It is in human nature to be hesitant; it is a trait that keeps people from doing things that can potentially cause physical and emotional harm. When modernism began around the late 19th and early 20th century, people began to explore hesitancy and other reasons why humans act the way they do. Hesitancy is usually expressed to protect one’s sanity and their heart. People constantly fear rejection from their peers and those of whom they love, and T.S. Eliot displays this in his poem “The Love Song of J. Alfred Prufrock”. Eliot is known as an anti-hero author, and he is also very relatable in his works. He shows human emotions and fears clearly through his diction, revealing everyone’s fears of rejection, love, and life. In this stanza of “The …show more content…
Prufrock also observes her and other women in three stanzas with this one being the last, describing them with all of his senses except for touch. In the stanza, he only uses sight and smell to describe her. When she first walks in, he first describes her attire through sight, and then, he describes what she smells like; mentioning her perfume. When T.S. Elliot says ‘digress’ in the fifth sentence of the stanza, he means the smell of her perfume makes Prufrock lose his train of thought as he stared at her. Prufrock is clearly so captivated by the woman at this point that he wants to speak to her, but he could not. Prufrock does not know how to talk to her and, like most people, is afraid of rejection. He shows hesitancy in the last two lines of the stanza: “And should I then presume? And how should I begin?” Perhaps, Prufrock’s hesitancy also stops him from being able to give into his lust and finally touch her? The last two sentences of the stanza align well with the last stanza of the “The Garden” by Ezra Pound and Gatsby’s actions to Daisy in The Great Gatsby. In “The Garden”, just like Prufrock, the narrator is observing a woman and wishes to speak to her, but he did not. Although in the last stanza of “The Garden” it says that the woman is afraid that the narrator would talk to her, it seems that narrator desires to speak to her since he has been staring at her for a long time. Hesitancy takes hold over of these narrators from “The Love Song of J. Alfred Prufrock” and “The Garden”, preventing a possible future of finding love. In The Great Gatsby, Jay Gatsby shows the utmost hesitancy in speaking to a woman he believes to be his true love. After he got Nick to invite Daisy to tea at Nick’s house, Gatsby hesitated to speak with her because of the fear of rejection like her not remembering him or not wanting to see him. The Great Gatsby shows another
The use of allusions bring a sense of intimacy between reader and author. Prufrock wishes to be comforted.
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is a poem unlike any I have ever read before. The poem starts off with the speaker taking what seems to be a potential lover along for a walk. The speaker first describes their surroundings and says that “the evening is spread out against the sky like a patient etherized upon a table” and that “the streets follow like a tedious argument”. The sky is described as someone who has been anesthetized, someone who can’t feel anything. The streets are like an argument, something that can tear two people apart. The similes used make the setting seem dark and dreary. The speaker then brings up that he has a question he wishes to
'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).
Unlike Oedipus, the character in T.S. Eliot’s “Love Song of J. Alfred Prufrock” is timid, insecure and indecisive. Throughout the poem, Prufrock is faced with a decision to approach a woman he has developed a liking to, or remain looking out a lonely window drowning his self consciousness in an ocean of self doubt. He wants to ask her the overwhelming question, but instead he purposefully avoids the woman by having personal detour conversations with himself about his self image. The entire poem is laced with Prufrock asking himself questions. He asks “Do I dare disturb the universe?”(Eliot) as if the whole world will come crashing down if he simply talks to her. He wants to wait for the right time, but in the same thought, he knows his years are running out; he mentions his bald spot and thin arms. Prufrock is so consumed with himself and how others might portray or judge him, that it is paralyzing him from social activities and gatherings. He is going through a mid life crisis that he may have brought on himself by leading an unproductive, bland life and his lack of
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
The poem “The Love Song of J.Alfred Prufrock” by T.S Eliot is one extended metaphor depicting the trials the character must go through in his attempt to achieve his quest for the ideal. In this case, the ideal is the world inhabited by the ladies he wants to talk to. The perils the character, Prufrock, has to contend with are low self-esteem and his fear of rejection. The poet illustrates his character’s low self-esteem with the image that Prufrock paints of himself as a man “With a bald spot in the middle of my hair” (39). Prufrock’s poor self-image is also evident in his
Loneliness is a feeling that we have all felt here and there. A man in the poem “ The Love Song of J. Alfred Prufrock” by T.S Eliot feels trapped which caused him to have disorders. Nothing has never changed from living in the same city and not using his time wisely. He tried numerous ways to approach women but his low self esteem stopped him from moving forward. Although Prufrock seems like a miserable person, Prufrock suffers from obsessive compulsive disorder, depression, and paranoia that caused him to feel this way.
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
In the poem, “The Love Song of J. Alfred Prufrock” by T.S. Eliot, the reader is being taken along with the main character, J. Alfred Prufrock, as he goes about his evening of life contemplation and self-evaluation. During the reading of this poem, one learns about Mr. Prufrock’s character and the current dilemma that he puts himself in. Mr. Prufrock is often seen throughout this poem with a pessimistic view on his current situation in life, explaining how he’s “measured out [his] life with coffee spoons;” and how he’s “seen the moment of [his] greatness flicker,”. With this idea about himself he begins to point out his flaws that others seen in him such as his “...bald spot in the middle of [his] hair-” and “how his arms and legs are thin!”. Due to this point-of-view towards life and himself, the speaker creates a very bleak attitude towards the way he currently lives and this ultimately leaves him to a desire to change himself or, in his words, “disturb the universe”.
T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
Being different from society often leads to exclusion and the over complication of even the smallest things. Due to a constant existing fear of society's response to what an individual may feel, an individual may maintain a feeling of isolation and would not want to demonstrate their feelings. When someone is different, they question every move they make because of how everyone else might react to the situation. T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock”, is about a well educated and modern man who wants to ask a woman a very significant question. In the poem, it never specifically says what the question is, but it is likely about marriage or about her feelings for Prufrock. Prufrock is a middle aged and lonely man that has doubts over whether he should ask her or not, due to the fact that society will criticize him. Due to the fact that Prufrock knows that society is cruel and unforgiving, he chooses not to interact with the women in the end. Throughout the poem he continually ponders
Prufrock begins his “Love” song with a peculiar quote from Dante’s Divine Comedy. It reads: “If I believed that my answer were to a person who could ever return to the world, this flame would no longer quiver. But because no one ever returned from this depth, if what I hear is true, without fear of infamy, I answer you.” In the Divine Comedy these lines are spoken by a damned soul who had sought absolution before committing a crime. I think that Eliot chose this quote to show that Prufrock is also looking for absolution, but for what he is unsure.
The general fragmentation of "The Love Song of J. Alfred Prufrock" is obvious. The poem seems a perfect example of what Terry Eagleton calls the modern "transition from metaphor to metonymy: unable any longer to totalize his experience in some heroic figure, the bourgeois is forced to let it trickle away into objects related to him by sheer contiguity." Everything in "Prufrock" trickles away into parts related to one another only by contiguity. Spatial progress in the poem is diffident or deferred, a "scuttling" accomplished by a pair of claws disembodied so violently they remain "ragged." In the famous opening, "the evening is spread out against the sky / Like a patient etherised