Given the nickname the "White City" because of its elegant and pristine buildings, the Chicago World’s Fair of 1893 was one of the most powerful events in American history. There were long lasting impacts on American culture, economy, and technology- the fair brought new advancements in virtually every aspect of daily life. It was held “to commemorate Columbus’s discovery of the New World” (Larson 15). The fair was a symbol of the expertise America possessed, but simultaneously highlighted the hardships that surrounded it. The fair increased wages, marketed more products for public use, and produced architectural feats that challenged the ones that stood at the 1889 Exposition Universelle. There was much more to the fair behind the showstopping displays that it created. Behind the exotic Algerian belly dancers and astonishing replicas of famous cities, the corporate world was establishing its dominance. Labor unions struggled to fight for fair wages and working time. Although disturbances and disagreements in the construction of the fair foreshadowed a negative ending, breakthroughs such as white lead paint and the Ferris Wheel attracted many visitors. The Chicago World's Fair of 1893 is a vivid exhibit of the independent cultural, economical, and technological superpower that America would grow to become in the future. To begin with, the World’s Columbian Exposition was a perfect example of a mix of cultures and products. According to Barbara Maranzani of History, nearly
Serbian poet, Dejan Stojanovic, once stated, “Devil and God – two sides of the same face.” When looking at Chicago during the Columbian Exposition, there were two sides of Chicago known as the white city and the black city. The white city was the fairgrounds where the World Fair occurred. The black city, however, is the rest of Chicago where the crime, poverty, disease, and filth was represented. Erik Larson constructs the black and white city in Devil in the White City by incorporating figurative language, imagery, and juxtaposition.
Devil in the White City written by Erik Larson is a true story based on the building of the most important fair in the United States of America, the 1893 Columbian Exposition World’s Fair in Chicago. Erik Larson also told the story of the psychopathic murderer; H.H. Holmes used his World’s Fair Hotel as an evil castle to lure in young women who came to see the fair. The story starts off with Larson describing that Chicago won the Congressional vote to host the World’s Fair and beat out its competition New York City. In only two short years, the White City was built. The fair brought in an estimated 40 million visitors in the only six months it was open. Daniel Burnham was the chief architect of the World’s Fair. Burnham had the staggering
A World’s Fair is an “[I]nternational exposition that features exhibits dealing with commerce, industry, and science.” (World Book Encyclopedia 412) Entertainment is also present along with cultural activities. In 1893, the World’s Columbian Exposition in Chicago, although inaugurated a year late, commemorated the discovery of America. I feel that the Exposition displayed some of the more beautiful architecture of its time; its immense buildings and sculptures drew heavily from Greek and other classical styles, and it could possible be because of the sweeping popularity in Beaux Arts architecture.
The attachment “Murder, magic, and madness at the fair that changed america” to the title hardly does the novel justice. Erik Larson’s The Devil in the White City, a nonfiction novel that surrounds the 1893 Chicago World’s Fair, also known as The World’s Columbian Exposition. The novel follows the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World's Fair and H.H. Holmes, the serial killer who exploits the fair to find his victims. Many new inventions were introduced at the fair, such as Juicy Fruit gum, the Ferris Wheel, and many other novel ideas that impacted the lives of many people for generations. The beautiful fair Burnham creates provides the perfect distraction and lure for Holmes’ activities. In his novel The Devil in the White City, Erik Larson suggests that good and evil coexist in the world by using charged language, imagery and juxtaposition to show although people view the fair as a perfect dreamland immune to evil, it still lurks outside in the dark, influencing the rest of the world.
The 1893 Chicago World’s Fair, more formally known as the Columbian Exposition, was a fair constructed to celebrate Columbus’ arrival in the New World. Chicago was known as the White City, but did not appear as pure and spotless as its name suggested. For instance, there were many ways one could get killed. “Fire took a dozen lives a day...There was diphtheria, typhus, cholera, influenza. And there was murder.” (Larson 12). These unstoppable causes of death was one of the reasons Chicago’s reputation was tarnished. Furthermore, the Panic of 1893 struck and greatly affected the city of Chicago. The Panic’s effects included “financial crises”, “bankruptcy”, and “high rates of unemployment and homelessness”. (Panic of 1893). Because of the city’s economic depression, the fair would decide whether Chicago’s circumstances would improve or deteriorate. Eventually, the 1893 Chicago’s World Fair displayed what America would soon become in an industrial, military, and economic perspective.
