The Love Of Love In Medea's Love For Her Children

In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.

However, no one in the play except the Nurse thinks for a second that Medea could bring herself to murder her children. Medea even has an internal debate over whether she could bring herself to commit such a crime, showing once again that she is not completely in control of her emotions. In the end, she decides to go through with it rather than leave them “to the mockery of my enemies” (78). In the end, Medea appears in the sky in “a chariot drawn by dragons” (84). She has already killed the boys and she attributes their death to Jason’s “weakness” (86) and his “lustful heart and new marriage” (86). The play ends with Medea disappearing from view with the children.

Medea was the one that physically murdered everyone at the end of the story including the princess and the King. The deaths cannot be Jason's fault cause he didn't kill them and neither did Medea. Even though Medea was trying to get revenge on Jason by killing of everything he loves she did have to kill her own children because that would hurt her also. The killing spree she went on in the end of the story proves that Medea was already messed up before he left her and that she was unstable. On line (1456-1458) Medea says " I've made up my mind, my friends. I'll do it kill my children now, without delay, and flee this land." Medea was the one that actually killed the children and decided that this would hurt Jason. On line (911-913) Medea says" The plans I've made have been set in motion. I'm confident my enemies will pay; they'll get their punishment." Medea is talking to Zeus in this quote about what her plan is to get back at Jason the enemy. In this plan she describes how she will use her children to take a gift to the princess to poison her so she will die and Jason will be hurt, then she describes how she will kill her children as a sacrifice to hurt Jason. On line (1580-1589) Jason says " you dared to take the sword to your own boys, you the one who bore them and to leave me destroyed and childless. Having done this, after committing this atrocious crime, can you still look upon the earth and sun? May you be destroyed! Now I understand I must have lost my mind to bring you here, from that savage country, to a Greek home. You were truly evil then you betrayed your father and the land that raised you." Jason is stating everything that is a fact Medea did kill her two children she left her home country and Jason is starting to see that she is crazy. Medea's plan worked Jason is now heartbroken cause he has no body. Medea has turned for the victim in this play to a

First, we will look at the motive in this case. What could have possible motivated Medea to murder her children? Medea has been scorned by her husband, Jason, who left her for another woman (Puchner 529). You see, Creon has arranged for Jason to marry his daughter (Puchner 529). Jason, believing this would be the best decision he could make for his children, accepted Creon’s offer (Puchner 543). Medea could be heard wailing and crying out in rage from this betrayal (Puchner 532). So, Medea decides to break her husband’s heart, as he had broken hers, by killing their sons (Puchner 548). She could have easily left, after being exiled by Creon, and started a new life for herself and her children (Puchner 535). In a time where Medea could have

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

Medea after being betrayed by her husband Jason, she takes advantage of the sympathy of others to carry out her agenda. As an outsider and “non-Greek” (326), she understands that the people of Corinth do not reserve much sympathy for Medea herself. However, she recognizes there is a possibility that people will take pity on her children, therefore she takes advantage of this knowledge by using the children as bait. Medea persuades Creon and Jason to sympathize with her predicament by acknowledging their decisions and actions, meanwhile using the children as a commoMedea’s

Her revenge was called “’almost a poetic gesture. She kills her kids after (Jason's) done all this, it kind of makes sense,’" in an article by Steve Bornfeld. In the design of the show, I wanted to create a world that absolutely made sense. I wanted the audience to feel the echo of the old cliché that those who cannot learn from history are doomed to repeat it. In our current times, it becomes more and more obvious we still have have not learned from Medea. Medea, to me, wasn’t a woman to be over- sensationalized or set aside as strange. Medea is a cycle, repeating herself generation after generation, who required a timeless and realistic world to spiral downward in, and I strived to give it to her. As long as women find themselves losing control in life and making their children into their victims, Medea will have a practical and current necessity which makes her almost commonplace, which is echoed in every aspect of my production design, from the set and lights to the costuming

