The patented murder mystery, in all its addictive predictability, presents the audience with numerous cliches: a stormy night, a shadowy figure, a sinister butler, and a mysterious phone call. Susan Glaspell's Trifles does not fit this mold. Glaspell's mysterious inquiry into the murder of John Wright presents the reader with only one suspect, Mrs. Wright. Even though the court examiner and sheriff cannot find evidence against Mrs. Wright, the reader can plausibly argue the case against the neglected wife. Glaspell's use of descriptive language and subtle hints established the mood, presents the motive, and uncovers the evidence needed to solve this murder mystery.
Setting the proper mood is important for any play, especially one
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Wright leads an unhappy life. She had been neglected and oppressed by her stern husband. Even Mr. Hale suspects that Mrs. Wright's wants and needs made little impact on John (128). Mrs. Hale describes John as "a hard man," and proceeds to compare him to a "raw wind" (134). Living with such a man for over thirty years must have been unbearable for the once lively, cheerful Mrs. Wight, who was "real sweet and pretty, but kind of timid and--fluttery" (134). This description shows quite a change in personality when compared to the distant, emotionless traits she has assumed since being married to John. If in fact Mrs. Wright had killed her husband, she would become the second murderer in the household; John had killed the sweet, spirited Minnie Foster that Mrs. Hale remembers and molded her into the angry, nervous Mrs. Wright that the reader comes to know. Mrs. Wright appears to have valid reasons to kill her husband, but such a timid woman would not react so violently to these motives. Mrs. Wright stored up all of her hatred and discontent within herself but needed an event to light the fuse. The women inadvertently find this spark in the birdcage, which happens to be the most important piece of evidence.
Throughout the entire play, the men scour the house and barn looking for any piece of evidence that could turn the tables against Mrs. Wright. while the men prove to be unsuccessful, the women find a number of clues that could link Mrs. Wright to the murder of her
Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.
Wright’s motive. Mrs. Hale reminisces on a similar situation: “When I was a girl… my kitten—there was a boy took a hatchet, and before my eyes—before I could get there… If they hadn’t held me back I would have hurt him.” No one was holding Mrs. Wright back. Her husband killed her most treasured possession, and she took revenge in the same way: strangulation. Although the Wrights owned a gun, Mrs. Wright took a violent and personal approach. She wanted to force him to suffer instead of swiftly killing him. Mr. Wright, a cold man, broke open the bird cage and strangled Mrs. Wright’s beloved canary to death. She was infuriated, and in return, strangled her husband to
The third piece of evidence, the mutilated canary, shows the motive for Mrs. Wright to kill her husband. In the story the women find a beautiful box and in the box wrapped in silk was the dead bird which then by closer examination they found had its neck snapped. Based on the box and the silk we can infer that Mrs. Wright loved her bird and would not of broke its neck so that leaves Mr. Wright to do so. Silk is an expensive fabric and usually you put you most prized possessions in it, and the beautiful box also shows that Mrs. Wright loved her canary.
The play “Trifles” by Susan Glaspell is type of murder mystery that takes place in the early 1900’s. The play begins when the sheriff Mr. Peters and county attorney Mr. Henderson come to attempt to piece together what had happen on the day that Mr. Wright was murder. While investigating the seen of the murder, they are accompanied by the Mr. Hale, Mrs. Hale and Mr. Peters. Mr. Hale had told that Mrs. Wright was acting strange when he found her in the kitchen. After taking information from Mr. Hale, the men leave the women in the kitchen and go upstairs at seen of the murder. The men don’t realize the plot of the murder took place in the kitchen.
Throughout the drama, Mrs. Wright and the canary share many similarities. For example, Mrs. Hale, the wife of Mr. Hale, describes that Mrs. Wright “was kind of like a bird herself—sweet and pretty, but kind of timid and—fluttery” (185). Overall, the quotation describes Mrs. Wright as a gentle and submissive woman, the type of woman society expected her to be. In addition, although Mrs. Hale compares her to a bird in a favorable manner, she also defines Mrs. Wright as a woman that is fragile and uncappable of providing for herself, another social stereotype that women were subject to. Ultimately, however, the rigid social expectations for women served to reiterate their role in the home and to further confine them to the homestead itself, especially as society typically objectified and trivialized women, celebrating the conforming wife while condemning women to have their wings clipped by society’s standards. In this way, beyond her personality, Mrs. Wright becomes even more synonymous with the canary, an estranged creature confined behind bars as an aesthetic spectacle that is unable to sing an independent song.
Mr. Wright is not frightened by the consequences of his actions towards Mrs. Wright and her belongings. The County Attorney thoroughly examines the relationship between Mrs. Wright and Mrs. Hale. Mrs. Hale explains how she has “ . . . not seen much of [Mrs. Wright] of late years” (Glaspell 4) which reveals how isolated Mrs. Wright is. Mr. Wright does not think twice about keeping his wife secluded from everyone because he thinks Mrs. Wright is incompetent in expressing her feelings towards him. The dead canary is found by the women and they debate whether Mr. Wright was a factor in the death of the bird. Mrs. Hale replies to Mrs. Peters that “ . . . Wright wouldn’t like the bird--a thing that sang. [Mrs. Wright] used to sing. He killed that too” (Glaspell 9). Despite his wife’s feelings, Mr. Wright believes that he can get rid of anything to satisfy his happiness.
