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The Generational Conflict Of Fathers And Sons

Satisfactory Essays

Yevgeny Bazarov, the main character in Ivan Turgenev’s novel, Fathers and Sons is fascinatingly complex—full of passion and contradictions. Rude and unsympathetic to everyone, including his loving parents, members of his own generation nonetheless respect him greatly for his ideals and intellectual acumen. The generational conflict that is the basis for the novel is most exemplified by Bazarov’s confrontations with Pavel Petrovich, his friend Arkady’s uncle. When viewed as social criticism of these two conflicting ideologies, Turgenev comes out neither entirely on one side nor the other, but somewhere in the middle, critiquing both sides’ extremism. Although in terms of age and social class Turgenev belongs with Pavel and Nikolay, his …show more content…

If interpreted as the latter, which is in fact correct, it reflects favorably on him (probably more so for the modern reader than one of Turgenev’s contemporaries).
Bazarov’s relationship with and treatment of peasants is essential to understanding him and appreciating the good in him. Although he is not a member of the nobility, like the Kirsanovs, or wealthy like the Odintsovas, he is well educated, and a member of their social circles. However, he never discriminates against anyone on the basis of their class. Indeed, during Bazarov’s stay at Marino, he is more favorably thought of by his hosts’ servants than his hosts themselves: “The servants too had become attached to him though he teased them: they still felt he was one of them and not a ‘master’”(44). Even though the romanticization of peasants as the most authentically “Russian” people was popular at the time, and that belief is one that members of Pavel’s old aristocracy subscribe to (Pavel goes so far as to offer up the Peasant Commune as the one thing, above all else, that should be immune to Bazarov’s criticism) Bazarov is the only character who interacts with serfs exactly as he does with the nobility.
The other great conflicts in Fathers and Sons are internal ones. Bazarov, who considers “romanticism” the greatest of all vices, struggles with his love for Anna Sergeyevna, trying to repress and ignore it until he can no longer. He declares his love for her when they are alone in her bedroom: “‘So

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