The Last Supper Analysis

In Santa Biblia: The Bible Through Hispanic Eyes, Justo L. González invites the reader to read the Bible in fresh ways, and gain insight from the perspective of “those who claim their Hispanic identity as part of their hermeneutical baggage, and who also read the Scripture within the context of a commitment to the Latino struggle to become all that God wants us and all of the world to be—in other words, the struggle for salvation/liberation.” (González 1996, 28-29) Published hot on the heels of the quincentennial of Columbus’ voyage to the new world, and abreast of discussions taking place in the larger Hispanic community, González’s book is both timely and well researched.

Colonial Latin American society in the Seventeenth Century was undergoing a tremendous amount of changes. Society was transforming from a conquering phase into a colonizing phase. New institutions were forming and new people and ideas flooded into the new lands freshly claimed for the Spanish Empire. Two remarkable women, radically different from each other, who lived during this period of change are a lenses through which many of the new institutions and changes can be viewed. Sor Juana and Catalina de Erauso are exceptional women who in no way represent the norm but through their extraordinary tales and by discovering what makes them so extraordinary we can deduce what was the norm and how society functioned during this era of Colonial

Matthew Restall, a Professor of Latin American History, Women’s Studies, and Anthropology at Pennsylvania State University. He also serves the Director of the university’s Latin Studies. Throughout “Seven Myths of the Spanish Conquest,” he discusses many false truths that have been passed down through history. For instance, he discusses, “The Myth of Exceptional Men.” “The Myth of Spanish Army,” and “The Myth of Completion.” For the sake of time, I will discuss three myths that correlate with class lectures and serve as the topic of this paper, “The Myth of Exceptional Men,” “The Myth of the King’s Army,” and the “Myth of the White Conquistador.” It should be noted that Restall speaks to his audience assuring us that his “...his purpose is not to degenerate this technique of historical writing completely...Nor do I mean to create a narrative in which individual action is utterly subordinated to the larger structural forces and causes of social change.” (4). He states that his intentions are to react to more than just the works of Columbus, Pizzaro, and Cortez.

For decades, the history of Latin America has been shrouded in a cover of Spanish glory and myth that misleads and complicates the views of historians everywhere. Myths such as the relationship between natives and conquistadors, and the individuality of the conquistadors themselves stand as only a few examples of how this history may have become broken and distorted. However, in Seven Myths of the Spanish Conquest Matthew Restall goes to great lengths to dispel these myths and provide a more accurate history of Latin American, in a readable and enjoyable book.

In A Short Account of the Destruction of the Indies, Bartolomé de Las Casas vividly describes the brutality wrought on the natives in the Americas by the Europeans primarily for the purpose of proclaiming and spreading the Christian faith. Las Casas originally intended this account to reach the royal administration of Spain; however, it soon found its way into the hands of many international readers, especially after translation. Bartolomé de Las Casas illustrates an extremely graphic and grim reality to his readers using literary methods such as characterization, imagery, amplification, authorial intrusion and the invocation of providence while trying to appeal to the sympathies of his audience about such atrocities.

For this essay I will be talking about the book “A Short Account of the Destruction of the Indies” by Bartolomé de Las Casas. Whom wrote this to the King of Spain, Prince Philip II, in 1542 to protest what was happening in the New World to the native people. I will be explaining many things during this essay. The first thing I will go over is what the books tells us about the relationship between Christianity and the colonialism. The second thing I will talk about is if it was enough to denounce the atrocities against indigenous people. Next, if it is possible to

This novel has many connections to The Revolution of Evelyn Serrano by Sonia Manzano because they both describe the struggle to find equality for minorities and the effort that is needed to be your true self. This novel discusses the topics of Slavery and women’s rights in Charleston, North Carolina during the 1800s and while The Revolution of Evelyn Serrano takes place during 1969, they both showcase a theme of discrimination throughout. The two novels are also both about growing up in places that are outdated and in need of socioeconomic change so that minorities are free from poverty and tyranny.