"Chicago has disappointed her enemies and astonished the world." (310) These quotes, along with many others, show how truly "magical" the Chicago World's Fair actually was. The nightlife was especially extravagant with special shows and attractions that citizens would never be able to see otherwise. As for the quote on page 310, Chicago really did astonish the whole world. The fair was made specifically to show New York who was really boss all while proving to the world that Chicago could create a fair so well put together that it would shame the Paris fair attendance record out of the ballpark by at least 300,000 visitors for one day. This is a national fair, which was specifically designed to attempt to shock the
With the signing of NAFTA in 1994, Mexico’s economy destabilized and shattered which caused increased dependence on foreign powers, like the USA, to invest in the economy. This put an emphasis on the globalization of the exchange of goods, services, and ideas. During my trip to Pilsen, I went to a bakery called “Xurro” and found that the whole place was a collection of products from Mexico, the USA, and other countries. They had not only traditional Mexican deserts like churros and Fresas con Crema, but also banana splits and Flaming hot Cheetos (a known American product very popular in Mexico). I also noticed they had an item on the menu called “Mocha Mezcla” which was Abuelita Mexican hot chocolate with a shot of expresso in it. These products are the physical representation of globalization through food; the mix and match of cultures introduces new combinations of goods to be sold and consumed. I observed that the menu was both in English and Spanish; the merging of two languages is indicative of the globalization of language as well as products. Also in the gift shop of the Art Museum, many products were made in China or other nations, although they were meant to represent Mexican heritage; this satisfies customer’s desire to be more “cultured” without being aware of the history and journey that the product has made. However, globalization is anything but a seamless process. Throughout the Museum, I perceived there were many images of American culture mixed with Mexican culture in a negative light. For example, there was a 3D sculpture of the famous Sun Maid Raisins, an American company, logo but the friendly girl on the box was replaced with a skeleton smiling with the words underneath, “SUN MAD Raisins: unnaturally grown with Insecticides, Miticides, Herbicides,
The Columbian World’s Exposition of 1893 marked an important time in American history. The overall fame of the World’s Columbian Exposition, or also known as the Chicago World’s Fair, is in large part due to the spread of ideas and inventions that originated at the fair itself. The novel, The Devil in the White City by Erik Larson, depicts a clear portrait of the fair’s impact in the time leading up to, during, and after the exposition. The fair established itself as a metaphorical historical monument, in the way that it honored the past and served as a memorial to Columbus, and the way that it impacted future societies and events. The fair began as a show of superiority on part of American society, over all other countries, like France or England. Regarding competition, the fair sought to “Out-Eiffel” Gustave Eiffel, architect of the Eiffel Tower, for architecture, and to outclass the rest of the world in all other fields. The fair also served to foreshadow the growing powers of America both intellectually and militarily; the spirit and ideas shown at the fair showed the emergence of intellectual superiority that would only serve as a sample of the achievements of society that were yet to come. The intellectual productions of the fair can be attributed to the architectural firm coordinating the event, Burnham and Root. The firm was headed by Daniel Burnham and John Root, both accredited as the brightest in their field. Under their management, the Chicago World’s Fair
The main focal point of Erik Larson’s Devil in the White City is centered around the excitement, murders, and magic of the Chicago World’s Fair of 1893. In 1890, Chicago was becoming a very populated and anxious city of America. The city itself wanted something to prove to the more traditional eastern cities of the United States. Driven by its massive civic pride, Chicago joined in the election against New York, St. Louis, and Washington, D.C. to be considered where the placement of the next World’s Fair would be located. Paris, France hosted the previous World’s Fair and left the world astonished with its architectural achievements with the Eiffel tower. Civic leaders in the opposing cities ultimately agreed to place the Fair in Chicago.
Although the Chicago World’s fair of 1893 only lasted 6 months, it had an enormous impact on the city of Chicago, its people, and indeed the entire country. Up until that point in its history, the US had done nothing on the scale of the world’s fair, and was regarded as a country of barbarians and cowboys by
The thought of Chicago hosting the world’s fair would be daunting at first, but it could turn around the reputation of Chicago from one of a city of gloom and darkness, to one of a city of light and progress from the Great Chicago fire of 1871, and that city would be fascinating for years to come. Chicago would get an economic shot in the arm from the revenue that it would get from hosting the 1893 World Fair and it would make Chicago into a great city of America. The event and also the transformation that would happen to the city of Chicago would not have happened if it would not be for one great man who had taken up the challenge to make sure to host this 1893 World fair.
In the book The Devil in The White City by Erik Larson, the city of Chicago is used to show the great failures and successes of the United States. The story takes place a few years before and during the 1893 World’s Columbian Exposition (World’s Fair) in Chicago. Larson focuses on the stories of Daniel Burnham, the director at the exposition, and Dr. H.H. Holmes, a serial killer. Daniel Burnham shows how America is a land of opportunity, and even in the face of many hardships succeeds in his goal of having a successful exposition. The Devil in The White City reflects the extremes of character in America because it shows American ingenuity, optimistic naivete, and the complete loss of morality.
As the city of Chicago prepped for the 1893 World’s Fair Columbian Exposition, a celebration of the 400th anniversary of Christopher Columbus’ arrival in the New World, people all over the world brought artifacts to the city. To keep these artifacts in the city long after the Exposition ended, Edward Ayer and Marshall Field established the Columbian Museum. Built using Field’s money, Columbian Museum would go on to house world artifacts as well as function as a research institution. As time passed, the museum eventually changed names to the Field Museum of Natural History and moved buildings to its much larger current location on Museum Campus. Today, the Field Museum continues to be an innovating research institution and stable of the Chicagoland community.
The World’s Columbian Exposition, also known as the Chicago World’s Fair, was an event held in Chicago from May to October of 1983. The fair was created to celebrate the 400th anniversary of Columbus’s discovery of the New World. The fair was designed to celebrate American innovation as well as bring together the American public and expose them to a multitude different ideas and cultures. One aspect of the fair was the abundance of living museum exhibits, which had people from other cultures going about their daily activities while the public observed. These living museum exhibits were primarily on the Midway, an area of the fairground on the outskirts of the main area, known as the White City. While White City mainly housed exhibits pertaining
One hundred years after the signing of the Declaration of Independence, the Centennial International Exhibition of Industry was created in order to celebrate America’s past and lend an eye to its hoped for future of prosperity. Attended by the President of the United States and in the presence of members of Congress, the Supreme Court, the Cabinet, many other national, state and municipal officers over 150,000 people and even the Emperor and Empress of Brazil the fair commenced. Although not considered financially successful for its investors, the Centennial Exhibition that took place in Philadelphia, Pennsylvania in the year 1876 was a ground breaking event that showcased the incredible advancement in culture and industry experienced by the United States immediately after the Civil War.