Therefore, Mrs. Wright murdered her husband simply because he murdered her pet bird, and she did so the same way he murdered the bird, making the motive is unethical. Mrs. Hale finds a dead bird with a broken neck inside of Mrs. Wright’s sewing box wrapped in a cloth. Obviously as lonely as Mrs. Wright was the death of her bird would have been catastrophic for her. This is evidence of a motive proving Mrs. Wright killed her husband out of sheer revenge of the death of her bird, it was the last thing he was ever going to take away from her. Along with the broken cage Mrs. Peters states, “Why, look at this door. It’s broke. One hinge is pulled apart” (8). Then Mrs. Hale comments, “Looks like someone must have been rough with it” (8). This is how it happened, Mr. Wright came home from work in
Susan Glaspell's play Trifles explores male-female relationships through the murder investigation of the character of Mr. Wright. It also talks about the stereotypes that women faced. The play takes place in Wright's country farmhouse as the men of the play, the county attorney, the sheriff, and Mr. Hale, search for evidence as to the identity and, most importantly, the motive of the murderer. The attorney, with the intensions of proving that Mrs. Wright choked the husband to death, was interviewing Mr. Hale on what he saw when he came in to the house. The women, on the other hand, were just there to get some clothing for the wife who was in jail for suspected murder of her husband. However, the clues which would lead them to the answer
Wright life of isolation and abuse is a factor that makes Mrs. Peters shift her judgment from supporting the course of law that would stipulate the conviction of the suspect Mrs. Wright. Mrs. Hale who is with Mrs. Peters speaks on how her neighbor Mrs. Wright was living every day sad and isolated by saying “Not having children makes less work—but it makes a quiet house, and Wright out to work all day, and no company when he did come in” (1079). In fact, Mrs. Hale later express her guilt for not visiting the isolated Mrs. Wright “I wish I had come over sometimes when she was here “ (1079). Mrs. Peter is so moved by the stories that Mrs. Hale tells about Minnie Foster before she married, we also see in Russell Glaspell’s “Trifles” “Mrs. Hale subtly suggests that Mrs. Wright is not the sole agent in the death of Mr. Wright “ (1) that she decides to talk closer and in hushed voices to Mrs. Hale so as to protect Minnie Wright from any chauvinistic attitudes that may justify revenge as the reason for murder. This is also stated in Russell Glaspell’s “Trifles” “foreshadows the conspiracy of the three women and their efforts to control the outcome or the fate of all characters”
In Trifles by Susan Glaspell, the central character remains unseen for the entirety of the piece. “The central character - the person whose actions are to be understood - is absent, thus rendering her all the more a figurative blank space” (Keetley 342). The audience never sees or hears Minnie Wright throughout the piece, and therefor cannot develop an accurate opinion of the outcome of the play, as they are missing vital information about Minnie’s personality. The audience and characters instead make several assumptions about the truth that cannot be verified without closer inspection of Minnie’s personality and experiences. Glaspell’s use of an unseen central character in Trifles causes the story to develop based on assumptions made by
Susan Glaspell’s most memorable one-act play, Trifles (1916) was based on murder trial case that happened in the 1900’s. Glaspell worked as a reporter, where she appointed a report of a murder case. It was about a farmer, John Hossack who was killed while he was asleep in bed one night. His wife claimed that she was asleep next to him when the attack occurred. No one believed in her statement, she was arrested and was charged on first degree murder.
A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.
Even so, the domestic system the men have set up for their wives and their disregard for them after the rules and boundaries have been laid down prove to be the men's downfall. The evidence that Mrs. Wright killed her husband is woven into Mrs. Hale's and Mrs. Peters's conversations about Mrs. Wright's sawing and her pet bird. The knots in her quilt match those in the rope used to strangle Mr. Wright, and the bird, the last symbol of Mrs. Wright's vitality to be taken by her husband, is found dead. Unable to play the role of subservient wife anymore, Mrs. Wright is foreign to herself and therefore lives a lie. As Mrs. Hale proclaims, "It looks as if she didn't know what she was about!" (1177).
When Mrs. Hale finds a dead bird in Mrs. Wright's sewing box, she soon recognizes the obvious reason why John Wright was murdered. The audience sees character motivation in Mrs. Wright. Mr. Wright was a man who used silence and coldness to control and mold his wife into someone he thought she ought to be. He killed the singing bird, which was a symbol for Mrs. Wright as Minnie Foster. In an indirect way, he killed her joy of singing, her spirit, keeping her in her own "cage" which she can not escape from. Unless she "got rid of" what (or who) was holding her prisoner.