The Legacy of NWA Essay

The rest of the chapter talks about the similarity of minstrel images in 1990s hip-hop, as evidenced by the defining characteristics of greed, violence, hyper sexuality and pathos in “gangsta rap” (a sub-genre of hip-hop further defined in chapter two). Ogbar balances this landscape with challenges to what he calls “neo-minstrelsy” from both inside and outside the hip-hop community, including discussions of the Spike Lee movie, Bamboozled, underground conscious hip-hop groups such as The Roots and Little Brother, and the activist “Stop Coonin’ Movement”, to name a few. Throughout the book, Ogbar explains how rappers strive for authenticity by “keepin’ it real”. And that is defined by how they rap, walk, talk, and make their

N.W.A (an abbreviation of Niggaz Wit Attitudes)[1][2][3] was an American hip hop group from Compton, California, widely considered one of the seminal acts of the gangsta rap and west coast hip hop sub-genres, sometimes credited as the most important group in the history of rap music.[4] Active from 1986 to 1991, the rap group endured controversy due to the explicit lyrics that many considered to be disrespectful to women, and glorifying drugs and crime. The group was subsequently banned from many mainstream American radio stations. In spite of this, the group has sold over 10 million units in the United States alone.

had gained all throughout Los Angeles, California. During the 70’s-90’s, racism was still at huge. Nobody knew what was going on behind closed doors because we did not have social media back then. High tech phones/cameras and technology that advanced were not accessible at the time to actually view the rawness of what was going on in the field. Ethos is demonstrated by N.W.A. by their status. By status I mean that N.W.A. was a famous and well known rap group which featured only African Americans (Ice Cube, Dr. Dre, Eazy-E, MC Ren, DJ Yella). The five were originally big known rappers/producers prior to them coming together to form the group. So people already knew about them from a musical/hip-hop perspective and throughout the Los Angeles community, which is where they all resided from. N.W.A. had already gained that trust/credibility (ethos) from the community because of how high their status was at the time (famous

The success the N.W.A group artists consists of avoiding being taking advantage of by managers who do it because artists know less about paperwork, transactions and which type of business to do at the right point of time. O’shea Ice Cube Jackson got into a financial dispute between him and the N.W.A manager, Jerry Heller. The dispute was settled in-court in 1990. After the fact, Cube continued a successful solo career. After that the N.W.A continued working on the same path, despite of the obstacles by being criticized by politicians, Ban of sales from few retailers because it was the purest form “Gangsta Rap” full of violence, misogyny, but also a lot of humor, and pathos. Politicians spent amounts of energy to stop it from being something, it was simply wild. The politicians might take the side that says this specific type of music influence young African Americans to do crimes and do what gangs do as described in the songs yet, the beauty of it is that it’s purely honest, and making Compton visible on the world

Biological evolution is not simply a matter of change over time. Lots of things change over time. Trees lose their leaves, mountain ranges rise and erode, but they aren 't examples of biological evolution because they don 't involve descent through genetic inheritance.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Picture this, you are teenager growing up in Los Angeles, on your way to school and you turn on the radio. “Yo thanks for tuning into to the hottest radio station in the streets of LA. Up next we got N.W.A. with their new single Appetite for Destruction.” That was common for nearly every person who lived in LA and enjoyed hip-hop music. During the early 90s and late 80s, West coast hip-hop was dominated by the gruesome realities of gangster rap and g-funk. Rap at the time was intense, authentic, and unbearable. Ultimately, this wave of “fuck you” sprouted from the injustices that plagued many impoverished communities. Individuals were angered from the oppressive acts that hindered any attempt to reach success, and gangster music within LA served as the platform to express the frustration under such terrible circumstances. Although the sound was revolutionary and taking over the entire nation, still Los Angeles needed a fresh of breath of air to display the artistic talent that came out of Los Angeles. New York could play with both sides of the hip-hop spectrum of light-heartedness to aggressiveness, but unfortunately for LA, they only had one sound. In New York, they had artists from Kid N Play to Public Enemy. If Los Angeles were ever going to snatch the throne from New York, they needed to do so quickly before the dawn of Golden Age ended.

