What is your favorite season of the year? Some people enjoy the pleasant view of the white, snow, covered ground and snuggling up with the person they love next to the warm, relaxing fire. Others enjoy the beautiful scenery of the leaves on the trees starting to change their colors, letting us all know that autumn is upon us. The Four Seasons, published in 1725, was composed by the remarkable Antonio Vivaldi, who was a Venice native and taught violin and viola to orphaned girls at the Conservatorio dell’Ospedale della Pieta. According to “The Enjoyment of Music,” by Forney, Dell’Antonio, and Machlis, Antonio Vivaldi “played a leading part in the history of the concerto” (p.124) which we can recognize after listening to one of his best known pieces, The Four Seasons. The first concerto of the piece, Spring, shows us the extravagant use of word painting that Vivaldi uses to express the emotions and scenery of the season. Let’s dig deeper into this remarkable concerto, discussing three different musical elements …show more content…
has a specific genre. Today, we recognize the popular genres as rock, country, hip hop, and so on. Back in the Baroque era, one popular genre was the “programmatic concerto” which was also known as program music. Program music is defined in “The Enjoyment of Music” as a type of music that is portrayed through either literally or pictorial associations. In Spring, there is a poem, written possibly by Vivaldi himself, that goes along with the instrumental music that details the different aspects of that season. In the first movement of Spring, the poem reads “Joyful spring has arrived, the birds greet it with their cheerful song, and the brooks in the gentle breezes flow with a sweet murmur…” (p.125). While reading the poem and listening to the music that accompanies it, you will find that the words and music go hand in hand with each other which will be discussed in the next paragraph while we discuss the timbre of the
“March 2000: The Taxpayer” in Ray Bradbury’s The Martian Chronicles, is an interchapter that focuses on how Pritchard (a typical taxpayer) wants to get on the spaceship to Mars. The purpose of this short chapter is to provide foreshadowing to both the atomic war and civilian immigration to Mars. The reason why this chapter was written is that during 1950 (when this book was written), Ray Bradbury wanted to voice his opinion that the construction of atomic bombs will lead to war.
A comparison of two major Baroque composers: Claudio Monteverdi and Domenico Scarlatti The purpose of this paper is to analyze two psalms by Claudio Giovanni Antonio Monteverdi (1567-1643) and Giovanni Domenico Scarlatti (1685-1757) and compare and contrast the two pieces to find out how music changed throughout the Baroque period.
The first movement, “Spring,” in E Major represents the birdsong of the season. The solo violin is supported by two other violin soloists, Jorge Ochoa and Martin Irving. Unfortunately, the cohesiveness between the three violins was slightly off in tempo. However, they quickly recovered representing a high level of musicianship. Next, “Summer,” demonstrates the intense heat and storms by the G Minor key. Takayama imitates the goldfinch, turtledove, and cuckoo on her violin while the orchestra imitates buzzing insects. Later, in F Major, “Autumn,” consists of the theme of a drunken solist which provides extreme freedom in the music. Lastly, the terrifying season of “Winter” voices the frozen water and bitter cold of the outside air. The instruments begin by conversing in F Minor prior to the virtuosic entrance of solist, Akemi Takayama. The second movement switches to E-flat Major, demonstrating the coziness of the indoors during the colder
Those who develop culturally responsive faculty development programs should examine the foundational principles upon which they are built; they will demonstrate the level of commitment to developing a cadre of culturally responsive educators. Any program, curriculum or agenda that does not have at its core the intention of creating an equitable society for everyone is a tool to maintain hegemonic practices (Gorski, 2008). While there is no set model or format for culturally responsive faculty development, there are certain traits that should be evident from such a program.
Sound painting is also displayed in many of the works. The entire pieces except Stravinsky’s I would say are undoubtedly romantic works. An additional unifying theme that I detected in all the pieces was that there lies unconventional beauty and one must carefully listen to recognize its presence.
After the events of Kristallnacht, Jews were sent to concentration camps and ghettos and conditions for them worsened which was the turning point of the genocide of the Jews. About 3 years after the Nuremberg Laws were introduced, Kristallnacht, also known as the “Night of the Broken Glass”, happened in November 9 and 10, 1938. The name “Night of Broken Glass” comes from all the shattered glass from all the smashed windows of Jewish buildings during Kristallnacht. On November 7, 1938, a 17 year old Polish Jew shot a German official, Ernst Vom Rath, who died 2 days later because of his injuries he received of being shot.
