Bartleby the Scrivener by Herman Melville is tragic and is written in the mode of realism. The short story starts off with the narrator, who is a lawyer at the Wall Street in New York, describing the other workers or scriveners working at the lawyer’s office at the time. The three characters are Turkey, Nippers, and Gingernut. Turkey works well in the morning and Nippers during the night. Gingernut is just an errand boy. Then the lawyer starts describing Bartleby as “A motionless young man one morning stood upon my office threshold, the door being open, for it was summer. I can see that figure now pallidly neat, pitiably respectable, incurably forlorn!” Bartleby came to the office to answer an ad spread out by the lawyer who needed more hands at the time and decides to hire him. This start of the story ties Bartleby to be described as either as a traditional hero, an anti-hero, or a Byronic hero.
An argument that can be made about Bartleby is that he is a traditional hero. By saying a hero, the audience will most likely think of a stereotypical hero who abides by the law and follows the rules. Bartleby is seen as impotent and lazy man throughout the story, but he can also be labeled as a traditional hero. Traditional hero is someone who knows the truth, where others do not, and acts on it. If we look at the story at a literal point of the story, Bartleby is doing nothing in the story. But in my opinion, he is doing something. As a working man on Wall Street, he is expected
The narrator of the story becomes shocked when he discovers that Bartleby, who only feeds on ginger nuts, has never left the office. This is actually the first time that the narrator experiences the spiritual power that Bartleby possesses. The narrator is so much business oriented that he only looks at the world in terms of profits. However, when he encounters this aspect of the spirit of Bartleby, his attitude towards life changes. He begins appreciating the fact that Bartleby deserves better treatment, not in the capitalist way. The narrator even sees what is a right, just as an asset, but this perception is later changed by Bartleby’s spirit: “What earthly right have you to stay here? Do you pay any rent? Do you pay my taxes? Or is this property yours?” (Melville, 41).
“Bartleby, the Scrivener” by Herman Melville, is a story about the quiet struggle of the common man. Refusing to bow to the demands of his employer, Bartleby represents a challenge to the materialistic ideology by refusing to comply with simple requests made by his employer. The story begins with the employer having trouble finding good employees. This is until the employer hires Bartleby. At first, Bartleby works hard and does his job so well that everyone has a hard time imagining what it would be like without him. After three days, Bartleby is asked by his boss to examine a legal paper. He replies with “I would prefer not to”. The story ends with Bartleby being discovered occupying the office at weekends and being taken into custody for
Men and women are faced with inevitable walls as they go through their daily lives, the strength of their character is derived by how they tackle these walls. Herman Melville gives us a glimpse at how walls can eventually destroy us if we give into them. In his short story, Bartleby the Scrivener, the narrator tells the story of a clerk he once employed, Bartleby. At first, Bartleby seemed to be the perfect employee, but he eventually began to shirk his work and depart into himself. Through the narrative, the narrator gives his account of how he dealt with Bartleby and gives the reader a look at the walls Bartleby dealt with in part of his life. The walls Bartleby continuously encounters throughout the text are a symbol of his isolation
According to Aristotle, there are a number of characteristics that identify a tragic hero: he must cause his own downfall; his fate is not deserved, and his punishment exceeds the crime; he also must be of noble stature and have greatness. These are all characteristics of Jay Gatsby, the main character of Fitzgerald's novel, The Great Gatsby. Jay Gatsby is a tragic hero according to Aristotle's definition.
Herman Melville’s short story “Bartleby, the Scrivener” reveals different themes such as isolation and human morality test. In the story, the narrator runs a law firm and has a new Scrivener [Bartleby] who the narrator describes as“ the strangest I ever saw or heard of” (661). For the first few days, Bartleby is seen to be working fine, however, one day Bartleby just responds with “I would prefer not to” when anyone assigns a task to Bartleby (674). The real problems start to arise when Bartleby sleeps and eats at the office while denying to work or leave. The narrator illustrates the two main themes of human morals and isolation throughout the story with the use of biblical references to Bartleby as a leper and shows symbolism of the
Herman Melville is an acclaimed author of the American Renaissance period and his most commendable works include “Bartleby, the Scrivener”. The story of “Bartleby” is not only a revelation of the business world of the mid-19th century but at the same time, it is also the manifestation of the emerging capitalistic lifestyle of perhaps New York’s most prominent street, Wall Street. Bartleby is a rather peculiar yet captivating figure. Bartleby’s life and death contribute to a sort of enigma for the reader and his employer. “Bartleby, the Scrivener” is a story that criticizes the monotonous day-to-day cycle that the modern working man is forcibly put in by society. With that being said, the death of Bartleby not only serves as a reflection
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
As the story continues, his sympathy for Bartleby’s predicament develops. Throughout paragraph 90, the lawyer discovers that Bartleby resides in the office and feels pity towards how Bartleby sustains such “ miserable friendlessness and loneliness.” Readers can acknowledge how the Lawyer struggles with maintaining the changing attitudes he feels towards Bartleby: “melancholy merge into fear” and “pity into repulsion” (137). The Lawyer intended to fire Bartleby for his refusal to work, but did not, for he feared of being portrayed as a “villain” (138). According to Jack Getman, the Lawyer has “become a different, more appealing person, one who is more responsive to the needs and rights of his workers” (Getman 738). It is evident that the Lawyer undergoes many changes in the interest of Bartleby.
According to Aristotle, a tragic hero character can be defined to be of noble status, but not necessarily virtuous. There is some aspect of his personality that he has in great abundance but it is this that becomes his tragic flaw and leads to his ultimate demise. However, his tragic ending should not simply sadden the reader, but teach him or her a life lesson. In The Great Gatsby, by F. Scott Fitzgerald, Jay Gatsby is the tragic hero who portrays the corruption of the American dream through his tragic flaw. His devastating death at the end of the novel portrays the dangers of centering one’s life on money and other materialistic things and warns the reader not to follow his foolish steps. Jay Gatsby is the epitome of a tragic hero; his
The character of Bartleby in Herman Melville’s novella “Bartleby, the Scrivener: A Story of Wall-Street” is a person who refuses to become an object in capitalistic society. Initially, he is the perfect example of the objectification and mechanization of humans in the workplace. In essence, Bartleby is a machine that continually produces. Ultimately, he begins to resist the mind numbing repetition of his tasks and the mechanization of his life. The other main character, the narrator, is a facilitator of the capitalistic machine. He dehumanizes his employees by ensuring that their free will is denied in the workplace using objectifying nicknames, providing a workplace devoid of human touch and connection,; and perpetuating mechanized, repetitive work. Melville’s “Bartleby, the Scrivener” shows the dehumanizing effects of working in a capitalistic environment and ultimately suggests that one must conform to a standard way of life or will cease to exist.
Herman Melville’s, “Bartleby, the Scrivener,” tells the tale of Bartleby, the new scrivener at a lawyer’s office on Wall-Street. In an office of industrious, distressed workers who endlessly perform mundane tasks due to the orders of the lawyer, Bartleby forms a mystifying exception. Bartleby baffles his boss and colleagues by responding to requests with his famous line, “I would prefer not to.” His response demonstrates an unwillingness to work and a willingness to do what he truly desires, which is extremely unusual to both his colleagues and their society and creates a massive social divide between them. Due to the abandonment of those around him resulting from their growing frustration with his inactivity, Bartleby ultimately faces a swift
“Since he will not quit me, I must quit him. Ah Bartleby, Ah Humanity.” (Melville 131) This is the key to Bartleby, for it indicates that he stands as a symbol for humanity. This in turn functions as a commentary on society and the working world, for Bartleby is a seemingly homeless, mentally scrivener who gives up on the prospect of living life, finally withdrawing himself from society. However, by doing so Bartleby is attempting to exercise his freewill, for he would “prefer not to” work. His relationship to the narrator (the Lawyer) and the normal progression of life. However, this
Thus, Nick completes the Hero’s Journey in Gatsby’s place, recognizing the flaws that Gatsby himself could not resolve. In addition to the theory that Nick completed Gatsby’s Hero’s journey, Gatsby can also be seen as a hero in a different archetype: Aristotle’s concept of a Tragic Hero, which was introduced in his book of literary theory, Poetics. A tragic hero is an individual “whose misfortune is brought about not by vice or depravity, but by some error or frailty” and “one who is highly renowned and prosperous.” (Aristotle). Gatsby’s life represents that of a tragic hero: he rises to a great social status and earns a great amount of wealth, but dies tragically, chasing after an impossible dream. Also, the tragic hero must also possess “hamartia” (error in judgment) and “hubris” (excessive pride) — all qualities that Gatsby has. Therefore, Gatsby can be seen as a hero in that Nick completed his journey for him, and he can also be seen as a hero because he fulfills all the requirements to become a tragic
Melville’s short story Bartleby the scrivener, describes the narrator as an elderly old man that wishes to give details of the life of Bartleby the scrivener. Bartleby was a completely emotionless human being who refuses to interact with the world around him. These actions shape the short story, picking at its viewers mind as to why Bartleby is disconnected from society. Bartleby worked in the dead letters office this may have triggered his inability to relate to the world around him. This motionless docility covered his inner troubles that he withheld from the world. The narrator states “I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep.” (Melville’s). In this he means that many persons might choose to smile as they find pleasure in reading “Bartleby” as much as those who might weep because they find the short story to be discouraging. In the 1970’s adaptation is one of those sentimental souls that the narrator is talking about in that it weeps for Bartleby, however the narrator brings the humor to life as he becomes speechless to Bartleby preferring not to do his work.
Bartleby took the job as a scrivener to try and find a purpose for his life, but soon after his boss abandons him, he ends up in jail. At this moment in his life he sees that he truly has nothing. His quest for purpose as a scrivener has failed. He is at the end of his life, not because he is old or sick physically, but because he has nothing to live for. While in jail he refuses to eat and soon he dies. His reason for living died a long time ago, though. His pursuit to be a scrivener was