In “The Dreamer,” by Junot Díaz, the author uses a remarkably unique voice by conveying it as intimate. His decision to do this makes the style of the story conversational in nature. The reader gains a sense of being close friends with the author because of this convention. It creates vague feelings of being seated at a dinner table across from each other, rehashing old tales and barely remembered memories. It is almost as if the soft hum of muted conversations could be heard in the background. The