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The Cold War And The American Abstract Expressionism

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With the increasing influence of communism spread by the Soviet nation, tensions rose between Russia and the United States, starting the Cold War. Communism, an ideological theology derived by Karl Marx, promoted the war against separate social classes. In this philosophy, meant to free the excessively poor working class from the oppressive shackles of the rich, the abolition of private property, the government control over education, communication and labor, and a heavy income tax were crucial elements. Though the people ruled under this system maintained their natural rights, such as the freedom of speech or expression, they could only do so if they expressed ideals supported by the government. Due to the restricted expression that communism supported, Russian artists were forced to follow the confines of communist ideals in their art. Though the validity of the art as a weapon was previously thought to be solely a tall tale, it is now known that the American Abstract Expressionist movement became a vital tool to the CIA, and the art form was weaponized through propaganda.
Though, throughout this time period, “the great majority of Americans disliked or even despised modern art,” it was an essential art movement in the 1950s and 1960s, and the “CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years,” creating a meaningful impact on the outcome of the Cold War (Saunders). “Abstract Expressionism stood for, above all else,

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