Writing is seen as a way for the author to freely express his or her ideas to the public. In writing, the author has control of every aspect of their work and this allows for the writer, no matter the world state, to have a sense of freedom and control inside their work. The 20th century, battered by economic depression and two world wars, saw these writers take their creative control and emphasize the current state of the freedom and control of the individual. Kafka’s The Metamorphosis, various World War I poems, and Brecht’s Fear and Misery of the Third Reich show the lack of individual freedom and control that people had over their lives during the destruction that occurred in the 20th century. Published in 1915, Franz Kafka’s The …show more content…
They simply took what they could get in order to make money and keep the family alive and well.
Along with his job, Gregor’s physical metamorphosis also shows his lack of freedom and control. Upon awakening to find himself now a bug, Gregor cannot reposition himself on his right side, which is his preferred sleeping position (Meta. 11). In his new state he struggles to perform basic motor functions showing his limitations and decreased freedom to simply walk like a human. A particularly powerful scene is when he is trying to open his bedroom door (Meta. 19). His struggle to turn the key with his mouth vividly shows that Gregor has lost all control in his life. He can no longer function as a human, let alone provide for his family through work. He becomes a burden to the family, which for him, is one of the worst feelings he could have experienced because of how seriously he took being the provider. Finally, in his last moments, Gregor experiences the complete loss of movement due to his injury, which symbolizes people in the early 20th century feeling stuck in place regarding their economic situation (Meta. 49). Again, we see Gregor having no physical control or freedom to move. The only thing left for him to do is die, which he realizes is necessary for his family to move on in life (Meta. 50). Through Kafka’s physical and occupational restraints on Gregor, he displays
In the book, Metamorphosis, Frank Kafka tells the story of a dysfunctional family that becomes even more dysfunctional when their son, Gregor, transforms into a cockroach. Before and after his transformation, Gregor has a variety of identity and self-esteem issues. Through his transformation, many of these issues are maximized. He begins to not know who he is anymore, and he is disgusted by the fact that he has turned into a hideous creature, both figuratively and literally. This is demonstrated when he has woken up after turning into a cockroach with an itch. After he tries to scratch his itch, he notices one of his many insect legs and is revolted by the truth. The immensity of his disgust is portrayed in his reaction to his transformation into a bug. He does not react how most people would if they woke up one morning to find that they have been turned into what most would consider the world’s most repulsive insect. Instead of waking up in a panic, he simply reflects on his life as a human and how monotonous it was. In this reflection, it becomes clear that his family is codependent on him. Codependency is a major concern, and it should be addressed.
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.
Kafka’s The Metamorphosis, is the story of Gregor Samsa, a traveling salesman who is responsible for the financial well-being of his entire family, yet experiences an unfortunate metamorphosis into a giant bug. However, while Gregor undergoes a disturbing physical transformation, the family dynamic changes drastically as well. The family’s treatment of Gregor slowly deteriorates from them regarding him as the basis for their financial success and security to regarding him as no more than an extraordinary nuisance that holds them back from a brighter future.
On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.
Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.
The story initially involves Gregor’s physical appearance and his conscious awareness that he has become an insect. “When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed” (505). Quite in denial, he does not appear to be very bothered by his transformation, and sees it as any other disturbance to his sleep, “what if I went back to sleep for a while, and forgot about all this nonsense?” (505). As the story progresses, Gregor seems focused on ordinary concerns like missing the early morning train, losing his meaningless and unfulfilling job as a traveling salesman, or his family’s unstable financial situation. His life is completely consumed with work and his family’s needs. Undergoing more physical changes, Gregor’s normal human voice turns into that of a bug, which makes it difficult for him to communicate with his family or his manager, who says, “that was the voice of an animal” (511). His words were no longer comprehensible. Once he was able to open his bedroom door, revealing himself as an insect to the others did not ensue ideally. Gregor’s mother, father, sister, and manager all stood shocked, and ran away in horror at the sight. Ironically, one of the first things that Gregor sees outside the bedroom is a photograph of himself from his period in the army as a lieutenant, “his hand on his sabre, smiling confidently, the posture and uniform
What is betrayal actually? How do we visualize it? In what particular ways do we see it? A wide range of literature has been dedicated to the phenomenon of betrayal demonstrated in different ways. In the course of this essay two works of literature will be analyzed having regard to the issue of betrayal revealed therein. The work of art to be analyzed first will be The Metamorphosis by Franz Kafka. The Metamorphosis is a surreal story by Franz Kafka surrounding the tale of Gregor Samsa, who wakes up one day, reborn into a large insect. He wants to live a normal life, unfortunately, this is impossible because he cannot even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing a human form, the hero was beyond human existence. He is automatically deprived of the right to be a part of society.
