The Monster In Ray Bradbury's Foghorn

How can you tell if a “bad guy”--the villain, the monster, the thief--is necessarily a bad guy? Is it by the images they choose to ink on their skin? Their crooked smile, or maybe perhaps the way they like to crack their knuckles? Maybe it’s just their attire: it’s too dark, too scary. And what of their eyes? There’s something there...something about the way they’re placed, something about how they flicker and gleam with every mention of what they desire. But what of their feelings? The ever-circling wheels of emotions from deep inside that manage to control the raging tides of life? Do they not care like we do?

When analyzed online many of the definitions you will find for the word monster include: a strange or horrible imaginary creature, one who deviates from normal or acceptable behavior, or an animal of strange and/or terrifying shape. (Merriam Webster) When observing the “Monster Theory” by Jeffrey Cohen and the 7 theses that he provides in this text, one can begin to somewhat disagree with these formal definitions and attempt to say that it has an even greater meaning. Monsters might scare us and frighten us because of their physical appearances but also can provide us with possible solutions to gaps and uncertainties in our mind that Sigmund Freud would label as “The Uncanny”. I can only but agree with

1. Monster is a novel written in a screenplay format with Steve’s journal entries mixed in throughout. Do you think this is an effective format for the book? Why or why not?

Rhetorical Analysis of “ Monster Culture ” In his opinion piece at the beginning of the book Monster Theory: Reading Culture , entitled “ Monster Culture (Seven Theses) ” , Jeffery Jerome Cohen tries his best to detail to his audience why monsters are symbolic of those things which e xist on the edges of culture. What monsters are changes according to the ideas and convention s most disruptive to any given culture at any point in time.

“Monster”, a 1999 novel by Walter Dean Myers, is an incredible story told through the fictional movie script of a boy on trial for murder and robbery. It’s an intriguing read that triggers deep thought and empowers the hearts within all. A book notable for its messages against implicit bias, encouraging the notion of truth within yourself, you can speculate on its events from start to finish and beyond. But it’s worth pondering of its connection to real life. Does “Monster” truly reflect the criminal justice system of our country’s society today? Read on to discover the shocking answer.

In the article “Monsters and the Moral Imagination,” Stephen Asma, a professor of Philosophy and Distinguished Scholar at Columbia College Chicago, argues that the existence of monsters have a purpose in our lives. It is not only to reveal our deepest fears, but to question our moral instincts. Being attacked by fictional monsters seems impractical, however, chaos and disasters do happen and exist in the real world. The creation of monsters is due to our reaction of our fears and the inability to control the world we live in.

“Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria” - Alan Greenspan. New York author, Alan Greenspan, here is explaining that the threat fear presents is really no different than the state of intensity caused by euphoria. In Andrew J. Hoffman’s anthology, Monsters, there is substantial evidence that both fear and euphoria are inflicted upon men, by female monsters. The two threats men typically face against women are temptation and emasculation. Thus, in mythology and folklore, female monsters exemplify the impulse of desire (sexually) for men, and male weakness. These are creature that are lusted after and yet, still feared because of their power. Men find female monsters both fearsome and euphoric and will always threaten their dominance and control.

During the past months we have been reading the book " Gris Grimly's Frankenstein" by Gris Grimly. The story is about a ambitious scientist called Victor Frankenstein, who wanted to destroy sickness and create life. Overall, Victor created a creature that looks nothing like human. But is he human? My class is debating on whether or not he is human. I claim that the creature is indeed human, and here are my reasons why. To begin with, the creature has feelings. The source states " was benevolent;​ my soul glowed with life and humanity: but am I not alone, miserably alone?( Gris Grimly's Frankenstein, Grimly 83). The creature said this in a argument with his creator ( Victor) on the top of a mountain. This quote shows how the creature feels

There is such kind of monsters, remain their appearance as a human, yet the things they do can only describe as monstrosities. They are not monsters in books and literature, a fear of unknown or sexual desires. People were, or still are facing actual brutal violence or psychological terror from those monsters. More importantly, the monster being talked here is one of our kind. They are human, yet described as “inhuman”, under the inhuman category of Stephen T. Asma’s book On Monsters, a bloody history, a dark past of humanity have been introduced as a monster. It is Khmer Rouge’s infamous security prison S21: the representation of the massacre took place in Cambodia in 20th century and this kind of monster, unfortunately, is still relevant to the world, even till this day.

Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.

Monster by Sanyika Shakur yields a firsthand insight on gang warfare, prison, and redemption. “There are no gang experts except participants (xiii)” says Kody Scott aka. Monster. Monster vicariously explains the roots of the epidemic of South Central Los Angeles between the Crips and the Bloods that the world eventually witnessed on April 29, 1992. As readers we learn to not necessarily give gangs grace but do achieve a better understanding of their disposition to their distinct perception in life.

In the book Monster by Walter Dean Myers, a 16 year old boy named Steve Harmon is on trial with his neighborhood acquaintances, Bobo Evans and James King, for felony murder. Mr. Myers tells the story of Steve's experience through Steve's own writing in a journal that can be viewed by the court. There are many reasons to think that Steve is guilty. Steve lies and changes his persona in the story. In the beginning of the story his statements do not match up with his testimony in the end often answering his questions in court with ¨ I don't know “ or ¨ I don't remember¨.

The book A Monster Calls, is a story about a 12 year old boy, Conor O’malley, who’s mom is dying of cancer. As his mother's medicine begins to stop working, The Monster comes “walking” to help Conor face his fears. The Monster tells a tale to conor that helps him with each one. He tells 3 tales all leading up to Conor having to face his biggest fear at the end...his nightmare. A Monster Calls, published in 2016, beautifully illustrates how everybody should come to terms with, and face their fears; the message is shown very clearly throughout the story through characterization, dialogue and symbols.

In history, monsters are portrayed as vicious creatures with frightening superpowers and other inhuman characteristics. In A Monster Calls, monsters play a significant role in the story. Although they're just imaginary creatures created by the human's imagination, they have a great purpose in the creation of the story, they are often used to tell the story, show fear, and scare. In the case of A Monster Calls, the Yew Tree monster takes Conor on a journey of courage, faith, and truth. For example, the quote from A Monster Calls "It is not what I want from you, Conor O’Malley, it said. It is what you want from me."[page.10], he is trying to help Conor and often the monster can be seen friendly and helping Conor with his life by experiences. Conor has an egregious life, while his father moved away, his mother is dying because of cancer and cannot help him on the things she wanted to help, this monster helps change his life in exchange for the truth or the his “nightmare.” While getting bullied and abused in school Conor still maintains a calm life. At 12:07 the monster arrives to talk to him every night and takes to tell three stories and then he has tell his nightmare, but Conor loses his mom because of the nightmare monster this was the nightmare he saw every day, but when he woke up, he went to hold his mom for the last time. As the quote from A Monster Calls states her death “Conor held tightly onto his mother, and by doing so, he could finally let her go.”

Monsters run free in epic poems of centuries far past; horrific, villainous creatures of fantasy who illustrate all that is bad in the world and stand for the tribulations the epic hero much overcome. The Anglo-Saxon epic Beowulf is no different. Some are born of, and in turn give birth to legends, such as the fire-breathing dragon, while others are tied to the bible. In studies, Beowulf's monsters are explained and will continue to be analyzed as symbolic of countless different ideas. In relation to each other and the epic's hero, the monsters of Beowulf represent the ever-present flaws of humanity and the monstrous feelings or behaviors that over take the mind in a moment of weakness, leading to eventual downfall.