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The Is Not Emotionally Healing Or Accepting Our Fate?

Better Essays

Harris sees ‘coming to terms’ as not emotionally healing or accepting our fate--like used currently but instead as a new approach to rewriting in academic essays and text. He sees this phrase as the best tool for writers to use when dealing with other people 's ideas and motivations. There are steps you have to take to come to terms with someone else’s writing. First, you must define the project and what the purpose is. Without this key step, you do not really know what to come to terms with and are lost to the goals of the text to begin with. For example, if you read an essay about the benefits of homeschooling without defining the project as an article about alternatives to high school, you might misjudge the project as a failure because …show more content…

In forwarding a text, you develop the dialogue of the topic you are reading about by bringing new “conversation” to the table. You are abandoning the author and his purpose completely but bringing up points and conclusions that you believe and further the topic at hand. Your own personal reaction is now the focus and now steps toward adding to the pre existing opinions, research and assumptions made by past readers of the same text. This skill of conversing with past readers through writing is the driving force behind forwarding and academic writing. Harris offers a process with steps to achieving this skill successfully. Firstly, you have to illustrate the point of view you want to make using other text as resources. This is essentially taking already established works and seeing who you agree with or disagree the most as a springboard for your own writing.This is a great starting point for forwarding because it gives you a chance to explore what you want to say and how past writers have tried to approach the same issues. Secondly, you can ‘borrow’ key terms, phrases and ideas from past texts to reshape the meaning or purpose in your own purpose.This is helpful to building a comprehensive piece of work that engages in the conversation already happening in the topic of focus. Thirdly,

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