Gladis Flores
Humanities 1101 The Third of May Francisco De Goya was born on March 30 about 1746 in Fuentes de todos, Spain. He studied painting from age 14. He became a court painter to the Spanish Crown in 1786 and the early portion of his career. Goya was considered one of the most crucial Spanish artists of the late 18th and early 19th centuries. Francisco married Josefa Bayeu y Subías.The couple had only one child; he received the name of Xavier. One of the most recognized paintings was the Third of May in 1808. “The third of May, is one of the greatest testament to the honors of the war ever painted” (Discovering the humanities page. 405) The oil canvas painting is shocking since it shows a terrible moment in the Spanish war versus French army. The French army invaded the Spanish, putting them in a line and they started to shoot, not asking questions just shooting.This painting is very controversial, because in the picture the very first thing that we can see are the terrifying faces of the Spanish moreover, the face of monk asking for marcy is symbolic because a monk in the hispanic culture mean church, religion and seeing him in his knees is unrespefull. Second, the symbolic lamb that is in the middle can reflect faith for Spanish in the moment. the fellow in the middle is calling all attention in the painting with the light on him with the white shirt and yellow pants and his terrifying gestures. Lastly, the french soldiers who are ready to kill the Spanish
Most of his creations represent history and society of his time. But “Guernica,” which Picasso painted in response to tragedy and the loss of life, directly related to the Spanish civil-war. “Guernica” was one of the masterpieces created by Picasso, probably the 20th century 's most negative symbol of the horrors. It was a also signal for the terrors of the future. When the Nazi troops dropped a bomb on the Basque village of Guernica in northern Spain, at that time nobody imagined this kind of act in reality. Most
The first thing we are bound to notice when viewing Juan de Pareja is his face. The main object by which the light in the painting illuminates, it is also the most important part of the work. From afar, we can see pride and self-confidence in a man with an upright posture. But, as we take a second and closer look, the picture becomes much blurrier. Literally. The separation between light and color becomes much clearer, but the facial expression is harder to fully make out. We move away from pride and see a contained sadness with the facial features of Juan de Pareja. The bags underneath his eyes become clearer, the spark of light contained within his pupils are visible, his pressed lips start to appear as a frown. We may hurriedly pull away from such a graven image, when we see the full face in context. When viewing the juxtaposition of Juan de Pareja’s watery eyes and upright posture, a sort of bored suffering is
Great insights went into the intricate composition of Francisco Goya’s painting The Third of May 1808, his painting utilizes the principles of art and design which displays all six principles: unity and variety; emphasis; balance; rhythm and movement; perspective; and proportion and scale. All six principles could also be identified and critically analyzed within his painting The Third of May 1808 which ultimately resulted in a whole cohesive composition.
It took him over two months to finish it, and it was displayedin the Spanish Pavilion in 1937. Guernica shows the tragedies of war and the suffering it imposesupon individuals, mainly innocent civilians, animals and buildings by violence and chaos. It’sbelieved to have helped bring worldwide attention to the Spanish Civil War. Some critics warnagainst trusting the political message in Guernica. Picasso said he painting exhibits brutality anddarkness. He also stated that the horse inthe painting represented the people ofGuernica. The painting was anindignation on what the war was doingto everyone. As the war went onPicasso’s paintings became more andextra sad and depressing. Death becamethe focus for many of his paintings. In the last years of his life, paintingbecame a fixation with Picasso, and he would date eachpicture with absolute precision, thus creating a vast amount of similar paintings. Picasso died atage 91 in April 1973, becoming one of the most famous and successful artist in history. Hiscareer spanned over a 78-year period, in which he created: 13,500 paintings, 100,000 prints andGuernica, 1937 by Pablo
Goya made a series of etchings and paintings depicting the atrocities of both sides involved with the war. The most famous of these paintings are the two depicting the scenes from the second and third of May. The work focuses on the victims of the situation, which in this case are the Spanish citizens being executed. The work is not meant to be beautiful, but is instead supposed to be horrible in order to shock the viewer. Goya's purpose within the painting is less to blame the French, but instead to point out to people the "faceless and mechanical forces of war itself, blindly killing a representative of humanity"(Stokstad). He used the incident as an example of how horrible war is and what can happen when violence is instituted.
