As a child, Roberta Bondi didn’t have a peaceful childhood while growing up. She had to struggle with her faith, calling God, father, and even her relationship with her own father. Roberta had unique personality compared to others such that her thinking was beyond what anyone might expect; in which the excitement of thinking beyond expectations made Roberta the person she was. Roberta was raised in a society where men were in control; however, she didn’t approve of such society due to her curiosity and not obeying what she’s been told. Roberta was not an easy and a calm child to handle, she caused trouble and her father’s expectations of her were high. Not only that but her questioning of gender role was a concern for her. After her parents were separated, her father’s expectations of her were no longer there and did not speak to one another. After a while, blaming one-self after a separation of the parents is always expected from young children and so Roberta’s feeling that the separation of her mother and father was due to her misbehavior at home allowed her to be not happy. The separation of her parents did not only cause Roberta to feel not happy but also her thinking was shaped in ways that blamed all men to be the exact same way and that on one could be the same. This can be related to what each child feels and thinks if that were to happen to their own family, and unfortunately in our current society there are people that still the same way as Roberta’s father and
The women also found that the new control they had in their lives led to a significant increase in their independence. With leaving their home, parents found that they had less command over their daughters’ lives. This situation is seen in a concerned letter from a stepmother to her stepdaughter who was working in a mill in New Hampshire: “your reputation your happiness all you hold dear are I fear at stake” (21). This letter was written by a stepmother who feared that the boy the girl fell in love would not bring her full happiness. Unlike previous times, the mother was no longer able to be beside the young woman to give direct council and have more say in who her daughter can or cannot see, allowing more independence in the daughter’s life.
Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;
Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.
The minister then questions her but after his unsuccessful attempt, Mother’s actions become a scandal throughout the town because “any deviation from the ordinary course of life in this quiet town was enough to stop all progress in it” (C670). This does not bother Mother and she successfully continues with her plans. By overcoming this alienation both characters achieve feminine empowerment.
However, with her alcoholic dad who rarely kept a job and her mother who suffered mood swings, they had to find food from her school garbage or eat expired food they had previously when they had the slightest bit of money. In addition, when bills and mortgage piled up, they would pack their bags and look for a new home to live in, if they could even call it a stable home, since they would be on the move so often. Jeanette needed a dad who wouldn’t disappear for days at a time, and a mom that was emotionally stable, but because she didn’t have that, she grew up in an environment where she would get teased or harassed for it. Jeanette suffered so much, that even at one point, she tried convincing her mother to leave her father because of the trouble he had caused the family already. A child should be able to depend on their parents for food and to be there for them when they need it, and when that part of a child’s security is taken away, it leaves them lost and on their own, free and confused about what to do next.
If not thought about or read over more than once, the fact that Connie’s father was almost a phantom in her life might be missed. In this era, fathers in particular were not very active in their children’s lives, daughters especially; they were the mother’s problem. This same idea carries over to the father of Connie’s best girlfriend, who after driving them to the stores or movies “…never even bothered to ask what they had done.” (Oates, "Where Are You Going, Where Have You Been?"), the name of the story is also a question that should be asked of any daughter by her father. The fathers in question here display a sense of total apathy to the question of what their daughters are actually doing. These fathers came from a time in the 40’s and 50’s when men worried about men things and woman issues were exactly that. Men and in particular fathers of that time made no effort to be involved in their daughters lives as they are today. Oates noticed that issue in society and attached it to her work in this story although minutely. The main conflict in Connie’s life is trying to balance a fine line between the way she acts at home in front of her mother, and her secret wild side which she only shows to her friends and the boys she meets. Oates’ characterization of Connie is that of a round character, one of intense
The characterizations of Connie’s family members have great effects on Connie. And onnie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but his characterization has an effect on Connie as well. The irresponsible father spends little time with family and seldom has conversations to his daughters. When hearing his wife’s complain about Connie, he just bends his head with saying nothing, which makes Connie feels ignored and lonely. Urbanski states that “The father, who spent most of his time at work, is weak” (Urbanski 200) to reveals the father is not an active figure in his daughter’s life. Therefore, lacking of the company and communication of family members, Connie becomes upset. In addition, Connie’s sister June, who has the opposite characterization, is also one of the reasons for Connie’s rebellion. In Connie’s eyes, June is a
Junior is very observant and he describes his mother in a detailed way. He deposits emphasis on his mother’s hands. “One thing about Mami, her palms never sweated.” (27) Junior’s mother is a very lovely person, pretty and knows how to take good care of his sons. In contrast, the Puerto Rican woman is described oppositely of his mother. “She had papery hands, and when she rubbed the towel on my chest, she did it hard, like I was a bumper she was waxing.”(35) According to Junior, the Puerto Rican woman is careless and is not lovely as his mother. This increases his disgust towards his father for being with such a woman that will never be like his mother. This fact supports the idea that his son-father relationship is related to the Freud’s Oedipal Conflict.
Parents make up an essential part of family. They teach, nurture and discipline their children to make them better in life. But, children's’ parents pass away or divorce leaving the child with one parent or none. In the 20th century biography, The Immortal Life of Henrietta Lacks, Rebecca Skloot impulses emotions to reveal how the loss of a parent scars the life of a child forever and thereby causing the child to hate, lose themselves as a person and fear.
The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards
Her mother is always giving her negative comments, never anything positive, and always finds something to make her feel bad about. Her sister is nine years older than Connie, twenty four years old, and still lives in the house, yet her mother always compares Connie to her sister, using her to make Connie feel bad about herself. Therefore, because of this abuse that Connie receives from her mother, Connie says that she “wished her mother was dead and she herself were dead and it was all over” (254). In addition to the abuse from her mother, her father is very quiet and is never really present in Connie’s life. This difficult situation at home makes Connie vulnerable because she is always seeking positive feedback from someone to make herself feel better, because she never receives positive feedback at home from her mother, and even when her father goes to pick up Connie from the mall, he doesn’t even bother to ask how it was, or what they had done. This is a big factor as to why Connie is so vulnerable in the story. Oates might use Connie’s situation at home to convey insights about people in the real world who also have difficult situations awaiting them at home. Oates tries to use Connie’s family situation to try and make a connection to others in the real world who might have parents who are divorced or any type of situation at home that is similar to Connie’s that might make life
In this story, it fascinated me when it made reference about the therapist needing to be transferable to the mother or father role in the family regardless of the therapist’s sex. In this case the clients are the traditional mother and father with two male co-therapists. Whitaker was seen taking on the maternal role when addressing Carolyn’s childhood and current issues with her mother while Napier observed the conversation. This was a great part of the book which portrayed isomorphism. This idea of being able to stay neutral as well as to identify with the role of mother or father adds another layer of complexity to help guide the context of the situation.
Thesis Statement: The absence of mother in the protagonist’s life in Woman At Point Zero and The Metamorphosis contributes greatly to their alienation.
From a feminist critical perspective, it is clear to perceive that her husband’s death was a release of freedom from her marriage. The text describes that at times, she did and did not love her husband. However, love had not mattered anymore because she was now free. Whether they loved each other or not, she would have still been his property. This restriction of freedom was no longer her cross to bear. The death of her husband would pave her a path for a new life.
Today, women have more rights than ever before, but the belief of male has resulted in a never ending convention toward women. This leads to predetermined thought from younger girls that they must become inferior. Clifford states in her article, “Children look first to their own parents for examples and inspiration, therefore when a child see their mother living a life of inequality, the cycle often continues as girls feel there is no alternative for themselves.” When younger girls see their mother or any woman submitting to the standard, they feel they must do the same. An effect on men is that they have to live up to the