Medea plans to kill her children instead of Jason. The main reason being that, by killing the children, it will cause Jason eternal pain. Medea’s position of citizenship also affects her emotional state and actions. Medea is an immigrant. She speaks on how she tried to blend in to this “strange Greek society” (7) and failed. I feel it is because of this failed effort that Medea finally understands that she is a foreigner—and also unwelcomed—and has no home to return to. It is for this reason I believe Medea continued with her plan. She had nothing to lose and had to leave Corinth anyways. Medea appears to be a very outspoken woman. On page 7, Medea expresses her opinions of the women of her time. Medea embodies the voice of women. She makes it sound

Ever since she found out she had been betrayed by Jason, she has had “no pleasure left” in living. The only purpose left in her “cruel” and “accursed” life is to “strike dead” Jason, Creon and Glauce. Medea ends up killing Creon and his daughter but doesn’t make any attempt to kill Jason. To “perish his whole house” and “work revenge on Jason for his wrongs to [Medea]”, Medea plans to kill her two son as “it is the supreme way to hurt [her] husband”. Although Medea feels sad as shown by her “dewy eyes” and “these tears”, the audience are positioned to feel less sympathetic towards Medea due to her murderous actions towards her “own little

Euripides also carefully reveals the elements of Medea's past that demonstrate her readiness to violate solidarity of family ties in order to pursue her intractable will; Jason and Medea's original tryst, for example, required that she kill her own brother, thus choosing marriage ties over blood ties. Secondly, Medea's selfishness provides power to her fatal flaw. Medea's selfishness and lack of humanity is displayed through the act of killing her own two sons. Medea understands that the slaying of her children will make Jason miserable. During this time, the chorus recognizes her self-worship and states, “But can you have the heart to kill your flesh and blood” (Euripides, The Medea, 816)? Medea does not stop to think what pain she may cause to herself by murdering them. She is only concerned about her happiness that will be derived from Jason's grieving. Medea comes to the conclusion that it is worth the suffering just to see her ex-husband unhappy. Medea states, “Yes, for this is the best way to wound my husband” (Euripides, The Medea, 817). This exhibits Medea's selfishness by the slaying of her sons just to cause sorrow to Jason for her own pleasure. Medea's rage also leads to her fatal flaw of excessive passion. Her excessive passion, fed by rage, leads Medea to do uncalled-for acts of violence and murder.

As a mother, Medea on the surface is not the best, as she eventually kills her children, ignoring their pleas for mercy ("Mother, don't kill us"). However, we must not ignore the heartache and pain that Medea endures in killing them. It takes incredible conviction to carry it out ("parted from you, my life will be all pain and

Medea never goes through a dramatic, tragic realization. While she does question her actions temporarily before killing her own children, she never regrets it afterwards and knows that it must be done. It seems as though she knew that her children must die from the first instant Jason divorced her:

She feels that if she left her children with Jason they would not be treated properly and mocked since they are part barbaric. Medea is a woman of pride and does not want to give her enemies a reason to mock or laugh at her in any circumstances (781-782). She would rather not leave them with Jason as she feels he would still have someone around him he loves and she feels like there is no place for barbarian children in the Greek city: “Children, there is none who can give you safety” (793). Since she needs to move quickly to Athens after she commits the murders of the royal house she decides it would be difficult to take them with her as they will slow her down and endanger her escape. For these reasons, Medea sees it fit to best kill her children to get revenge on Jason.

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

In the tragedy Medea, Jason is faced with realization of the death of his twin sons who were killed by their, mother, Medea; he falls into agony as he laments, inspiring a katharsis in the reader. Jason cheated on Medea, assuming that it was okay with her, saying, “…I/ Grew tired of your bed and felt the need for a new bride” (18). Jason desired a bride of title so that his current children and future children could be brought up “worthily” (26). He betrayed his family and Medea’s love for another woman, causing Medea began to seek revenge. She decides to do two acts: kill her husband’s fiancée and kill her own sons. “…I shall kill my own children. /My children, there is none who can give them safety,” Medea expresses, as she plots her plan (26). Jason is unaware of this act that his wife is ready to commit. No longer does he have a fiancée, but now he has lost his heirs to the kingdom. The tragic act occurring among family members, happens in Medea, which was highlighted in Poetics. The death of Medea and Jason’s sons leads to Jason’s