The Importance Of Reasoning To Play In A Play

The notion of obedience is imperative to the notion of law, and the subject of legal obedience is accepted by virtue of its necessity in the definition of law. The discussion of moral obligation to obey the law, however, raises difficult questions met by various arguments. As a leader of this discussion, Rawls proposes that moral obligation to obey the law is upheld if the system of law is grounded in the principle of fair play.

I came into my audition only auditioning for the ensemble, leaving the audition I ended up receiving the titular role of Pippin. There was also a dance audition, where we were asked to learn the choreography to All that Jazz from the musical Chicago, this was a challenging experience because I have had no professional dance training but I ended up doing very well and responding well to the choreographer and her teachings. This whole process helped me to develop my confidence and social skills. The auditions were the most like professional auditions I’ve ever attended, and therefore allowed me to better understand what the real musical theatre industry is like and give me a taste of what it would be like if I continued onto large productions. I was very lucky to receive the lead role, as I didn’t even audition for it, despite not seeing this at the time. There was a long break between auditions and the beginning of rehearsals, almost three weeks. This seemed like a very long period of time due to not being able to tell any of my fellow cast mates that I had received a

This past fall, I was given the opportunity to audition for VA district 13's district chorus. As a member of the FUMA choir, I saw this as a breath of fresh air. Our choir is ok, but it has its strengths and weaknesses. Passing the audition would be easy, a short song and sight reading, I mean, it's not rocket science. Passing the audition with flying colors, I had about two months to prepare the chosen songs. (Learning a part solely by piano can be a long and tedious process, but thankfully we were provided practice recordings of our parts.) With only two months to learn my part, I hit the ground running listening to the mp3s whenever I had a chance to.

I went to acting workshops to perfect my monologue for my audition. After I auditioned, the director commented on my improvement; I felt acknowledged and that maybe I would get a part. When the cast list was posted, I again dashed to it and scanned it. It took no time for my eyes to catch the sight of my name, "Shyanne Leon" written on the cast list. I was casted as "fairy" and had no lines. I felt irrelevant to the production, but I did not want to take my part for granted so I stuck with it. It was a great experience, but I could not help but wonder why I got such a small part when the director said I had improved, and I began to doubt my acting

The production process for “The Audition” was unlike any other show I’ve been a part of. The scenes were rehearsed and broken up into sections that were often blocked out of order, and other elements of the show like the dancing and singing, also started out as separate entities from the rest of the show. This came with multiple challenges, but many of them worked themselves out in the end. The dance and choreography was especially exciting for me, because it is something I enjoy and have a talent for. That being said, there were still challenges that came along with it. I had to learn how to teach dance to people who have never set foot inside a dance studio which is no easy task. Luckily, the more

When I read the audition scene, I was immediately drawn to how amazing the script was! Also, in my audition scene, I had to play piano, which I have been doing since I was four, so I believe that was an advantage for me.

As I sat enveloped in her story of overcoming conclusions, she taught my heart to embrace each quirky part of myself. I identified with Elle Woods’ need to prove herself. This idea of accepting individuality provided me with the courage to audition for my first show, the Arvada Center’s production of Footloose. Since that first nerve-racking, nail-biting experience, I have come to find myself through each move I dance onstage. Getting my first big role, the Dragon in a production of Shrek, I poured my heart out, knowing the people ready to judge and mock were watching. After the show, the peers who judged my intelligence approached me, saying things like, “I never knew you could sing like that.” Through performing I found myself again. I shifted back to the girl I was, the girl who cared about her morals. I want to perform, hoping to provide audience members with the ability to connect with characters who can offer them a point of realization, as Elle Woods did for me.

I am interested in applying for the acting apprenticeship for the Commonweal Theater Company for the 2017-2018 program. I am a recent graduate of Carleton College, with a degree in Biology, but I have always had a passion for theater and the performing arts. I started dancing when I was 4, was in my first play when I was 8, was a competitive cheerleader and performed in musicals in high school. When I studied at Carleton I danced for student-led ensembles, choreographed for musicals, sang in choir, took voice lessons, and acted in student films and faculty-directed plays. However, like any performer, I faced rejection along the way. I knew that if I wanted to succeed I could never let the dismissals get to me, though sometimes this was harder than others.

"I’m so nervous,” I complained to my mom as we walked into the Waukesha Civic Theatre. “What if I’m not good enough. I haven’t even prepared that much!” It was a crisp September day and some leaves had already started changing color. On the way home from school my mom told me about a play that the theater puts on near us every year and thought I would be good for it. Since I had only heard about the audition that day, it gave me a few hours to pick my song and be prepared for whatever part they wanted me to read. The next song that came on the radio was the song “Edge of Glory” by Lady GaGa and because it was in my vocal range I thought it would be good for me. Little did I know that this audition would change my view of theater.

To tell the truth, I didn’t want to audition. It was my brother, Landon, who actually forced me into the room to take the first step towards increasing my self-confidence, and expanding my horizons. I immediately felt welcome. It was as though I had known the people in the Nooksack Valley Drama Club for my entire life. They showed me what it meant to stand up for myself. I found my own voice both literally and metaphorically as an advocate for myself and any others who needed it. As I continued, the roles for which I auditioned increased in difficulty until I began to be cast in lead roles which were physically and emotionally challenging. Through these difficult roles, I came to love and value my drama family even more due to their continual support. They taught me the importance of patience, empathy, strong relationships, and of being

Now that I could see beyond the audition, I remembered why I had wanted to be in the ensemble in the first place, and I desperately wanted to know if I had made the cut. After what seemed like endless waiting, Mrs. Vermillion finally posted the list. My eyes immediately went to the Soprano column. When I saw my name, I hardly dared believe it. Slowly, the realization that this was not some mistake began to sink in. It was the most incredible feeling in the world, like I could have flown if I wanted to.

As the audition approached, I avoided it as much as I could. I was so preoccupied with making sure my mom knew how much I did not want to audition that I barely prepared. The week of, I was so overcome with anxiety and the fear of making a fool of

On Friday, October 16th at 7:30pm, a friend and myself saw the play Proof. This play took place at the UW-La Crosse Center for the Arts and David Auburn created this romantic drama production. The plot of this story takes place in a house in Chicago and only has four characters who have leading roles in the play; Catherine, Robert, Claire, and Herold Dobbs. Catherine, who has inherited her late father’s mathematical brilliance, but is haunted by the fear that she might also share his life-threatening mental illness. She has spent years caring for her now-deceased father, and upon his death, she feels left alone to pick up the pieces of her life without him. Caught between a newfound connection with Harold Dobbs, who is one of her father’s

From an early age children are known to engage in a number of activities in which would feed their curiosity alongside aiding their development. The main activity in which they would willingly participate in would be pretend play; play is not something which is only done by children however can be performed by adults and even animals.

The Parable of the Talents therefore refers to the metaphor "life is a precious possession." If you have many talents, you must "invest" them wisely--use them as you should use material goods, in a charitable way. If you have a few talents, you must invest them wisely as well. Even if you have only one talent, you must invest it wisely and do good in the world with that talent.In an important way, the play Everyman demonstrates the ways in which a person who does have talents (Good Deeds that are trapped in the ground) wastes them, like the servant who buries his one talent in the ground and is cast into the dark, the "place of wailing and grinding of teeth." According to the play's allegory, what forces in