The Harlem Renaissance By Edward Christopher Williams

Harlem Renaissance and the Hip-hop Movement AN OVERVIEW The Harlem Renaissance and the Hip-Hop Movement are a culmination of co-related cultural art forms that have emerged out of the black experience. White people understood black people more through their expression of art during both movements. Both movements brought about a broad cross-racial following and, ironically, in both instances brought about a better understanding of the black experience for white America. The bridge between

Moreover, The Big Sea provides a trenchant commentary on writers such as Carl Van Vechten, whose novel Nigger Heaven (1926) promoted the associations of Harlem as an atavistic enclave for a disenfranchised black population.1 Indeed, Hugh M. Gloster describes Nigger Heaven as “a sort of guide book for visitors who went uptown seeking a re-creation of the primitive African jungle in the heart of New York City”

Native Americans (or American Indians) and European explorers and settlers who had both religious and territorial aspirations - Native American oral literature / oral tradition - European explorers’ letters, diaries, reports, etc., such as Christopher Columbus’s letters about his voyage to the “New world”. - Anglo (New England) settlers’ books, sermons, journals, narratives, and poetry Native American / American Indian oral literature / oral tradition creation stories（起源神话） trickster tales（恶作剧者传奇）

movable type, using clay and glue. - Because types are not moveable, characters were organized by rhyme. - Moveable type never replaced the handcut woodblock of the orient. - The invention of paper and printing arrived in Europe just as the Renaissance began. Chapter 4: Illuminated Manuscripts - Hand-written books are referred to as Illuminated Manuscripts. - Two notable traditions of illuminated