Project 5 Vivaldi-Concerto for Four Violins and Orchestra in B Minor Vivaldi’s Concerto for Four Violins and Orchestra in B Minor bears some similarities and some differences to his work “Winter” from The Four Seasons. The most prominent of these similarities relates to the speed of the movements. The typical concerto from the Baroque period had three movements. These movements often alternated their tempo: the first was fast, the second slow, and the third fast again.
Before the Romantic musical age, composers wrote music for the purpose of arranging sounds into the most beautiful way possible. Because of these goals, they followed some very specific ideas and wouldn't stray from them. Once the Romantic era hit, composers wanted to express a variety of things in their music. This is when the idea of program music appeared. Program music is usually instrumental music without spoken or sung words to explain the story or event that the composer has chosen to describe with his or her music. However, program music relies on a few non-musical things to make sure that the listener is interpreting the correct story. These things are often the title of the piece, a written forward and many times notes
Vivaldi 's Violin Concerto in A Minor, RV 356, is a three-movement work that has become a staple in the violin repertoire. The exact date of this composition is not known, but it was first published in 1711 as the sixth in a set of twelve solo string pieces. The collective title of these pieces
Both The Forge and Love, Death and the changing of the seasons are sonnets that are a moment’s monument. The both describe a moment in time. Weather it is a loss of a lover or a working day. They both
This work was composed during the Classical period, 1750- 1820. One aspect of the classical music style beign applied to this work includes the reoccurance of two or more contrasting themes. Another is the use of short and clearly defined musical phrases. Lastly, this piece, on a purely musical level, was simply more to hum along to. This type of melody took over the complex polyphony of the Baroque period.
Back in Medieval times, music was crude, extremely limited, costly, and exhausting to write. It was and used mainly for church services. The music used in the church were mainly choir chants; only men and young boys could sing in the choir due to the church rules. Next came the praise worthy baroque period. Figured bass, preludes, ornamentations, trills, mordants, and various new musical forms developed, such as the etude or sonata. In this part of musical history, the composers Bach, Handel, and Vivaldi were the cream of the crop. Baroque’s musical characteristic consisted usually of detached, staccato accents, light metered rhythms, and fast precise notes. Next came the classical period, where the staccato accents still stayed within the music, but the light pace and styles where dropped for freer rhythms and notes. Some of the composers who wrote music in this period are some of the most widely known composers ever. Composers such as Beethoven, Mendelssohn, Schubert, and Mozart were the top classical writers, but some such as Beethoven branched to both the classical and the romantic periods. The romantic period brought warmth, emotions and life into music. Pieces were no longer mechanical and orderly any more. Music was written with feeling and was written for enjoyment. Therefore, the modern period was quiet a huge jump for the general public, and most of the music after the romantic period is usually left unexplored. Though the daunting task of sorting through the various modern pieces is very tedious, it is worth it. From behind the ear-bleeding music of Rachmaninoff and the odd works of Ravel, comes many wonderful and different styles of music. Modern music's characteristics include atonally, minimalism, twelve-tone, and many other new musical devices and ornamentation. Not all modern music, however, is unusual or weird. Some composer wrote music in a revival of romantic. Gustav Mahler and Jean
In the classical era Symphony was the time when live concert where perform more often. The concerts that during the past millennium, classical music has been created by some of the musical mind the world has ever seen with Beethoven, Mozart and many more. The wide of Range of genres that these great artist composers, including orchestral, instrumental, choral and opera. The era’s the music used the two theory of natural and pleasing variety and The two ideas that can be traced in all the elements of musical technique rhythm, dynamics, tone, melody, texture and form. With the styles of a classical symphony An important form of instrumental music was the symphony, The basic form of the classical symphony was the Italian overture which is,
Antonio Vivaldi is a famous Italian baroque composer, known by most Suzuki violin students who study his concertos or by audiences everywhere who have heard and love his composition of the Four Seasons. Having grown up as students of the Suzuki Violin Method, we recognize this composer and have experience performing his pieces. In addition to his many concertos written for solo violin, Vivaldi composed many concertos intended to be performed by two solo violins, accompanied by a small orchestra. Because we are both violinists, we chose to analyze the second movement of Vivaldi’s Concerto for Two Violins in A minor, RV 522, included in his L’Estro Armonico works.
Be Congruent with all that will happen in your life while you're on this auspicious journey -The good, the bad, the great and the devastating.