The Importance Of Dance In Music Man

I found this piece very interesting; it tells a clear story, and has a dissonant accompanist which makes it sound stylistically similar to the music of musical theatre.

For this assignment. I will be talking about the original musical performance of 42nd street. I will present the conditions of the stage and setting for the original stage performance. In this, I will talk about the plot and the characters of 42nd street, how the plot progresses and how each character has their own purpose in the story in comparison to each other. I will talk about the underlying themes of 42nd street; how these themes are important

By swaying in the delicate phrases and jerking with the harsh ones, the performers became the dancers in the ballet. They expressed different levels of emotion when required which reflected their playing.

The music accompaniment to this piece comes from one or two pianos which works well with the dance so that neither one overshadows the other. There are no other instruments used, the melody of the piano changes from scene to scene in order to project Jooss’ emotional responses. During the scenes with the politicians, the air of the piano is light-hearted and almost comedic. The story begins with the politicians in masks that are arguing in a non-naturalistic way using their postures and gestures for example: standing up with masks facing the audience wearing white gloves reaching their hands out with open palms portraying careless emotion. The show ends the same way which gives an impression of Jooss trying to say that there will always be arguments between higher statuses that don’t help the general public but they use their powers for their own entertainment. The purpose of this was to show the detachment of these men from the war. They are in a safe situation, unexposed to war and death. When the scene changes and we see what’s happening in the lives of citizens, this tune is transformed into a thunderous and eerie song that haunts the audience. The reason for this change is to reveal Jooss’ feelings about the unnecessary brutality and death that always comes with a war, and how politicians don’t understand the horror

Dimension of movement in this section is small and contracted to convey a struggle and inner turmoil, in contrast to the male dancers who move around the space with strength and aggression.

The male dancer only wore pants and bared his upper body. This simple costume design not only made the people who watch the dance to have a clear vision of the dancer, but also better presented a predicament that the character was experiencing at that time. At the first half of the dance, the dancer would leave at least one part of his body on the bench, and tried hard to reach other parts of his body away. This muscular interplay between the dancer and the bench resonated with the audience to experiencing the same struggle feelings as the character. As the performance developed, the dancer started to leave the bench to fully use the space. The dancer had many different movements comparing with sitting on the bench previously. He started to lie down, roll over, stand on the bench and make a turn use only one foot. The level of the dance was no longer limited in the middle but changing from low to high as well. Having such a change, the dancer is converting a more delight and energetic feeling to the audience, in order to demonstrated that the character was recovered through the

As a piece of choreography, “La Petite Mort” expresses the motifs of sexuality and death through the contrasts between levels of energy, confidence, and elevation. Translating directly from French to “little death”, the phrase “petite mort” also serves as a French idiom representing sexual climax. The comparison of the supposed pleasure of a sexual act, and act associated with creation, with death evokes strong emotions for both dancers and audience members alike. The piece runs for approximately seventeen minutes and consists of twelve dancers, six males and six females, and a wide array of symbolic props, including swords (foils), dresses that stand without support, and more. The tension and lack thereof between dancers and between a dancer and his or her prop can be felt palpably by the audience. Between sections of the piece, the male dancers carry an enormous cloth which glides through the air gracefully like a scarf, and the lights dim, creating a sense of mystery which is consistent with the feelings of the audience in trying to figure out how to deal with these two conflicting ideas.

This production of the jazzy musical is skillfully carried out with a new dance around every corner. The ten members of the cast all perform with lots of enthusiasm and excitement, which keeps the audience captivated during every scene. One singer who especially stands out was Davion Jones. In every scene Jones acts in it is clear how invested he is in his work as well as his delight when doing

Jazz dance originated from the African American vernacular dance from the late 1800’s when slaves needed an emotional and physical outlet (Guarnino and Oliver). The slave trade had begun and the slaves were allowed dance on the boats, as it was to keep the slaves fit for their journey to North America. The slave owners took interest in this type of dance (Guarnino and Oliver). They then integrated their European jigs with the music and movement of the African culture (Guarnino and Oliver). Africans primarily focused on the rhythms and the movement of the torso and the Europeans focused on the harmony and the folk dance (Guarnino and Oliver). Jazz dance is blended with tap and musical theatre. It has exciting body movements, percussion techniques, tap steps, and ballet. New forms of jazz dance evolved as different types of music were coming out such as the Charleston, swing, Caribbean reggae, and hip-hop (Guarnino and Oliver).

This message is the base lining and building blocks of this novel turned stage production performance, The Untouchable Juli. This theme is explored throughout the entire of the play through multiple dramatic techniques, both physical and verbal such as, mime, balletic movement; dance and music to tell the tale in brief vignettes that give the work a surreal and touching

The audience thinks only of her body while viewing the dancer. This is juxtaposed by the simile of her voice “like the sound of blended flutes” (3). The narrator does not see her as a sexual object, as the audience does, but notices her voice and its beauty. The narrator describes a “picnic day,” (4) juxtaposing the peace and freedom of nature to the chaos and repression of the nightclub the dancer is in.

Dance has been a natural movement form since the beginning of time. The origin of dance is unknown, just as the knowledge of the benefits of dance are unknown to many in our society. Many people do not enjoy dancing and also do not fully understand the positive benefits that come from dancing. Researchers such as Edwards, Duberg, and many more have found countless mental and emotional benefits of dance that originate from movement patterns, brain connections, and even expressions of emotion. Many are aware of the physical benefits of dance, but beyond the physical benefits of dance, there are also emotional and mental benefits that come from dance as well.

The dance forms, music and music instruments that make music has a great influences on country’s culture. Bulbul has remained a favorite musical instrument. It is a kind of horizontal according usually accompanying devotional or religious songs such as maulud and maadhaha. ("Maldives Music : The

The quote, “Dancing with the feet is one thing, but dancing with the heart is another,” has a lots of meaning to me. It shows that you need to focus more of what your heart is telling you while dancing, oppose to focusing more on the choreography. Some dancers never learn this and end up giving up on dancing. Others, connect to it right off the bat. I was one of those people.

“ Dance is the hidden language of the soul” ( Martha Graham). Dance is nonverbal and is often used by many people as a language. All people can tell emotions by dancing even beginner and amateur classes. In the world, there are many kinds of dancing, for instance, jazz, ballet, and samba. Each dance has completely distinct parts because all region`s cultures gave influences to each dance style in the past time such as classical Japanese dance and salsa. Furthermore, many people dance as entertainments and exercises and can trace many cultures by practicing dancing. Dancing is a necessary for people`s lives. The reasons why people dance are working as professional dancers, learning cultures and histories, and dancing with friends.