The Green Table Kurt Jooss Essay

Artists in the early 1900s commonly utilized techniques of distortion and exaggeration, characteristics of expressionism, to establish the element of emotion. According to Wolf (2017), expressionist artists often incorporate “swirling, swaying, and exaggeratedly executed brushstrokes to convey the turgid emotional state of the artist reacting to the anxieties of the modern world” (p. 1). Amplification of the human figure often evokes strong emotions for audiences of many different cultures. Additionally, the style reflects the consequences of urbanization, such as the alienation of individuals in society (Wolf, 2017). Expressionism allows artists to surpass realism and reflect the tribulations of living in a modern society.

Though, throughout this time period, “the great majority of Americans disliked or even despised modern art,” it was an essential art movement in the 1950s and 1960s, and the “CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years,” creating a meaningful impact on the outcome of the Cold War (Saunders). “Abstract Expressionism stood for, above all else,

German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which

Although Bausch’s dances show influences of both the German expressionist tradition and and the formalism of American dance of the sixties, she effectively disempowered both systems. In Bausch’s work, formal gestures become subjective as they accumulate the performers’ personal interpretations and new meanings with each

In “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild begins by introducing unique aspects of the Africanist aesthetic including how it embraces differences and instead of the traditional European idea of resolving conflict, Africanist aesthetic presents a question and demonstrates the beauty in accepting conflict. One way in which the Africanist aesthetic differs from European ballet is how they utilize polycentrism, having multiple centers of movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways include the high-affect juxtaposition, changes in mood, movement, or tempo, to the drastically contrasting sharpness and intensity in the movements. Gottschild’s main point in her article is to describe how the Africanist aesthetic is much less strict

Ted Steinberg’s book American Green gives a detailed description of lawn and its role in America. He gives a history of lawn starting from the origin of the word “lawn” itself in the 16th century and gives wide-ranging anecdotes throughout the book that attempt to show the reader how obsessed Americans are with their lawns. His anecdotes are often meant to represent people all over America, but when you take a step back you realize that they are actually rare stories that provide little broader meaning. Steinberg fails to prove that American’s are obsessed with their lawns because of the poor assumptions he makes and examples he uses.

The innovative and passionate presence in both Jackson Pollock’s and Wassily Kandinsky avant-garde paintings exemplifies the redefinition of boundaries throughout their art making practices. Both artists challenged traditions both materially and conceptually using innovative and diverse approaches to materials and techniques when painting. Wassily Kandinsky goes against traditions and academies to create vivid, sensual and symbolic large-scale semi abstract expressionist oil paintings in a heightened state of mind. Many artworks of his convey bright and cheerful spontaneous colours that make the audience fully consumed within his works due to hypnotic and distorted semi realist shapes. Consequently, Jackson Pollock also goes against

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Various painters use their works of art as a representation of feelings. They include symbols, figures, and expression to reveal their emotions through the form of art. Philip Evergood’s painting Dance Marathon illustrates the desperate times surrounding the Great Depression. In the scene, dancers compete for a cash prize as they see who can dance the longest. He portrays the cruelty of the time through this vulgar setting. The painting easily captures the viewer’s attention mostly from the use of color, figure, spatial effects, and other techniques created by the artist.

Edgar Degas was a French artist, which was known as an Impressionists. He was born on the 19th of July, 1834, in Paris, France. His full name was Hilaire-Germain-Edgar Degas. Degas went into practice law. In 1855, he enrolled at the famous School of Fine Arts, in Paris, where he studied under Louis Lamothe, a pupil of the classical painter Jean-Auguste-Dominique Ingres.

i)The most important information that influenced Green & Co’s decision to enter the US market

Russian Seasons--choreographed for twelve dancers--is intimate, and with its quiet, somber, yet spectacularly moving ending, is (on the surface) far more serious than the lighthearted Namouna. Great beauty in art, however, is inherently

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

The green revolution is generally used to explain the application of modern, western-type farming techniques to less economically developed countries. The Green Revolution = == ==

Before minimalism in the 1950s, the dominant art movement in the United States was Abstract Expressionism. The artists at that time’s goal were to express their personal emotions through their artwork (“Introduction to Minimal Art”). One popular branch of Abstract Expressionism was called Action Painting. This style of painting was spontaneous; paint would be