Can you imagine setting sail with about 600 men on a conquest hoping to successfully complete a task. Instead your castaway and you are one of four survivor’s out of 600 men; We can all attempt to imagine, but this was reality for Alvar Nuñez Cabeza de Vaca. In the early 1500’s Alvar Nuñez was amongst the first Europeans to step foot in what is known as North America today. The narrative and film Cabeza de Vaca Relacion and Cabeza de Vaca the film, recounts the trials and tribulations of the eight year journey. The film adaptation of Chronicle of the Narváez Expedition compares to the text in many ways. The film is merely a mirror to the narrative and although the film is not as long as the book it gives its audience visual validation of the hardships Alvar Nunez and his men endured, The way in which Alvarez was inhumanly treated by the Indians and how Alvar Nunez became popular and respected in the Indian community.

We often villainize the countries of Latin America, making them out as lands filled with violent, less civilized, poor people. Those who are uneducated about Latin America and the culture may apply the things they know about one culture in Latin America or the Caribbean to other countries in the area. We don’t realize that some of the stereotypes are directly influenced by the legacies left by European colonialism. Scholars studying colonialism have determined five colonial legacies that are seen in many post-colonial countries. These colonial legacies are authoritarian government, power of the Roman Catholic Church, a social hierarchy, economic dependency, and the large landed estate. In the film Pelo Malo, Junior, a young boy from a

The ceremony of the Lord’s Supper at Marburg in 1529 triggered numerous heartless debates amongst two protagonists Luther and Zwingli. Throughout the Reformation era, debates played an important role, as they were a main mechanism in familiarizing the Reformation into countless towns. Debates were a means of resolving differences amongst like-minded Protestant groups. Landgrave Philip of Hesse had summoned the Hessian Chancellor Feige to send for both Luther and Zwingli for the express and urgent purpose of settling their dispute over the Lord’s Supper. Therefore, the purpose of this debate was to solve the dispute over how Luther and Zwingli saw the sacrament of the Lord’s Supper.

As a new and mysterious world awaits to be discovered, daring conquistadors leave their home country of Spain in a journey of exploration. Two men by the name of Narvaez and Cabeza de Vaca set sail to thwart the untrustworthy Cortez who, behind the backs of Narvaez and Cabeza de Vaca, sailed to the New World with half of Narvaez’s crew in search of treasures. However, the journey would prove to be treacherous as the conquistadors would have to encounter hostile Native Americans and strange terrain they have never seen before. Throughout the expedition, future encounters between the Native Americans and conquistadors were heavily influenced by the personalities of the individuals and past experiences the Native Americans faced.

Salvador Dali’s painting, The Sacrament of the Last Supper (oil on canvas, 65 ¾ x 105 ½ in., c. 1995), has become one of his most iconic paintings from his “late” period. This painting portrays one of the most famous scenes from the Bible, the Last Supper, depicting the twelve disciples eating their final meal with Jesus. This scene has been created many times throughout history by many different artists. However, through Salvador Dali’s use of equal symmetry, the uncommon setting he chose and the interesting perspective and focal points, he was able to recreate a completely unique version of this common biblical scene while adding his twist of surrealism.

[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

The Last Supper, by Leonardo da Vinci, is one of the most famous works of art in the world. This painting represents the religious ceremony with Jesus Christ and his 12 disciples. This is the last meal that was shared between him and his disciples before his arrest and his untimely crucifixion. Leonardo was commissioned to execute the painting in the Dominican monastery of this Church by Duke of Milan, Ludovico Sforza. Leonardo da Vinci was an artist, scientist, architect, author, engineer, inventor, and humanist. He was born in 1452 near Vinci in Italy, and died in Amboise, near Tours France in 1519. The Last Supper and the Mona Lisa are his most famous works of art.

Leonardo's "Last Supper" is a priceless piece of art with much hidden meaning and obvious talents bestowed upon a wall. Under the study of Verrocchio as a painter and a sculptor, he was able to use his skills in creating a very detailed and a very naturalistic piece of work that would be remembered for hundreds of years. He was also able to create characters with amazing individuality. Not only was his portrayal of the characters magnificent, but the symbolism he used which emphasized the story being told in the "Last Supper".