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The Girl By The Roadside Essay

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The Girl by the Roadside
The Girl by the Roadside is a 1917 Bluebird Photoplay adaptation of a Varick Vanardy’s novel of the same name. This moralizing crime drama was presented by seasoned veterans of the film industry, including director, Theodore Marston, a former theater actor and who transitioned to film and directed several crime dramas such as 1918’s Beyond the Law, and starring one of Universal’s most popular actresses, Violet Mersereau, whose career spanned eighteen years from 1908-1926. The Girl by the Roadside functions as a cultural mediator, processing and addressing the complex social circumstances of the period, as well as, acting as a microcosmic reflection of the transitional nature of the American film industry in the 1910s, reflecting the film industry in the midst of a transition which eventually proved to be successful as many of the systems and innovations of the time were perfected, leading to the future more competitive nature of Universal Pictures during the classical Hollywood era, as well as, the wildly popular film industry of this era which continues to amaze and entertain audiences even after its divestment.
Based on the sparse supply of reviews from contemporary trade journals and newspapers, it is clear that the basic narrative of the film revolves around Judith Ralston a young woman on vacation with her brother, Budd, and wife. After injuring her ankle falling from a horse, Judith is rescued by Boone Pendleton who shelters her in a lodge

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