In The Metamorphosis Franz Kafka tells the story of a young man named Gregor who observes the radical changes in his life after transforming into an insect. Gregor’s life was centered on his job as a traveling salesperson and his family. One morning Gregor woke up transformed into an insect. Afraid of the transformation Gregor stays in his room and ignores calls from his family. When Gregor realized that his new body did not allow him to have a normal life, he tried to adapt. After his metamorphosis, Gregor is abandoned by his family and only maintains a small relationship with his sister Grete, who is in charge of serving and provide him with food, but always leaving some distance because of his ugly appearance.
In Franz Kafka 's Metamorphosis, Grete changes from a child into an adult while also trying to do the opposite with her own family. Gregor’s metamorphosis leaves her family without anybody money to pay for their needs. Consequently, Grete replaces Gregor and begins to cook and clean for her family and go to work. These jobs allow Grete to become more experienced and to mature. Similarly, Grete shows displays these changes by dressing more provocatively and becoming more interested in romance. However, during Grete’s own metamorphosis, she realizes the burden that is (or was) her brother and proves to her family that he is no longer human. Since she wants to keep her family the same as it was before Gregor’s metamorphosis, Grete convinces her parents of this absence of Gregor’s real personality and tries to get rid of him. Thus, Grete’s goal is to keep her family the same as it is before Gregor’s metamorphosis, and to accomplish this, Grete simultaneously goes through her own metamorphosis into an adult woman as a result of the many jobs she takes to keep her family in the same situation as before.
Franz Kafka led a life filled with struggles, particularly evident in his relationship with his father. His experiences and feelings in life are manifested throughout his writings, as the themes in his life dominate the themes of his works, especially so in his novella, The Metamorphosis. Through his extended metaphor of Samsa as a vermin, Kafka illustrates the family dynamic present throughout his life, that of his family, and particularly his father, devaluing and isolating him.
The Metamorphosis is a novella written by German author Franz Kafka which was first published in 1915. The novella tells the story of Gregor Samsa, a traveling salesman who one day awoke to discover he had transformed into an insect like monstrosity. Throughout the story, Gregor struggles with the horrible prospect of coming to terms with his situation, as well as coping with the effects of his transformation, such as the fact that his family is repelled by his new form, and that he is no longer able to provide financially for them. Through Gregor’s reaction to the effects of his transformation on his life, Kafka critiques the situation of the common man in a modern world.
Franz Kafka’s The Metamorphosis (1914) is about the transformation of Gregor Samsa into a giant insect. His life has been miserable due to the fact that he works to meet the standard necessities of the family after his father has lost his business. Kafka implies that Gregor’s transformation is simply a manifestation of what he was already experiencing. It is a punishment for Gregor not having attempted to engage with others. Kafka’s main theme is alienation and he explores it passionately through Gregor’s introverted life before his transformation, the metamorphosis of the family’s treatment towards Gregor after he turned into an insect, and Gregor’s behaviour after his drastic change.
"A picture of my existence... would show a useless wooden stake covered in snow... stuck loosely at a slant in the ground in a ploughed field on the edge of a vast open plain on a dark winter night”. — Franz Kafka
In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life