In this pre-rational, I will explore the Gothic genre in regards to its history, development, key elements that identify literature as Gothic, and authors that made this genre successful. Next, I will examine the themes and content of my chosen text Dracula and how it salsify the gothic literature criteria. I will also discuss a handful of recent adaptations based on Stoker’s Dracula; how varies interpretation flourished, as well as what I have learned from them. Finally, I will explain the development of my creative piece, Hell Hath No Fury; outlining the concept of the story, how I am changing the gothic genre, the research I have done so far and will need to do, and why I have chosen to do this.
We understand Gothic literature as a combination of horror and romanticism. Having said that, it was in the hands of Edgar Allan Poe when gothic began its association with horror. However, Goth was originally defined “in the terms of Dr. Johnson’s Dictionary of 1775, as ‘one not civilized, one deficient in general knowledge, a barbarian,” which is due to its medieval background as “invaders and destroyers of the great Roman civilization.” Appropriate, considering how it unsettles the Victorian psyche. Gothic and Victorians go hand in hand, despite the first gothic text, The Castle of Otranto by Horace Walpole was published in 1764. Not to mention, its relationship with the supernatural world. Authors such as Mary Shelley, Charles Dickens and Ann Radcliffe made this genre
As the first character writes about his personal experiences we find that proves to be very effective, in the way the writer is able to portray the gothic theme to the reader. The first example would be Jonathan's journey to Eastern Europe,
Gothic horror, what does it symbolize, does it connect to our modern lives, what exactly is it? Gothic horror is the genre of literature that has elements of both romance and horror. Gothic horror is very dark, stormy full of eerie winds and is usually set in an old mansion or in castles on high cliffs. Usually gothic horror is a combination of fiction, horror, and romance. This genre was famous throughout England and had and still does have a big influence on British culture and how they live their lives today. “Some get the gothic horror mixed up with paranormal romance but the difference between the two is in the results The Gothic builds up the protagonist until he achieves what he’s after, and then details the terrible consequences of achieving it” (Dittmer 1). The theme in Dracula is that classic Gothic theme of the epic battle of good versus evil. “In this novel this is expressed in a very direct way, there is never any question as to who is right and who is wrong. According to Duran “it can be clearly seen the protagonists on the side of good have many endearing qualities while the antagonists on the side of evil have a pact with Lucifer and are of the purest evil” (mikeduran.com). Bram Stokers Dracula demonstrates how religion can influence the mind of others and how they react and encounter to different situations of their lives.
Halberstam, Judith. (1993). Technologies of Monstrosity: Bram Stoker’s “Dracula”. Indiana University Press, 36, 333-352. Spencer, L. Kathleen. (1992). In Purity and Danger: Dracula, The Urban Gothic, and the Late Victorian Degeneracy Crisis. The John Hopkins University Press, 59, 197-225.
Many gothic novels have tried to create an unsettling feeling within their audiences. None have achieved this quite as well as Dracula. The jarring transitions of action, and the sharp cliffhangers create many moments of suspense and unease. Using epistolary format is also a way of creating nervousness in the readers, as it not only make the story “believable”, but introduces many stories woven into one large mystery. However, the transitions of story is not the only factor creating the feeling of apprehension within the book. To create these feelings to his greatest potential, in Dracula, Bram Stoker uses symbolism to reinforce the uneasy atmosphere.
Gothic Literature is a writing style that has dark setting, it has an overall atmosphere of mystery, exoticism, death. A Gothic story will revolve around a large, ancient house or an obscure setting that conceals a terrible secret or that serves as the refuge of an especially frightening and threatening character
To most, when asked to define what Gothic is, they will state that it is similar to any other story, just with more “darkness.” This is because Gothic stories all have a classic story line. First, there is the main character’s back story, if any is then told. Next, there are events that lead up to a horrible incident that is the climax of the story. Lastly, the character finds some way to fix the situation or free him- or herself from it. They might go insane, commit suicide, run away, or watch other characters perish. However, readers would be greatly mistaken if they thought that this was all that there is to a Gothic story; there is much more to the Gothic than meets the
Bram Stoker`s “Dracula” is one of his most prominent work, originally published in 1897. Forming part of the gothic literature; the novel focuses, through the character of Dracula, on the theme of Supernatural and Religion in an era largely dominated by Science and Rationality. This critical essay, will therefore demonstrate how Dracula, portrayed as the “other,” is essentially different from the rest and, how he subtly manage to incite people and challenge values and ideals of the British Society.
After reading the novel Dracula by Bram Stoker, we learn many things about the style of writing he used to capture the reader’s attention. We also learned about the main ideas Stoker brought in his writing, like how evil is all around us and how when humans join together, they could overcome the evil. In addition, he also describes the protagonist of the story and the way it behaves throughout the whole story and how it gets involved with all the characters. Last but not least, Stoker shows the reader what he used as a symbol to defeat evil, which helped developed the outcome of the novel.
The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.
Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.
Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.
As one of the most attractive and enduring figures in the Gothic literature, the vampires have moved from being a peripheral element with the genre to a place near the center and are capable of generating its own massive tradition now. In the recent literary history, they have already been adapted to play a role of a rebel against the moral, social, religious, and even sexual taboos. Put simply, the vampires are now a metaphor of human beings in the modern society and life.
Bram Stoker's Dracula is a true Gothic novel that belongs on any gothic literature course. Focusing in on the recurring themes, characters and settings used throughout the novel one sees how Dracula has set the standard for Gothic literature today.
The following piece of writing will explore factors of a gothic novel. It will exclusively do so in regards of the two novels Wuthering Heights and Frankenstein. These very famous novels will be looked at in a very in depth piece of writing. Each novels main themes and their background will be presented. The morality and the gothic novel with specific reference to Frankenstein and Wuthering Heights will be assessed. The second aspect will be the social and cultural of the genre, the genre being the gothic novel. Thirdly, the monster as punishment and the punishment of the monster in both novels. The final aspect that will be analysed is the constructed nature of boundaries in both texts.
Gothic literature originated and was very strong at the time of the Romantic Writers Movement. They were very popular and had authors such as Horace Walpole who wrote “The Castle of Oranto”, and novels such as “Frankenstein” and “Dracula“. Gothic novels all had a similarity between each other. They always had typical Gothic features which alleviated the novel in one way or another. For example, most Gothic novels involved settings which generally added fear and suspense. They were always quite dark, scary and isolated. Also the characters of the Gothic novels never seemed to fit in the community and the society. They usually were handicapped, disabled or deformed