The Impact of Ordo Virtutum on the Formation and Development of Liturgical Drama Thesis: The Liturgical Drama Ordo Virtutum by Hildegard of Bingen was fundamental in the creation and development of later works, providing religious inspiration, unique and expressive composition, and reflections of individual experiences in order to create the first liturgical drama of its kind. I. Ordo Virtutum depicts an allegorical struggle between good and evil, setting a precedent for later liturgical dramas. A. Hildegard of Bingen’s Ordo Virtutum is considered the first of its kind, revolutionizing the subject matter of liturgical dramas. 1. Liturgical dramas composed after Ordo Virtutum mainly contained sacred subject matter regarding biblical …show more content…
2. The piece ends with a celebration of the virtues, a commemoration of the triumph of the righteous over the influence of the devil. II. The unique composition of Ordo Virtutum is indicative of Hildegard of Bingen’s efforts to depict the drama as an expression of praise, glory, and righteousness. A. The verse and tone of Ordo Virtutum contributes to the overarching theme of holiness and righteousness within the piece. 1. Ordo Virtutum is written in Latin from the twelfth-century that is praised its revolutionary nature and differentiation from all other sacred poetry during this time. 2. Ordo Virtutum has a modal formulaic structure that works by an alternating solo and choral response, which is considered to be distinct to Hildegard’s compositions. B. Hildegard utilizes techniques of singing and shouting to emphasize various characteristics in Ordo Virtutum. 1. The Devil is not given any singing lines, rather, is directed to shout his lines. Given the idea that music is the imitation of divine harmony, the Devil should take no part in music. 2. The Devil intervenes within the scenes of light and purity by shouting his threats. By using such extreme differences in vocal technique, the essential message of the morality play is shown here. C. The conclusion of Ordo Virtutum consists of a period of praise and glory, demonstrating Hildegard of Bingen’s ideal vision of devotion to righteousness. 1. Half of the published score is dedicated to the conclusion,
Major Works Data Sheet Oedipus the King Title: ________________________________ Sophicles Author: ______________________________ Date of Publication: ____________________ Around 450 BC Tragic Drama/Theater Genre: _______________________________ Historical information about the setting
The resplendent Christian hymn “Have Thine Own Way, Lord” was subjected to two opposite treatments. The first was ‘sung’ exclusively by Cowherd's harmonium, and the second devotionally orchestrated according to Blade’s categorical arrangement.
We can tell theater and the chorus was appreciated in society because the theatrical and choral productions were being put on during a festival that celebrated the god Dionysus. “…this decree written on a stone stele and [was] set up in the theater so that the demesmen of Aixone always produce the best possible Dionysia,” shows that theatrical production was important because a plaque holding the theater, chorus, and choregoi to its highest standards was created to remind them how important it is to put on the best productions for the festival, for their god (Lines 8-11). If they did not think the theater was important and a big part of life, they would not have a festival for their Gods in which choral performances was the center of the festivities. In addition, the theater must have been a noble and respected part of culture if the elected demarch crowned and awarded the choregoi for their zeal and hard work (Lines
The next movement discussed stands out as being one of the longest works of the cantata. “In taberna quando sumus” opens with stringed instruments followed by percussion, and then a variety of other instruments join with the chorus. “When we are in the tavern”, the title sets this piece up for what I think would have a been a popular movement when it originated. Orff tells of drinking and gambling at the tavern, then goes on to list thirty names such as “the rich man” and “the poor man” that all drink. This stood out to me because I didn’t see this coming at all! It is also my least my favorite piece of the work. With the setting what it is, I didn’t particularly like the minor tone heard on and off in this
The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.
Within the pages of the well-known epic poem are many extraordinary and warring narratives of the Middle Ages. Beowulf is important because it is one of the most ancient European epics written in the vernacular, or native tongue. The seemingly super natural heroes of this exciting and famous writing have a great impact on the typical roles of their women. As declared through out the many lines of the astonishing poem, the women have many purposes and serve a variety of roles. Wealhtheow, Hygd, Hildeburh, Freawaru, and Grendel’s Mother give examples of the historical roles that are expected of the women of this ancient time. The women in “Beowulf” have the significant roles of hostess, peaceweaver, and mother.
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
Every culture has its own set of values, beliefs, and customs. These values, beliefs and customs create each unique culture, and these cultural constructions are directly and indirectly acquired throughout the lifetime of the culture. A major part of culture is literature; the literature of the time reflects upon daily life and society during the time that the story was composed. Beowulf, an epic poem, is one of the most important and only works of Anglo-Saxon literature. Much like a fable, the epic poem of Beowulf had lessons that taught the people within this society how to behave. This essay will outline how the importance of Christianity and the Germanic Heroic Code in Beowulf are revealed throughout the epic poem as important aspects of the Anglo-Saxon culture as a whole.
In the scope of this paper two works of art would be compared and contrasted - David’s Oath of the Horatii and Painting of Giovanni Arnolfini and His Bride by Van Eyck.
Incorporating traditional Anglo Saxon beliefs of heroism with the image of Christ on the cross allows the poet of The Dream of the Rood to effectively communicate the benefits of Christianity to pagan warriors. By comparing characteristics, duties, and treatment of heroes in Beowulf and the Battle of Maldon to the depiction of Christ in The Dream of the Rood, it becomes evident that the image of Christ is altered to mirror that of heroic warriors. Through this melding of heroic beliefs and Christianity, the poet of Rood is able to show how Christ can become the ultimate ring giver or Lord.
In this paper, I will describe, compare, and contrast two paintings of the same name, The Annunciation by Gerard David and Joos van Cleve. Beginning with Joos van Cleve’s work, we see the virgin Mary kneeling down before an opened book. An illuminated dove with its wings spread is suspended above Mary. An angel is standing beside her, making a gesture. Both figures are inside an ornately decorated, well lit bedroom.
The Divine Comedy is an epic that has been studied and analyzed by numerous literary experts from around the world for centuries. It’s impacts on the start of the literary revival that comes with the Renaissance; Dante Alighieri’s epic poem conveys complex themes and symbols. By studying accomplished literary specialists that have analyzed Dante Alighieri’s intricate motifs, The Divine Comedy can be unraveled to uncover an epic that reveals an allegory through the journey of a human life. Alighieri uses contradicting ideas which reference to history, politics, and ethics combined with mixed styles of language that represent a universal theme of good and evil.
Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.
The poem consists of a mixture of Christian and epic elements and has a very unique style. It represents the crucifixion as a battle and Christ as an epic hero, similar to Beowulf, which is quite different from the texts in the Bible. This contrast can be observed in the description of Jesus’ action during the crucifixion, and in the
The main objective in the performance of Renaissance music is that everything done by the singer is subservient to the text. Musicians of the Renaissance were fixated on the concept of music serving the text. Composers set poems to text attempting to imitate natural speech and inflection pattern in the rhythms of the music, and wished to write the music in such a way that the words could be understood. Singers should strive toward clear diction, making sure their vowel shapes and ornamentation do not obscure the text.