The Iliad Character Analysis

Honor and glory are two important things for the heroes of Greece. Greek heroes live all their life to pursue honor and glory, and they always want the society to know their reputation. Honor and glory create many epic wars which take the lives of many people, and it exists at every stage. One of them is the fall of Troy, and it is “a thing… whose glory shall perish never” (Homer, Iliad 2.324). For the Greeks, they always appreciate the personal honor, family honor and the honor of the country, so they always try to do everything to achieve that goal. Even they want that after they die, the honor and the glory of them will persist forever. Honor and glory prove a hero, so those are the foundations for everything in the Iliad of Homer.

Many people have heard of Achilles, whether in Greek Mythology or when referring to the tendon in their foot. He is well known in the Iliad as the main force for the Achaeans in the Trojan War, dubbed the “swiftest warrior,” “Achilles dear to Zeus”, and “brilliant runner.” However many do not know the story of Achilles when he walks away from the Achaean campaign over a scuffle of war prizes. His action cripples the Achaean army, costing the lives of many. The story of the Trojan War is one where Achilles ultimately leads the Achaeans to Troy and kills Hector outside Priam’s walls. However, it was Patroclus, Achilles’ brother-in-arms, who should be accredited with the Achaean victories and know for his success against the Trojans in the

The great talents that Achilles’ possesses cause him to become much admired and well known by both the Greeks and the Trojans. He begins to believe all the good things people are say and becomes an arrogant, child-like, selfish person which all mark Achilles’ hubris part of his behavior cycle. Achilles shows his arrogance when he gets angry with Agamemnon for him wanting take his prize of honor, which Achilles worked very hard to get. Because of this, Achilles begins to lose his capability to think straight and weigh all the factors in situations, and withdraws himself from the battle. Later on after Achilles overcomes the death of his best friend and regains back his courage and pride, Achilles kills Hector and thinks he is invincible for doing the great deed he did. Achilles fought Hector for honor over all else and performed the death of Hector almost as a duty and feels proud of himself for doing so. Before he kills Hector, Achilles declares, “I will go forth to slay Hector, who killed the man the I loved… Until then, may I win great fame and glory, and may every Trojan realize that the greatest of the Greeks no longer remains apart from battle”(145).

For Greeks, gaining honor while alive that is important, but holding of a proper burial after death is also considered essential to them and their beloveds. In the Iliad, Homer places the emphasis on the retrieval of the body and the burial for both Patroclus and Hector, demonstrating the Greek perception that respect and fame continue after death, and therefore certify the struggle in life to achieve honor. Patroclus is like a brother to Achilles as they grow up together. While Patroclus is alive, he respects Achilles’ decision to remain out of the battle. After he dies, Achilles lays down his individual pride, which has insulted by Agamemnon earlier and returns back to the battle. Achilles successfully kills Hector and exacts his revenge by mutilating the body. Patroclus’ honor is shown in his elaborate ceremonies that Achilles holds for his passing and extends to the mourning shown. (Homer, Iliad 19.325-360, 23.245-280) On the other side, Priam has gone through many difficulties to have his son’s corpse back from Achilles. Hector’s honor also can be seemed from the paramount funeral and the

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.

Although Achilles was quite outraged at this, he gave a respectful response, stating that he would drop out of the war because Agamemnon had dishonored him. Later, the Trojans killed Patroclus, Achilles’ dearest and most trusted friend. Achilles was overcome with grief, but realized how stubborn and selfish he was being by dropping out of the war. He decided that he had to join the war once again to honor Patroclus. He told his mother, “Enough. Let bygones be bygones. Done is done. Despite my anguish I will beat it down, the fury mounting inside me, down by force. But now I’ll go and meet that murderer head-on, that Hector who destroyed the dearest life I know.” It is clear that he knew that in those ancient times, a real hero avenged the death of a dear friend, and would sacrifice his own life to save the dead body and give it a proper burial.

The term “foil” is a “character who contrasts with the protagonist in ways that bring out certain of his or her moral, emotional or intellectual qualities,” as defined by Sharon Hamilton (143). Achilles is the main hero of the “The Iliad”, a warrior who is angry and excluded. The contrasting and secondary hero is Hector. He is also a warrior and upcoming King of Troy who fights courageously for Troy. In his epic poem, “The Iliad,” Homer uses Hector as a foil to Achilles to emphasis their different qualities by comparing their emotions and actions.

Achilles is the son of Peleus, who is the king of Myrmidon. He was the fearless, striking, and a substantial warrior of the army of Agamemnon in the Trojan war. In Greek mythology, Achilles is notorious for having a preference between a long and peaceful life, or a quick life that will guide him to eternal glory. He states that, “There are no covenants between sheep and wolves, nor between you and me” (Achilles). Achilles had a desire for glory, when it came to the battlefield, but he was fierce and short tempered when it came to Agamemnon. He had superhuman strength, that brought out a sign of worry for the individuals that were on his team. He possessed resistance to injury due to his semi saintly birth.

Once Achilles decides to go after Hector to seek revenge for his fallen comrades death, he seals his fate of living a short life full of glory, rather than going back home to live a quiet, uneventful life in peace. This shows a dramatic reversal in Achilles character as his desire to defend his loved ones overcomes his pride from defying Agamemnon. In honor of Patroclus, Achilles comes out from the Achaean ships and

In my opinion, the Trojan War was the gods' fault. Because of their pettiness and jealousy, they caused one of the most horrendous wars in Greek history. When it gets right down to it, this all started with Eris' brilliant idea to throw the Apple of Discord. She knew that the goddesses pride and pettiness would cause them to quarrel over who was the most beautiful. While Hera and Athena's bribery towards Paris weren't entirely problematic, Aphrodite's was just plain stupid.

Achilles’ insolent pride backfires on him when he becomes ultimately responsible for the death of his best friend Patroclus. Although Achilles still refuses to fight, he allows Patroclus to where his armor into battle. The sight of what the Trojans think is Achilles terrorizes them at first, but Apollo pushes him down and knocks off Patroclus’ armor. Hector sees the injured imposter on the ground and delivers a fatal wound. Only now, out of personal grief, does Achilles return to the battle.

be looked at as "the wife of Hektor, who was ever the bravest fighter of

Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.

In reading texts that describe the mythical story of the Trojan War, it would be difficult to ignore the tragedy that the story emanates in its character’s actions and their consequences. Homer’s Iliad explores the tragedy of Achilles, whose preoccupation with glory has its tragic consequences of death and grief. It also shows the War’s resounding effect on those outside of the battlefield and the families of the warriors, as does Euripides’ Women of Troy, reflecting on family as the unforeseen victims of war. Furthermore, the play Rhesus is shown to give a more elaborated perspective of tragedy for individual characters. An examination of the Trojan War from the Trojan and Roman perspective further reveals tragedy on both sides. The gods’