2 March 2017
Liv Schmidt
Yannick Marshall
Police, Klansman, Colonizer
Title
Thomas Dixon’s historical romance, The Clansman, is the centerpiece of his “Reconstruction Trilogy”– The Leopard’s Spots (1902), The Clansman (1905), and The Traitor (1907). The Clansman: An Historical Romance of the Ku Klux Klan is a compendium of racism, white supremacy, violence, and stereotypes of blacks and whites, centering on the rape of a white woman by a black man. The Clansman begins as the Civil War, “the long agony” (4) ends and the post-war white hysteria begins. Dixon was deeply conservative both politically and religiously, adamantly against extending rights to African Americans, fearing that social equality would inevitably result in miscegenation,
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The black brutes Dixon illustrates satiate their lust by raping young, virginal white women whose only hope after such a heinous offense was suicide. As the image of the violent, sexually aggressive black criminal flourishes; the Reconstruction belle is simultaneously developed. The Southern female is an idealized figure of sexual virtue and a piece of property representing the integrity of the patriarchal antebellum order. While the Klansman in Dixon’s novel may feel that they are protecting their women and embodying chivalric virtues by challenging violence with violence, in actuality they are enforcing a negative self-image and their own idealization of …show more content…
The narrative describes Marion as belonging “to the aristocracy of poetry, beauty, and intrinsic worth” (255) while Gus, the black Captain of the Union League, her opposite, is describes as ”thick-lipped, flat-nosed, spindle shanked negro, exuding his nauseating animal odor… ” (290) These descriptions helped to shape the American conception of the pure, helpless white woman and the black beast rapist. The rape scene is riddled with these stereotyped characterizations. The scene begins with: “The door flew open with a crash, and four black brutes leaped into the room, Gus in the lead, with a revolver in his hand, his yellow teeth grinning through his thick lips.”(303) The reader sees the white constructed beast: he “stepped closer, with an ugly leer, his flat nose dilated, his sinister bead-eyes wide apart gleaming ape-like, as he laughed: ‘We ain’t atter money!’” (304). Meanwhile Marion is described as “staggered against the wall, her face white, her delicate lips trembling with the chill of a fear colder than death.” (304) The rape of the white woman is the symbol of the violation of the South itself and of white masculinity. Ben Cameron predicted, “‘the next step’” of black rule “‘will be a black man’s hand on a white woman’s throat’” (262). And the rape scene ends with “the black claws of the beast sank into the soft white throat”
Based on historical events, Charles Chestnutt’s The Marrow of Tradition, gives human details to produce a vivid picture of life in the south after the failure of reconstruction. His work has many underlying themes among which are the use of the press to stir already volatile emotions through propaganda, class structure not only along color lines but within races, and the effects of the white supremacists’ agenda on the integrity of those who claimed to be morally advanced. Through this story, Chesnutt allows the reader to enter the minds of the characters to show how change will not take place until both whites and blacks detach themselves from traditions that seem to be engraved on their
Topic: In 1866, the Ku Klux Klan was founded by many former confederate veterans in retaliation to their current Republican Party’s Reconstruction-era policies aimed at establishing political and economic equality for blacks. The Reconstruction era sparked by President Lincoln’s Emancipation Proclamation clearly defined that the days of white superiority were in dissolution. Through a willful ignorance and an insecurity of what might postlude the civil rights movement, the KKK rose, using terror in pursuit of their white supremacist agenda. Nathan Bedford Forrest, a former Lieutenant general in the Civil war, became the KKK's first Grand Wizard. Now with a steady leader the klan became a persistent political party aimed at dismantling the increasingly
“Why I Quit the Klan” is a non-fiction story written by Studs Terkel, which talks about former Ku Klux Klan leader, C.P. Ellis. Ellis was invited, as a Klansman, to join a committee on how to solve racial problems in the school system. This committee included people of all different ethical backgrounds, including African Americans. He reluctantly accepted, however after a few short meetings, he was elected co-chair of the committee, along side of Ann Atwater, an African American woman who had been leading local efforts for civil rights for years. This article shows the internal struggles and hardships that C.P. Ellis went through on his journey to become accepted.
The film reminds us that “slavery and its aftermath involved the emasculation-physical as well as psychological - of black men, the drive for black power was usually taken to mean a call for black male power, despite the needs of (and often with the complicity of) black women. That continues to result in the devaluing of black female contributions to the liberation struggle and in the subordination of black women in general.”4
Inspired by the Wilmington Riots of 1898, Charles Chesnutt delves deep into the racial tensions of the South in his novel On the Marrow of Tradition. Despite being set well after the end of the Civil War, the struggle between the black and white races is far from over. The white race insists on maintaining complete control in every aspect of society, including personal matters. They are constantly demanding that the black community serve them. On the other end, the black race is struggling to survive the harsh conditions the white-dominated society imposes on them. Throughout the novel, Chesnutt reminds us of the ongoing battle between the two races. At the same time, Chesnutt explores the effect this has on various members in society. The youngest two characters in the novel, Dodie and Doctor Miller’s son, exemplify the conditions and consequences for the black and white races. Although they seem to be secondary characters in On the Marrow of Tradition, both Dodie and Doctor Miller’s son play a crucial role in the representation of their respective races.