What is a Nigger? This one term holds hatred that has transcended generations, and though now only whispered in the homes of white elitist and the ignorant, still is at the root of many of the racial issues African American’s face in America. Despite this, within the African American community the word “nigger” has transformed into the word “nigga”. Thus, changing the connotation from a shackle that made clear one’s position on the social hierarchy to a link that has bounded the community spiritually, symbolizing endearment and brotherhood when used by other African Americans. The change in connotation can now be seen in multiple formats within African American Pop

Within History, Rap has been considered the “CNN for black people”; what started as a way to express struggles in the ghettos of New York has transformed into one of the most popular genres of music in America. The popularity of rap has allowed many to have their voices heard, created new fashion trends, and even developed popular modern slang used by people throughout the world. The commercialization of rap has resulted in a significant following of the culture in America but also a large number of people who oppose the music. The culture of rap music has a substantial impact on popular culture in America, and by using an open mind and looking past the violence and language, people can better understand the meaning behind rap and the perception that follows it in America today.

In the 1960’s started a group up with two others called CIA. The group and mostly Cube was caught by Andre Romelt, better known as Dr. Dre. These two grouped together with other rappers known as DJ Yella, Eazy E, and MC Den. They all formed N.W.A. N.W.A.s hard hitting lyrics rocked the music company. Anchored by their first awesome hit F*** the police, the record made them the most contentious group ever in music. The group's second album, straight outta Compton in 1988 rocked them to amazing games.

Berry says that there are good types of rap and bad types by showing that few rappers actually use sexually obscure lyrics and sexist towards women. Good rap would be considered songs by artist such as Queen Latifah, Salt N ' Pepa, Yo Yo, and MC Lyte are working to dismiss the men rapper 's images of women through their own performance style and lyrics. Violence is another factor because it is associated with black urban youths where rap music is always the common denominator for in the communities. Berry gives the idea that a major part of rap music is a reality in these neighborhoods by using NWA, a.k.a. Niggas with Attitude that consists of five rappers from L.A. who rap about gang banging, drive by shootings, and police confrontations. The lead singer of the group argued that their lyrics aim to show the "raw reality of life" instead of making it people’s reality. Williams argues that rap music does not represent the beliefs and ethics of black communities but only because people overlook the positive efforts made by rappers and focus on the negative aspects. Berry demonstrate how the supremacy of white and black power are prominent through focusing on how Parales beliefs that rap just shows the lack of education, and the frustration of the ghetto, and how hating rap can be linked to fearing young black men who are the stars of rap . Ice

African American studies the Black Poor which is evidenced in the rhetoric of "We're all in the Same Gang” by the West Coast All Stars. The following sources highlight my main argument that gang activity and violence is a major issue in the black community particularly the ghetto and the inner city and to stop it or put an end to it, we as a black community collectively need to come together to do it. I chose this song because the artists discuss a major issue that goes on in the black community particularly the inner city or the ghetto, which is gang activity and violence, and they also encourage people in these areas to make a difference and to help contribute to put an end to it. To display this song in visual form, I have sought photos

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

Evolution is believed to be true by some because of all the evidence supporting the theory. I agree with the term because of evidence like fossil records, natural selection, and genetic similarities. The Law of Superposition plays a large point in supporting Evolution, it shows how plants and mammals have changed over time. Evolution matters now because it still happens very often. ¨A

Throughout history, music has been used to express the feelings of people or groups whom may have no other outlet to express themselves. The best example of this occurrence would be the lower class of America’s use of rap music. Rap music started out as a fun variation of disco with the purpose to make people dance and enjoy themselves, but it later transformed into one of the best outlets to express the struggles of poverty in the United States. The genre gained popularity when the song “Rapper 's Delight” hit the charts in the early eighties; rap evolved into a plethora of different styles from there, Gangster Rap formed with NWA in the late eighties, and rap really hit it’s zenith in the mid nineties. Modern rap began in the early starts of the twentieth century. Because of the storytelling that rappers do in the music, it gained notice in the inner city where the demographic could relate. Many young teen in the inner city environment built dream to be famous rappers just like their own favorite artists . Rap connects to me by its style, its purpose, and its political incorrectness.