Laura's Resemblance to the Glass Unicorn The Glass Menagerie by Tennessee Williams had several different symbols. Throughout the whole play, one symbol that stands out above the rest is the glass unicorn that Laura has a part of her glass menagerie collection. Tennessee Williams does a brilliant job in using the glass unicorn as a symbol representing Laura herself. The glass unicorn is a resemblance of Laura in a sense that they are both old-fashioned, lonesome (in this particular case), and unique. The ultimate resemblance between the two is when they become broken. Once Laura has reunited with her old classmate Jim, the audience sees the indefinite resemblance between Laura and the unicorn. Jim tells Laura that he “judges her to be an old-fashioned type of girl” (Williams 968) and this particular glass unicorn is said to be the oldest in Laura's collection. She states the figure is nearly thirteen and she repeatedly tells Jim to be careful with it. This indicates that the unicorn is very fragile. The fact that the unicorn is so old is a symbol of Laura as she is said to be “old-fashioned”. Also, throughout the play the reader gets the gist that Laura is also very fragile considering she is very …show more content…
Jim asks Laura, “Unicorns, aren't they extinct in the modern world?” and when she responds with a yes, he continues with, “Poor little fellow, he must feel sort of lonesome” indicating that he may be the last in the world (Williams 968). This applies to Laura in a sense because while growing up she kept to herself most of the time. Jim says he remembers she “sort of stuck to herself” at school and she explains that she “never had much luck at making friends” (Williams 964). Even though she did not fancy it too much, Laura grew up mostly without many friends and so just like the glass unicorn, they were both in a way
Amanda belittles Laura’s self-ownership which makes Laura immature and helpless as an adult. When the subject of gentleman callers comes up, Amanda addresses Laura, saying, “How many do you suppose we’re going to entertain this afternoon? [...] [reappearing, airily] What? No one — not one? You must be joking! [Laura nervously echoes her laugh]” (Williams 18). Amanda is caught up in her dreams of marriage for Laura, made clear by her enthusiastic tone and body language, but Laura’s uncomfortable laugh shows how she is not amused by her mother’s aspirations. Amanda is only focused on what she wants for Laura, but she should really be concerned with what Laura wants for herself. In addition, Amanda cannot accept the fact that her daughter is not going to have any suitors; she denies reality and tries to bring Laura into her world of illusions. This irresponsible parenting causes Laura to become the childish adult that she is. When Amanda questions where Laura was going instead of business college, Laura explains that, “I went in the art museum and the bird houses at the Zoo. I visited the penguins every day! [...] Lately I’ve been spending most of my afternoons in the Jewel Box, that big glass house where they raise the tropical flowers” (21). Laura is twenty-three years old and she is getting excited about visiting attractions meant for kids. She would rather explore the Zoo, an art museum, or a greenhouse than attend college, exhibiting her immature and irresponsible mindset. This juvenile behavior is what leads to Laura’s helplessness. While on the fire escape, Amanda tells Laura to make a
Amanda is obsessed with her past, and uses it to escape reality, as she constantly reminds Tom and Laura of the time she received seventeen gentlemen callers. The reader cannot even be sure that this actually happened. However, it is clear despite its possible falseness, Amanda has come to believe it. She refuses to acknowledge that her daughter is crippled and refers to her handicap as "a little defect - hardly noticeable" (Williams 1648). Only for brief moments does she ever admit that her daughter is "crippled" and then resorts back to denial. Amanda doesn't perceive anything realistically. She believes that this gentleman caller, Jim is going to be the man to rescue Laura and she hasn't even met him yet. When Jim arrives, Amanda is dressed in a "girlish frock" she wore on the day that she met their father and she regresses to the childish, giddy days of entertaining gentleman callers. Amanda uses her past as a means to escape the reality she does not want to face.
To begin with, Laura has been with another boy before he met buddy therefore it tells you that she likes going around. Another thing is that she likes to lie. For example in pg.167 from the book you could see that her friend jane tells her something after that night with buddy. “Look, I said do you still have a thing for him? She shook her head. Then why don't you tell him to buss off? You don't understand buddy. He's not as strong as he looks.” (pg.167) This quote shows that she likes to lie because Laura is not being straight up with buddy and Laura wants to get in buddy mind so she can use him later on . Another quote that shows that laura likes to lie is that Laura and buddy still had sex even though Laura was pregnant. This shows that she a master of lying because she tricks buddy that she likes him and cares about him.
Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.
