The Hero : The King Of Roland As A Hero

Literature of the Middle Ages can not be discussed without acknowledging the undeniable importance of chivalry. Chivalry in relation to the middle ages is defined as “the code of conduct adhered to by Medieval knights with gallant knightly values including honor, bravery, courteousness and honesty.” This key characteristic is essential in defining an ideal knight as well as his expectations. A knight must live by a chivalric code in which he becomes indebted to the people, his fellow knights, and most importantly, his lord. No other knight displayed more of a devotion to upholding the code then Lanval of Marie de France’s lai “Lanval.” Lanval demonstrates his chivalric nature in essential every action from maintaining comitatus amongst the

In the time period between 1066 and 1485, better known as the medieval age, a set of standards and how people are placed into order of importance in society is known as feudalism. In this caste system there are four groups; Kings, Barons, Vassals, and Serfs. The main individual of focus comes from the vassals, better known as the knight. Knights from this time period start out around 7 years old and are taught a code of chivalry (code of conduct) and the basics of knight hood. The knight in the Wife of Bath’s tale forcibly violates a young madden and punished with execution by decapitation. He is saved by the queen but is sent on a twelve month and a day quest. The knight in the Wife of Bath’s Tale doesn’t display chivalry by his actions

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

Knights are one of the most mistaken figures of the medieval era due to fairytales and over exaggerated fiction novels. When medieval knights roamed the earth, it was known that they were only human and, like humans, had faults. These knights did not always live up to the standards designated by society. However, in The Canterbury Tales, the knight is revealed as a character that would now be considered a knight in shining armor, a perfect role model in how he acts and what he does. Modern day people see them as chivalrous figures instead of their actual role as mounted cavalry soldiers. As time passes, the idea of what a knight is changes from a simple cavalry soldier to a specific type of behavior.

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

The legends and tales of the knights of King Arthur’s Round Table have resounded for ages—vivid stories of courageous and gallant knights usurping evil while simultaneously maintaining an upstanding reputation. Through the Arthurian tales, one has the opportunity to experience heroic narratives of exemplary models of knights who clearly illustrate the chivalry and honorability one should aspire to possess. No more evidently is this theme displayed than in the 14th century epic poem Sir Gawain and the Green Knight—a narrative of Sir Gawain, nephew of the legendary King Arthur, and his heroic journey against a mysterious green knight. In this heroic journey, the inherent charisma Gawain possesses and is continually praised for affirms the

Ideas that have been taught in many societies since the first civilizations of Mesopotamia to the world now are duty, loyalty and bravery. No period relied on these ideas more than the Middle Ages time of Europe. The European societies were based on the nature of feudalism. Feudalism worked if everyone in the society did their duty and gave loyalty to everyone above the on the social latter. The knight was the backbone of the feudal society. He was the protector of the heavenly Lord, their lady and the earthly lord. The roles and duties of the knight are quotes as, “the most noble knight under Christ, And the loveliest lades that lived on earth ever, and he the comeliest king, that the court holds.” (P. 26) Sir Gawain and the Green Knight gives a perspective to view life from the courtly aspect of the European feudal

At this point in history the men who fought the wars were lead by their leaders with a code of chivalry. Chivalry can be explained as “the Anglo-Saxon code on steroids.” (McGee) Which is, explained further, a moral system for a good way to conduct fighting. The knights in Arthurian time went even further with that code to say that it was a way to conduct oneself not only in battle, but at all times. Knights, by being chivalrous, were kind to all people, fought well and true, kept faith and believed in the Christian God, and fought for their kings. Chivalry can be found across the Arthurian texts, The Song of Roland is one of the texts that has multiple examples of chivalry.

Honor; honor is something that all will strive to achieve in life. Honor shapes people and without it, the world would be very contradistinct. But the concept of honor has changed over time. Today, honor is telling the truth, putting others before oneself, being kind, and protecting people no matter the cost. However, in the French epic, The Song of Roland honor is a very incommensurable thing. Honor is idealized by characters like Roland, Ganelon, and Marsilion as bravery to the point of stupidity and ultimately even death. Honor was not defending others, but safeguarding one’s own reputation and legacy. And a multitudinous amount of characters in this epic put honor above all else, and it’s not always smart.

Over the past month, we read the Story of the Grail by Chretien de Troyes. This poem details the progression of the knight Perceval. In the beginning, Perceval is not called by his name, instead he is referred to as “the youth”. This is an important detail to stress, because the poem is a coming of age story. As the poem progresses, the reader is able to see definitive changes in Perceval’s character. For example, in the beginning of the poem Perceval uses the limited knowledge that was bestowed upon him by his mother in order to complete his “knightly” duties. To make it worse, Perceval feels the need to tell everyone he meets that his mother is the one that taught him everything he knows. Eventually, Perceval outgrows this behavior and becomes a suitable knight. Throughout the poem, Perceval goes through many trials and tribulations, but for the purpose of this essay I will unravel the allegorical meaning of Perceval’s fight with the Red Knight using all four levels of interpretation.

It is the responsibility of both the vassal and the lord to provide, among other things, this defense and revenge for one another.

In Song of Roland, the ideas of chivalry and loyalty to one’s king are central. Throughout the text, the author uses the concepts of good versus evil, shown by the Christians versus Muslims, as well as loyalty versus treason, shown by Roland versus Ganelon, to highlight and exemplify the ideals of the code of knighthood. The main character, Roland, is often presented as being an exemplary knight; he personifies the conventional chivalric values of the time such as bravery and loyalty, but he also struggles to balance these values in order to be a responsible leader. Roland is in stark contrast to his stepfather, Ganelon, as well as being in slight contrast to his close friend, Oliver. These contrasts of character come to a climax as the battle against the Muslim army at Roncesvalles begins; Oliver and Roland debate over whether they should call the king to help them, leading to the eventual demise of the French army. This specific scene brings to light the ideological dilemma of bravery versus wisdom and logic, by utilizing Roland as an example of the former, and Oliver of the latter. Roland, as evidenced by this situation, displays perfect loyalty to one’s king and God by being incredibly brave in the face of danger, making sacrifices that he sees are necessary, and fought valiantly until his death, all the while keeping the utmost faith in his God and king.

King Charlemagne talks to his trusted council about a peace offer from the Saracens. Roland, in response to this announcement, warns Charlemagne, “Trust Marsilion—and suffer” (196). He reminds King Charlemagne that Marsilion has already betrayed their trust when he killed the French counts, Basan and Basile and does not believe that Marsilion is trustworthy. King Charlemagne however, does not agree and has decided to send someone from his march to bring his agreement to Marsilion. Setting aside personal feelings, as a great knight should be able to do in times of war, Roland nominated Ganelon to deliver the message. Roland, remembering the deaths of the previous counts that were murdered, realizing that if this was going to work said, “We need a wise man to bring the message” (294). Roland puts asides his personal feelings and acts

The Song of Roland is a heroic epic that depicts the tragic defeat of Roland, the courageous leader of Charlemagne’s army. Within the epic Roland is not depicted as a hero in every way. I believe that Roland’s pride eventually becomes the root cause of his failure to himself and to others. It is this pride that Roland carries that sheds light upon the culture out of which the poem emerges. In this culture during the late 700’s, pride in one’s religion is expected and upheld to great extents such as sacrifice.