Pablo Picasso, one of the greatest and most influential artists of the 20th century and co-founder of the Cubist movement, was a participant in Europe’s political discourse during most of the early 1900s. Picasso’s Guernica, one of his most powerful political statements, was painted as an immediate reaction to the Nazi’s casual bombing practice on the Basque town of Guernica during the Spanish Civil War. Guernica, a mural-size canvas painted in blue, black, and white oil, shows tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. Picasso depicts turmoil, people and animals suffering, with building in disarray torn apart by violence and mayhem. With Guernica, Picasso establishes his identity and his strength as an artist when confronted with political authority and intolerable violence, especially in his native land. Interpretations of the symbolism of Guernica
“Guernica” is one of the most well-known paintings in the world. It was painted by Pablo Picasso in 1937. The painting itself measures 11ftx 26.5ft. “Guernica” depicts the bombing of the Spanish town of Guernica during the Spanish civil war. The whole thing is done in a cubist style not surprising since Picasso is known for his cubism. In the painting there are people and animals alike all of them in pain and or suffering. “Guernica” is also filled with symbolism that Picasso incorporated into it, and hidden messages. The painting is also colorless it only uses black, white and, gray.
The painting The Third of May, by Francisco de Goya, was done to commemorate the events of that took place during the Napoleonic Wars in Madrid, Spain on May 2 and 3 1808. The painting sets the scene of a man about to be killed by a firing squad. The bodies of those who have already been killed are scattered around him, and those that wait to be killed stand in line behind him. The
Pablo Picasso a famous Spanish artist, painted a piece that is breath taking, the Guernica. It was painted as a reaction to the aerial bombing of Guernica, Spain by German and Italian forces during the Spanish Civil War in 1937.The artwork shows tragedies of war and the suffering it inflicted upon innocent civilians, and animals. The grey, black, and white mural-size canvas painted in oil stood 11 ft tall and 25.6 wide, the acceptable size to tell a story that needed to be heard. The cinematic impact that automatically catches the eye, shows there is human despair. In this search for human proportions nearly lost after the bombing dismembered and ripped apart everyone to leave humanity disjointed. This large canvas carries my focus from inhumanity,
Francisco José de Goya, a Romantic painter born and raised in Spain, was one of the most gifted and versatile artists of the 1800s. Goya found great success as a painter, becoming first painter to King Charles IV and amongst royal court. He retained this position for quite a while, affording him the ability to foraying into etching and printing in his personal time. It’s his explorations here, in a series called Los Caprichos that indicate the early signs of Goya’s fascinations with the macabre. Prior to 1808, Goya’s private studies would have been considered a peculiarity. Often sadistic and sinister in their subject matter. Unbeknownst to the Spanish people, it was soon to become a harsh reality.
Preceding Goya in the line of Spanish painters was “…Velázquez, painter of Spain’s worldly pride and power, of the pomp and panoply of that brief moment in the 17th Century when the nation stood boldly, if insecurely, at the center of the historical stage,” (Schickel 7). Velázquez’s great works such as Las Meninas and The Surrender of Breda show a grandeur and sophistication of the Spanish nobility as well as “preparations…not only to end the war, but also to initiate the peace that follows,” (Velazquez). Unfortunately, even a century before Goya would truly begin the height of his artistic journey, “shadows lie across most of [Velazquez’s] canvases, as if Velázquez sensed what his sitters did not – that the tide had turned against Spain,” (Schickel 7). By the time Goya began creating works the public of today recognize, any veil of peace his predecessor clung to was stripped away, leaving Goya to depict the truth of Spain’s precarious political situation and the reality of the human
There are many subtle hidden messages within this piece that leave a haunting impression on the viewer. The bull and horse are both essential parts of Spanish culture and play important roles in the meaning of this painting. They illustrate both the brutalization and dehumanization of humanity during wartime, as well as the animalistic response that all living things experience when coming into close proximity with fear and death. Furthermore, the bull represents Spain itself, which still stands, triumphant and peaceful after such a brutal and horrendous act of violence. The overall attitude of the painting however is less optimistic, with brutality and chaos being the general tone. The dove inscribed in the wall represents lost hope, as well as the glimmers of light coming in between the crack of the walls. The broken sword and flower growing from the dismembered hand represents the birth and death of life at the hands of humanity. The main
Goya was an artist who made etchings called The Disasters Of War. These etchings showed the horrible things that were done by Napoleon's soldiers. They were made in order to shock the viewer and make them feel the pain of what happened. These sketches did not go in narrative order or show exact details of an event, they were just images showing that bad things like that happen during war. Normal captions have dates and places written which detach the viewer from the pain of the picture. On his sketches,
Both Gericault and Goya emotionally reacted to significant events causing them to express these emotions through intense paintings. Francisco de Goya’s ‘The Third
The artist of this painting was named Vincent van Gogh and he was born on the 30th of March in 1853. He was known to be a self-taught painter of the post-impressionist style. Post-impressionism was used to describe the development of French art since Manet. Vincent van Gogh artist style was to practice the uses of bright colors, distinctive brush strokes, thick application of paint, and unwavering subject matter about the realities of life in this masterpiece. Vincent van Gogh found his place in art and produced emotional and visually attractive paintings over the course of a career that lasted about a decade.