When most people think of J.R.R. Tolkien, they often think of his great imagination and his world of great dragons, warriors, orcs, hobbits, wizards, dwarves and elves. But most people forget about the deeper meaning behind his stories and his controversy towards society. Tolkien was a British, fantasy, writer during the mid-1900s. Through his love of languages, religion, and country, J.R.R Tolkien’s works of The Hobbit and The Lord of the Rings are controversial but masterpieces because Tolkien represents “good” as a fuller, more imaginative reality than evil.
Thesis: John Ronald Reule Tolkien’s life experiences influenced his writing, beginning as a student, then a soldier, lexigrapher, professor, and then a writer to his own children; Tolkien’s life created the place known to most as Middle-Earth.
Thesis: In The Hobbit, Tolkien wants to show the reader that anyone, from any background can step up to a challenge, and be extraordinary rather than ordinary.
The Lord of the Rings by John Ronald Reuel Tolkien is a book widely known for its rich language, detailed imagery, and profound story that expands over three volumes and six books. The book is scattered with deep characters ranging in back stories and eventual character development. Motifs, key parts throughout the story, include lightness and darkness, eyes, jewelry, and sword. JRR Tolkien even creates his own language for the solemn race of elves in the lengthy three volume novel. A part of this length may be attributed to the unusual placement of many full-form songs and poems within the book, as a break between the usual story. These poems and songs have ranges of playfulness and thoughtfulness. With uses of made up Hobbit words and beautiful
J.R.R. Tolkien’s epic novel The Lord of the Rings showcases his affinity for what is small and how its measure contradicts its significance. Tolkien crams undetected, potent potential into unlikely vessels—vessels that seemingly lack the capacity. The reader sees this in Tolkien’s protagonist and antagonist, the hobbit and ring respectively. The measure of each conflicts with its significance. With a closer look, the reader also sees this in Tolkien’s word choice. In his essay “On Fairy-Stories,” Tolkien claims “How powerful, how stimulating to the very faculty that produced it, was the invention of the adjective: no spell or incantation in Faerie is more potent.” Throughout The Lord of
In the lecture Tolkien tells the readers that the man has the power to create stories in order to describe the events of what people are going through. They can express these stories as “satire, adventure, morality, and fantasy” and “causes it to take living form and colour before the eyes.” This makes the readers understand that the fairy stories are created with the intentions to relate to existing events happening, but can be seen in different ways and told by different personifications.
The Lord of The Rings, a widely read trilogy of books adapted for the screen in a trilogy of popular movies, takes place in the Land of Middle Earth. Some fans of the series do not realize that Middle Earth was no abstract concept in the mind of its creator, J. R. R. Tolkien. On the contrary, he developed an intricate language, mythology, and history for his country. After his death, his son Christopher helped gather and publish some of these works for the enjoyment of people around the world. A detailed history of Middle Earth became available four years after the death of Tolkien, called The Silmarillion.
I have always loved to read. I love to escape from the drama and stress of real life by opening a book and getting sucked into a world drastically different from my own and stepping into a character’s shoes. This love made me want to create these stories on my own; I want to take my own ideas and create a world as vivid as the ones in my favorite books. My love for unreal worlds pulled me to J.R.R. Tolkien’s The Hobbit and The Lord of the Rings. He spent years weaving together different myths, languages, and traditions of all of the different races of people and creatures in his stories, and I wanted to be able to create a lore like that in my own books. Tolkien was one of the most influential writers of the twentieth century, and he almost
J.R.R Tolkien was an english writer, poet, philologist, and a university professor. He wrote The Hobbit and The Lord of the Rings. He once said “ It’s a dangerous business going out your front door.” Tolkien is both right and wrong. When leaving the home safety, adventure, and health are all put on the line.
There are certain books that have the ability to shift the reader’s perception of the world permanently. These are the classics: Huckleberry Finn, Catcher in the Rye, To Kill a Mockingbird, the list goes on. Each of these books carries qualities that have withstood the test of time, that resonate with the readers even today. One of book that has not yet received its status as a classic is J.R.R. Tolkien’s The Hobbit. However, its powerful messages, deep meaning, and appeal to a wide audience make it a book that every student in the Honors Program should read.
Both J. R. R. Tolkien‘s The Hobbit and C.S. Lewis’s The Lion The Which and the Wardrobe are classic novels that are recognized as some of the best works of the 20th century. Tolkien was a famous writer from Bloemfontein, South Africa, born on January 3, 1892, while Lewis was born only a few years later in Belfast, Ireland on November 29, 1898 (Biography.com Editors). They have both had so many great affects on literature, and in particular the fantasy genre, because both The Hobbit, and The Lion The Which and the Wardrobe are of the fantasy genre, but surpass the typical fantasy stories that have become prevalent. Tolkien, a profound author, published The Hobbit on September 21, 1937 as a prequel to one of the most popular book series
The early decades of the last century saw the loss of credibility of fantasy literature among the academic elite who ruled it a popular genre with little to no scholarly merit. Little that had had the misfortune of being dubbed fantasy had escaped the blacklist cast upon the field. Many critics had also labeled the fantasy genre as largely cliché, full of shallow characters, and as having no value beyond being purely escapist entertainment. These generic labels, applied wholesale to fantastic literature, had pushed it off the
Tolkien, J.R.R. “131 To Milton Waldman.” The Letters of J.R.R. Tolkien. Edited by Humphrey Carpenter assisted by Christopher Tolkien. George Allen & Unwin, n.d., p. 178. London. Written [1951?] https://timedotcom.files.wordpress.com/2014/12/the_letters_of_j.rrtolkien.pdf. Accessed 3 November 2017.
One of the masters of British Literature, J.R.R. Tolkien was able to create a fantasy world with an endless supply of parallelisms to reality. The fantasy world was found in the “Lord of the Rings.” Tolkien is able to create wonderful symbolism and meaning out of what would otherwise be considered nonsense. He creates symbolism and meaning by mastering his own world and his own language. To understand the symbolism of The Ruling Ring, or The One Ring, one must understand the events, which take place from the time of the ring’s creation until the time