In the beginning of the play, Laura sees herself as “crippled” and not “expecting any gentlemen callers,” for she is extremely shy and unconfident. Furthermore, she embodies her collection of glass menagerie, for when Tom hurls his coat across the room “It strikes against the shelf of Laura’s glass collection... [and] Laura cries out as if wounded.” Laura’s action in this scene symbolizes her frailness and how she is a piece of the glass menagerie. Being part of the glass collection, Laura is confined to the shelf which the collection is on. This metaphorical representation of Laura depicts how she prefers to stay inside rather than going out into the world and becoming truly independent. Nonetheless, when Jim, the ticket to break out of this confinement, arrives, there is a shift in Laura’s character. As Jim talks to Laura, her “shyness is dissolving in his warmth.” Moreover, the unicorn piece which is symbolic of Laura and was once addressed as “lonesome” loses its horn in an accident. When its horn is gone, Laura states, “The horn was removed to make him feel less - freakish! Now he will feel more at home with the other horses, the ones who don’t have horns.” (Scene 7:6-9) Laura has lost her metaphorical horn and therefore she fits in with the rest of the world. For once in her life, Laura feels normal and her shell is broken as she dances and engages with Jim. However, Laura’s escape is not complete liberation, for even though Laura has liking towards Jim, the so thought gentleman-caller, Jim is engaged and has a fiance. This shows that Laura and her family will not truly escape from their setbacks even if a glance of hope, such as Jim, arrives for a moment in their lives. Therefore, at the end of the play, Laura’s “silliness is gone and she has dignity and tragic beauty” for “glass breaks so easily. No matter how careful you
After Laura explains to her mother that no young men will be over to visit her, Amanda makes a comment that the gentlemen’s excuse must be due to some sort of flood or tornado. “It isn’t a flood, it’s not a tornado, Mother. I’m just not popular like you were in Blue Mountain… Mother’s afraid I’m going to be an old maid” (975). Much like Maggie, Laura allows her minor flaw to overrun her life and disallow her to build a relationship with others. Laura’s limp has prevented her from meeting and making any friends while she was in school also hindering her from building any kind of bond with others.
If I could change the outcome of the story, I would have allowed Laura and Jim O’Connor to get married. I would have made this change because then Amanda’s problem would have been solved, and Laura would have had financial support in the future. Another reason I would have made this change is because Jim O’Connor would have been the ideal man for Laura because he connected with her. He saw past her awkward fondness of a glass animal set. He also got Laura to take pride in herself.
Laura Wingfield has chosen to hide from reality in the play The Glass Menagerie. She seems to live in a world of her own, and hides from everything and everyone outside of the apartment. Laura is terrified of anything new or different. Her mother sent her to business college, but Laura was so afraid that ‘The first time [they] gave a speed-test, she broke down completely – was sick at the stomach and almost had to be carried into the wash –room.’ (p 243). Laura uses her limp as an excuse to hide from the world. She believes that her slight limp makes her crippled and that she cannot be a part of the real world because of it. Laura’s glass menagerie and the victrola act as things which protect her from the real world in the play. Whenever she is
“The Glass Menagerie” by Tennessee Williams, was written in the early forties but could be misconstrued as a present-day play, because of the family dynamic that has changed since the forties but has not been completed replaced. In this play, we are introduced to Tom Wingfield who is the breadwinner for the family, which consists of his mom and sister. Amanda Wingfield who is an overbearing mother that knows no boundaries, and Laura Wingfield who is the sweet, and embarrassingly shy daughter of Amanda. Their family dynamic is like most of ours. The mother loves her kids dearly but struggles with letting go of her old identity, the daughter who allows her disability to determine her happiness and the brother who is obligated to work but would rather drink and party his money away. I’m sure many of us can relate to this family in some form. My favorite character in “The Glass Menagerie” is Laura. I love Laura because I can relate to her in more than one way. I was a shy individual most of my life, but once people got to know me they realized I was no different from them. In the following paragraphs, I will share Laura’s character with you, the similarities between Laura and the glass unicorn and I’ll tell you how the glass unicorn represents Laura.
Laura Wingfield’s avoidant personality hinders her life. Her excessive shyness causes her to drop out of college. Laura’s typing instructor states, “The first time we gave her a speed test, she [Laura] broke down completely- was sick at the stomach and almost had to be carried into the wash room! After that morning she never showed up any more” (Williams 14). Due to Laura’s inability to adapt to new situations, she cannot work and must stay at home. Furthermore, when her longtime crush, Jim, visits as the gentleman caller, she is unable to act socially. As she learns of Jim’s fiancée she “sways slightly forward and grips the arm of the sofa…Laura struggles visibly with her storm” (90). Due to her social inability, she is unable to see that
Lewis Carroll’s Alice and Frank Baum’s Dorothy are two of the most well-known and well-loved heroines of all time. At first glance, both Alice and Dorothy appear to be rather accurate renditions of actual little girls who embark on their own adventures in strange and fantastical lands. However, closer scrutiny reveals that only one of these characters is a true portrayal of what a little girl is really like, while the other is but a fulfillment of what most girls would only dream of being like.
Amanda’s strong and outgoing personality has made Laura become submissive painfully shy and self-conscious. She never let Laura make her own decisions. Laura was forced to attend a Business College because her mother wanted to, which resulted her escaping from school. So, to retreat from the real world, she resorted to playing her victrolla and admires her glass menagerie collection.
Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the
Laura appears to be the most important character in the play, perhaps the main character intended by Williams. Although she also engages in a world of illusion, hers is much different then Amanda's. She has no pretenses, no real faults to speak of. She is who
Laura's self-image is that of an unpopular girl, a bookworm, and she seems amazed that her handsome husband, "had kissed, courted, and proposed to...the bookworm...who had never been sought after or cherished" (40). She marries him out of a sense of duty and because it is what women do in 1949, but finds marriage and motherhood smothering. She feels inept at the simplest chores, such as creating a birthday cake for her husband and caring for her three-year-old son, and prefers to spend her time reading. She has a difficult time separating the fantasy of "Mrs. Dalloway, which she is reading, and the reality of her life. She finds herself attracted to a neighbor woman and must also deal with feelings of guilt caused by that attraction. Pregnant, desperately unhappy, depressed, and unwilling to take her own life, she affects her escape by abandoning her husband and children.