In The Fires of Jubilee Nat Turner's Fierce Rebellion: Stephen Oates gives an account of the brief but deadly slave revolt in and around Southampton, Virginia. His controlling theme is that of religion and the profound influence that it had on the development of Nat Turner's charismatic persona and his rationale for engaging in a project of deliberate murder of people who had at least in the context of slavery as a given of Turner's experience, treated him quite decently. The effects of Nat Turner's rebellion were profound. The insurrection of Nat Turner was inspiration for all slaves, even if just 60 whites were killed to the 140 blacks. I am
The third historical interpretation argues that the Klan was originally established as an organization as a result of a struggling plantation system. This particular perspective offers a differing view which allows for the reader to establish an understanding of the evolving interpretations of the Ku Klux Klan as an organization. Michael W. Fitzgerald, a historian in Reconstruction and agricultural history, makes an argument in his article, “The Ku Klux Klan: Property Crime and the Plantation System in Reconstruction Alabama” (1997), that the Klan originally emerged as a result of labor turmoil following the Emancipation Proclamation. Fitzgerald describes labor turmoil during Reconstruction as a conflict involving wealthy plantation owners
The goal of this investigation is to delve into the question of: to what extent was the resurgence of the Ku Klux Klan during the 1920s a reflection of societal change? In order to assess this question from multiple perspectives on the topic, research is needed to further look into the Klan’s motives both prior to their revival as well as after. Events in the 1870s, when the Klan ended, as well as events in the 1920s, when the klan was reborn, will be considered in this investigation in order to make connections between the KKK and why their revival in the 1920s reflected societal change. Among these events include the end of Reconstruction, the Progressive Era, increase of immigration to the United States, as well as the “red scare” of communism.
Ida B. Wells-Barnett’s Southern Horrors was published with the intention of bringing awareness to the injustice of Southern lynching and exposing its true purpose. With the Confederate Army’s defeat and the reunification of the United States at the end of the Civil War, thousands of previously enslaved African-Americans suddenly found themselves freed from their owners. This newfound freedom however, was not nearly at the same level as whites and other minorities. Especially in the south, many former slaves were subjected to cruel treatment and a lack of opportunities. “The South resented giving the Afro-American his freedom, the ballot box and the Civil Rights Law.” Many former slaves were threatened with violence if they did not stay
Shawn Lay, from “ The Second Invisible Empire and Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s”, rejects the view of the KKK as a radical fringe group comprised of marginal men and instead characterizes the KKK of the 1920s as a
White explores the master’s sexual exploitation of their female slaves, and proves this method of oppression to be the defining factor of what sets the female slaves apart from their male counterparts. Citing former slaves White writes, “Christopher Nichols, an escaped slave living in Canada, remembered how his master laid a woman on a bench, threw her clothes over her head, and whipped her. The whipping of a thirteen-year-old Georgia slave girl also had sexual overtones. The girl was put on all fours ‘sometimes her head down, and sometimes up’ and beaten until froth ran from her mouth (33).” The girl’s forced bodily position as well as her total helplessness to stop her master’s torture blatantly reveals the forced sexual trauma many African females endured.
Hooded Americanism: The First Century of the Ku Klux Klan: 1865 to the Present by David Chalmers records the history of the Ku Klux Klan quite bluntly, all the way from its creation following the civil war, to the early 1960’s. The author starts the book quite strongly by discussing in detail many acts of violence and displays of hatred throughout the United States. He makes a point to show that the Klan rode robustly throughout all of the country, not just in the southern states. The first several chapters of the book focus on the Klan’s creation in 1865. He goes on to discuss the attitude of many Americans following the United State’s Civil War and how the war shaped a new nation. The bulk of the book is used to go through many of
North Carolina should have been the state where the KKK thrived most during the mid-1960s — Cunningham reports that in mid-1966 it had 192 Klaverns, (branches of the Ku Klux Klan), and 52.2 percent of the total Klan membership in the 10 states of the South — was a mystery to many and a source of considerable dismay to the state’s leadership, which prided itself on its nonviolent response to the challenges posed by the civil rights movement. The state had been described by V.O. Key, in his immensely influential (if now somewhat dated) “Southern Politics in State and Nation” (1949), as “energetic and ambitious” with “a reputation for progressive outlook and action in many phases of life, especially industrial development, education, and race relations,” a judgment that had been confirmed by the election in 1960 of a notably capable and progressive governor, Terry Sanford.
She erases the blackness of the woman to justify her actions, a common endeavor in white America’s exploitation of the black body. This endeavor is evident of the
“I am black, I am black!” constantly sprinkles Browning’s 1846 narrative, “The Runaway Slave at Pilgrim’s Point.” The phrase takes aim at American slavery and reminds us that its prisoners “had no claim to love and bliss,” (92) while in servitude. Boldly, the speaker asks us to bear witness to the human leftovers of this system of violence, especially in the case of a female slave at Plymouth Rock. Here, she debates existence, exposes deep emotion wounds, and murders her infant son. The act is done for “liberty,” but we find the mother’s violence difficult to digest. Starting from a point of respect, we suggest that the “The Runaway Slave at Pilgrim’s Point” really concerns a lack of respect for toward life that not only flaws her judgments