson starts the first stanza of the poem with, “Because I could not stop for Death – He kindly stopped for me” (807). Clearly she was not ready to go, death simply took her by surprise and brought her busy life to a halt. This could be seen as a beautiful way to take on death because death is usually said in such a morbid tone and the fact she associated “kindly” with death makes it beautiful. The second line says, “The Carriage held but just Ourselves – and Immortality” (Dickinson 807). The author emphasizes Carriage, Ourselves, and Immortality. Dickinson seems to be talking about her own death chariot and by immortality, she believes her death is not the end, but rather as a step to eternal life.
“The idea of death as a suitor is a powerful one, … In "Death is the supple suitor," Dickinson returns to the ideas of the earlier "Because I could not stop for Death” (Priddy). “The drive in "Because I could not stop for Death" symbolizes the movement through life and into death. In stanza three, the carriage passes from childhood, past the "Gazing Grain," which in its ripeness might be seen as representative of maturity, and finally past the "Setting Sun," symbolic of endings” (Priddy). All these images that the author set up throughout poem is just all leading to the end where Dickinson reveals the fact that all life comes to an end and how each image gives a more saddened feel to the poems. “Despite her seclusion, she was in correspondence with many of the prominent intellectuals of her time, including Bowles, editor of the Springfield Republican, and Higginson, editor of the Atlantic Monthly. Many of her poems were included in letters or were mailed as messages. She wrote, particularly, in times of illness, death, or other hardship” (Priddy). She always had a spot in each of her poems whether it be to family friends or others it had the introduction of the saddening qualities that prevailed during this time of
Disguised as a carriage ride, Dickinson cleverly creates her metaphor of death. The carriage starts out riding and passing beautiful, natural scenery, similar to the journey of life. The ride is described as slow, and when the carriage stops, the horses of the carriage have their heads pointed toward. Whether this "eternity" resembles Heaven or Hell, it remains unclear. This poem gives an accurate representation of the short journey's people have until
Finally in the final stanza of the poem, Dickinson remembers the horses in which she was being taken away when she died. The horses seem to be taking her into Eternity, basically an afterlife.
Both the “Valediction Forbidding Mourning” by John Donne and “Because I Could Not Stop for Death” by Emily Dickinson contain age-old themes. These themes focus on inevitable feelings and events of life; love and death. Although both “Valediction Forbidding Mourning” and “Because I Could Not Stop for Death” contain the two themes, they differ greatly in how they are presented and what they represent. In “Valediction Forbidding Mourning,” a husband traveling away from his wife is consoling her.
Death is usually visualized as a frightening character, for example the grim reaper is used in many novels or films. The word ”Death” (line 1) is associated more than someone passing away since Dickinson gave death human characteristics. Its shown when “Death” (1) “Kindly stopped” (2) for the speaker instead of rushing the speaker to enter the afterlife. For the reason that “Death” (1) “Drove slowly…. No haste” (5) meaning that he was patient making it seem like it is a peaceful journey to eternity. Also, as the speaker is with “Death” in the carriage she mentions that he has “Civility” (8) which means that someone is formal polite in behavior toward
This poem is written in ballad form which is odd because one would think of a ballad and think a love story or an author gushing on about nature not an allegory about personified Death. Dickinson both unites and contrasts love/courtship with death, experimenting with both reader’s expectations and the poetic convention dictating specific poem form. This is why Dickinson is widely hailed because of her unconventional writing methods.
Dickinson personified Death, making it seem throughout the poem it was her friend. In stanza two, Dickinson writes, “We slowly drove, he knew no haste, / And I had put away / My labor, and my leisure too, / For his civility.” Dickinson is talking about how at the beginning of life, a person is not worried about death. Children and young adolescents do not think about death, which is what Dickinson is saying when she says, “We slowly drove, he knew no haste.” The carriage ride is a symbol of the author’s departure from life, as she is in the carriage with death and immortality. The second stanza reveals Bishop’s willingness to go and be with death, also she has come to turn with her own mortality. The portrayal of Death drives slowly for Bishop, allowing her to reminisce on her life. Death takes the author through the course of her life with a gradual and patient
Death has always been an intriguing topic which many people delve into. Some view death fearfully, others embrace it, and some also reject it. The poems “Death, be not Proud” by John Donne and “Because I could not stop for Death” by Emily Dickinson, explore the nature of death. Their poems reflect each of their views on death. To emphasize and characterize Death, both authors personify death. While John Donne belittles Death for its powerlessness and berates it for its haughtiness, Emily Dickinson treats Death as a gentleman.
Emily Elizabeth Dickinson (1830-1886), American poet was born in Amherst, Massachusetts. In her childhood, Dickinson lived in a wealthy family and her family was as the center of the community. So, she gained a lot of chances to permeate interesting ideas from a several masterminds such as Ralph Waldo Emerson. She was an introvert. Her works were concerned with the mind of a human being and most of them related to death. Thus, it cannot deny that Emily Dickinson’s poetry works as a mirror to reflect the concept of death and immortality. Most of her works are short and do not follow the rule of structure. The idea of death of Emily greatly differs from others. Therefore, this paper mainly focuses on the poem Because I could not stop for Death
In Emily Dickinson’s “Because I could not stop for Death “ (448), the speaker of the poem is a woman who relates about a situation after her death. The speaker personifies death as a polite and considerate gentleman who takes her in a carriage for a romantic journey; however, at the end of this poem, she finishes her expedition realizing that she has died many years ago.
Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.
Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense