The Death of Creative Power in Sonnet 73
Most of the 127 sonnets Shakespeare wrote to one of his close male friends are united by the theme of the overwhelming, destructive power of time, and the counterbalancing power of love and poetry to create and preserve beauty. Sonnet 73 is no different, but it does present an intriguing twist on this theme. Most of these sonnets address the youth and beauty of his male friend, as well as poetry's power to immortalize them, but number 73 addresses the author's own mortality and the friend's love for him. Also, subtly woven into this turning inward is a lament that the creative vitality represented by the poems themselves is fading
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. ./ When yellow leaves, or none, or few, do hang/ Upon those boughs which shake against the cold" (1-3). This is a straightforward complaint that, like autumn, the poet is moving gradually into old age, with the winter of death right around the corner. But Shakespeare's description of the tree limbs in their bare autumn dress is key to the whole poem. He calls them "Bare ruined choirs, where late the sweet birds sang." The barren tree branches are the "choir," or the place where the choir sang. But
the "sweet birds" are no longer there. Given that the entire sequence of poems is a sequence of songs, Shakespeare's lament can be seen as a lament that the songs themselves, the poems, will cease. He was one of the sweet birds, or his poems were. At his death, no longer will there be any new songs to praise his friend.
The next quatrain lapses into a more mundane metaphor. The seeming proximity of sleep and death has long been a subject of English poetry. One noteworthy aspect of the metaphor here, though, is that Shakespeare doesn't use death to meditate on the melancholy aspect of sleep, but uses sleep to speculate on the "restful" aspect of death. The image which opens the quatrain, the sunset, is standard; his life is at the point of fading into darkness. But the sleep which night brings is not presented too fearfully here, because night brings "Death's second self that seals up all in
What’s the first thought that pops in to your mind when you think of love, is it flowers, chocolates and teddy bears or maybe a romantic sonnet? The cliché of these superficial representations have been around for years and continue to plague our society today. But are the traditional roses on Valentine’s Day and anniversaries really a good signification of true love or would you prefer a unique and realistic approach? Good
In "Sonnet 73", the speaker uses a series of metaphors to characterize what he perceives to be the nature of his old age. This poem is not simply a procession of interchangeable metaphors; it is the story of the speaker slowly coming to grips with the finality of his age and his impermanence in time.
Sonnets are known for having a rigid format and being the hoard of poets’ flowery love confessions and tormenting heartache. While most poets generally stick to that cliche topic of love and the traditional English or Petrarchan structures, sonnets are not defined by these common features. Both Shakespeare’s “My mistress’ eyes are…” and Collins’s “Sonnet” satirically poke at typical sonnets, however, Shakespeare follows the standard English sonnet style while parodying the classic subject of love to show how ridiculous and idealistic love sonnets can be. On the other hand, Collins breaks free from those stern sonnet rules to joke about the strictness of sonnet structures while defining typical sonnet rules.
A sonnet is a poem of fourteen lines that rhyme in a particular pattern. William Shakespeare’s sonnets were the only non-dramatic poetry that he wrote. Shakespeare used sonnets within some of his plays, but his sonnets are best known as a series of one hundred and fifty-four poems. The series of one hundred and fifty-four poems tell a story about a young aristocrat and a mysterious mistress. Many people have analyzed and contemplated about the significance of these “lovers”. After analysis of the content of both the “young man” sonnets and the “dark lady sonnets”, it is clear that the poet, Shakespeare, has a great love for the young man and only lusts after his mistress.
Proceeding on to quatrain two, the poet continues to meditate by using images of decay; lofty trees, barren of leaves, white and bristly beard. Just as time progresses, day changes to night, and the young become old, summer becomes winter. In the warm weather, the trees were leafy and bountiful. They served as a canopy that sheltered herd of animals from the blazing sun (L.6). In winter, however, the lofty trees are now barren and stripped of their leaves. The outward appearance of the tree is pathetic and unsightly. The herd of animals will no longer seek shelter under the trees because they look lifeless. Shakespeare further elaborates the imagery of plant life decaying. Summer flowers are beautiful and they exemplify life. However, quite the contrary, Shakespeare states that these flowers are gathered together to be used as funeral arrangements and carried on the coffin over the white and bristly
Firstly, people that have little to no sleep often have problems such as concentration and basic thoughts .Finally , it can be agreed that Shakespeare shows that death , can also be a peace with in that character.
The theme, in Sonnet 73, is the poet's aging. Each quatrain develops an image of lateness, of approaching extinction - of a season, of a day, and of a fire, but they also apply to a life (Abrams et al. 867). The poet compares his age to three images through the quatrains: autumn, the dying of the year (first quatrain); the dying of the fire (third quatrain). The first line draws a picture of himself, "in me," and in a certain time, "That time of year," of his life (surely, he is old now). We can see that the
Poets and authors alike evoke emotion and pictures from one single word. The imagery and thoughts put into the readers’ heads by these different writers are the base of one’s creativity and imagination while reading the author’s work of art. William Shakespeare is one of the most well-known poets of all time that is able to elicit these emotions from the reader to allow the reader to fully understand what Shakespeare is trying to accomplish with his poems. Shakespeare keeps his audience entertained with a whopping 154 sonnets, each having a different meaning and imagery associated with it. Sonnet 18, “[Shall I Compare Thee to a Summer’s Day]”, and Sonnet 55, “[Not Marble, nor the Gilded Monuments]”, are both one of Shakespeare’s most famous works. Shakespeare uses these sonnets to explore the powerful relationship between humanity, art, and time.
An examination of the sonnet from Petrarch to Browning. A sonnet is a poem, which traditionally contains the subject of love. The creator of the sonnet was a man named Francesco Petrarca who was usually referred to as Petrarch. Petrarch wrote many of his sonnets
In Shakespeare’s sonnets the invocation of a muse is not an infrequent topic. In this particular one, the muse is not invoked to paint a picture of someone special, but rather quite the opposite, which is the invocation of that someone special as the muse of the poet. Throughout the poem Shakespeare paints the picture of the way someone specific and close to his heart affects and inspires him. It is done in very deliberate ways: sometimes the description is overrun with emotions, while other times it is very precise and calm. A lot of the help comes from the usage of many rhetorical devices, specifically imagery and simile. Obviously, use of other devices, like metaphors and epithets, is necessary for assisting
The majority of Elizabethan sonnets reflect two major themes: time and love. William Shakespeare, too, followed this convention, producing 154 sonnets, many of which deal with the usual theme of love. Because the concept of love is in itself so immense, Shakespeare found several ways to capture the essence of his passion. Therefore, in his poetry he explored various methods and used them to describe the emotions associated with his love for a mysterious "dark lady." These various ideas and views resulted in a series of sonnets that vibrantly depicts his feelings of true, undying love for his lady. Instead of making the topic less interesting, as some might expect, Shakespeare's myriad approaches
Shakespeare’s sonnet 60 expresses the inevitable end that comes with time and uses this dark truth to express his hopefulness that his poetry will carry his beloved’s beauty and worth into the future in some way so that it may never die. This love poem is, as all sonnets are, fourteen lines. Three quatrains form these fourteen lines, and each quatrain consists of two lines. Furthermore, the last two lines that follow these quatrains are known as the couplet. This sonnet has the rhyme scheme of ABAB CDCD EFEF GG, as most Shakespearean sonnets follow. In each of the three quatrains, Shakespeare discusses a different idea. In this particular sonnet, the idea is how time continues to pass on, causing everything to die. The couplet connects these ideas to one central theme, this theme being Shakespeare’s hope for the beauty of his beloved’s immortality through his poetry’s continuation into future times.
The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.
Shakespeare uses two powerful metaphors in line five and in line six to compare the summer's imperfections to the perfection of the beloved. In line five he uses a metaphor "Sometime too hot the eye of heaven shines" to describe that in the summer the sun gets to hot and this is yet another imperfection of a summer day which the beloved is superior to. Although some may compare there beloveds eyes with the glow or beauty of "the eye of heaven" here the speaker has chosen to claim the opposite saying that the sun is inferior to his beloved in that her eyes are more beautiful. In line six of the poem the idea of the sun being imperfect is further enhanced by phrase "gold complexion dimmed" this is implying that the sun is imperfect in that it is not always hot enough. Here the speaker implies that the beloved is flawless in that her complexion is never changed, remaining "gold" like. Nature that surrounds us is beautiful, the trees, ocean, and the wild life, and although the speaker makes a point to disfigure the view of nature the intention of the poet is to reinforce the beauty of the beloved.
In “Sonnet 73”, Shakespeare shows the reader how love is portrayed before death. “Sonnet 73” portrays a man’s old age and approaching death. The process in which the poem flows helps to describe the man. It narrows down from year to day to show proximity of when the man will one day leave his lover (Hammond 137-138). For example, Shakespeare shows the reader how love is tested by time, but the man shows no weakness: “This thou perceiv’st, which makes thy love more strong, To love that well which thou must leave ere long” (Hammond 137). The man knows he is dying soon and will never see the young man again. His love intensifies for the young man. Also, Shakespeare gives the reader comparisons to the time of day and seasons to show how the love was portrayed: