Near the end of the creek, you'll find an archer and a swordsman stationed close by one another. Do not attack them together. Either kill the archer by using a ranged weapon or lure the swordsman away from the archer. At the end of the stream is a corpse that can be looted. Beware of the "dead" axeman lying near the edge of the river. Loot the body to get another Soul of a Lost Undead. Up the ridge is a cave with a ladder leading to a glade. The large clearing is patrolled by three undead, with a fourth playing dead near one of the exits. Furthermore, there's an archer on the ledge above who can hit you nearly anywhere in this area. Your best bet is to lure the enemies down the ladder and pick them off one by one in the cave. Leave the White
in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me
The poem “To This Day” written by Shane Koyczan, the symbolism is the black things grabbing the kid. This is showing that words do hurt and it stays with you this is shown through the whole story of the pain and suffering of the kid. This is said " who used to say that rhyme sticks and stones as if broken bones hurt more than the names we got called" this is showing word do hurt and the black things grabbing him is showing that like a broken bone it still hurts over time just like words do. With this evidence it shows that if you don't want to be called that don't say it at all.
The woods,The country. He's an ogre and everyone hates him. He wants to be alone.
Clint Smith is a writer, teacher, and doctoral candidate in Education at Harvard University with a concentration in Culture, Institutions, and Society. Smith Clint wrote a poem called “Something You should Know.” The poem is about an early job he had in a Petsmart. The poet allows the readers into his personal life, but before he had trouble opening up to people and his work. Moreover, Clint wrote an insight in the poem about relying in anything to feel safe and he says it is the most terrifying thing any person can do.
In the poem “The Man in the Dead Machine”, the main theme is about fate and how sometimes neither outcomes is what you want. Lord of the Flies mirrors this when the boys firstly land on the island and when Simon is killed. Both pieces, discuss how both outcomes of a scenario aren’t favourable and how you can’t ever be at peace with your outcome.
basement, somewhere north of the furnace and east of the root-cellar, where Clayt and Ella’s
a wooded area near the Anthony’s home. (Bio.) The skull in the plastic bag had duck tap on it
the last time. It hops to a place “Under the cineraria leaves, in the shade of the ashen heart
called the scar, is near the warm water lagoon. On the scar, where the boys
I have been a Central Academy Cougar for the past three years. I suppose it’s about time for me to try something else my senior year. Perhaps I’ll try to be a Monroe High Redhawk. I’ll learn how to do things the “Redhawk” way, I’ll get rid of my Cougar terminology and adapt the Redhawk slang.
The "Valley of the Ashes" is located next to the river, where railroad and highway intersect. It is a dumpster between West Egg
In her poem, “White Lies,” Trethewey’s theme in the story is discrimination and her struggle with her personal identity in America. Being born bi-racial, Trethewey explores racial identity that she experienced during her childhood. She was born in 1966 in Mississippi to a black mother and a white father. At this time, interracial marriages were not legal in Mississippi and were seen as shameful in society. Trethewey was very light skinned and had the desire to be white. The poem delivers the author’s experience with bigotry while living in the South (Bentley). This created an atmosphere of a racist society where the white community was superior over the African Americans. Growing up during this period, Trethewey felt like a lost little girl struggling with trying to find herself. In The Washington Post, Trethewey said, “Poetry showed me that I wasn’t alone” (Trethewey). This meant that writing poetry helped her to realize that she was not alone in this world of judgment, there were others facing the same issues that she was. The tone of her poem was sadness because of the prejudices she faced. To her, poetry was a place that could hold her grief (Bentley). Throughout her poem, “White Lies,” she desired to tell lies about who she was and how she lived. Her childhood was filled with thoughts and hopes of being white instead of being bi-racial. She states, “The lies I could tell, / when I was growing up” (Trethewey l. 1-2). These lines imply that she could easily lie to cover
“You want the truth? You can’t handle the truth!” Jack Nicholson made these words famous over a hundred years after Emily Dickinson explored the very same idea in her poem, Tell All the Truth, But Tell It Slant. The truth—for better or worse—is a powerful thing. Telling the truth is the right thing to do, morally, but considering how to deliver that truth is just as important as the truth itself. In this poem, Dickinson’s message to her readers is clear - to tell all the truth, but tell it slant - as it is the title of the poem, as well as its first line. She explores this theme through her unique choice of diction and tone, comparative language, and structure in Tell All the Truth, But Tell It Slant, making her message even more evident.
Ted Kooser, the thirteenth Poet Laureate of the United States and Pulitzer Prize winner, is known for his honest and accessible writing. Kooser’s poem “A Spiral Notebook” was published in 2004, in the book Good Poems for Hard Times, depicting a spiral notebook as something that represents more than its appearance. Through the use of imagery, diction, and structure, Ted Kooser reveals the reality of a spiral notebook to be a canvas of possibilities and goes deeper to portray the increasing complexities in life as we age.
on the dangerous, desolate moor at the end of a long dirt track in the