The Moral Structure Of Flannery OConnor's A Good Man Is Hard To Find

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

Justice is a word that means something different to almost every person in the world. Yes, there will be some similarities among the array of definitions, but there will also be a plethora of differences. An American author and essayist, Flannery O’Connor, imbues her short story “A Good Man is Hard to Find” with her position on the convoluted topic of justice. O’Connor’s point is that if one practices a just life it will echo into the lives of others which will result in a more just world. However, if one does not adopt the principles of justice, they will not find success. O’Connor’s views on justice are visible through her eldest main character, the grandmother. The grandmother’s manipulative and empowered personality expresses O’Connor’s ideas on equity; she embodies all things that are the opposite of how a just person should act. O’Connor’s convictions can also be translated into the work of Christopher Phillips titled Six Questions of Socrates in which a chapter is devoted to further understanding the meaning of justice. In Flannery O’Connor’s “A Good Man is Hard to Find”, O’Conner conveys her beliefs of justice through the grandmother; the grandmother’s selfish and entitled attitude manifests throughout the plot displaying O’Connor’s notions of justice.

“A Good Man is Hard to Find” tells a twisted story of a typical family going about a road trip embedded with ethical pit stops along the way. The story revolves around a cynical grandmother and how her unconventional attitude and habits set the stage for an interesting turn of events. Through manipulative antics, a prejudice character and an ironic story line, author Flannery O’Conner creates a captivating tale that shines a lights on readers’ own moral codes. The author does this by making an example of a woman completely unaware of her own immoral acts.

An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the

The short story "Greenleaf" shows us some of the central themes of Flannery O'Connor's literary work.

     In the short story, 'A Good Man is Hard to Find', the main character is the grandmother. Flannery O'Connor, the author, lets the reader find out who the grandmother is by her conversations and reactions to the other characters in the story. The grandmother is the most important character in the story because she has a main role in the stories principal action. This little old lady is the protagonist in this piece. We learn more about her from her direct conversation with the son, Bailey, her grandchildren, June Star and John Wesley, and the Misfit killer. Through these conversations, we know that she is a lady raised from a traditional background. In the story, her attitude changes

The grandmother feels that God provides the answer to any underlying problems, and the Misfit knows and feels that all of the horrible things he has done are truly not considered morally wrong from his perspective. Towards the end, when the grandmother experienced an epiphany before the Misfit shot her in the chest she stated, “Why you’re one of my babies. You’re one of my own children” (11). This made the grandmother realize that she was expressing the true Christian belief that we are all seen as equal in the eyes of God, no matter how murderous someone may be. O’Connor’s use of spiritual insight stripped away the grandmothers self-centeredness, and helped her discover the ability to see others with compassion and understanding. Nonetheless, within “A Good Man is Hard to Find” O’Connor provides great amount of spiritual insight in her short stories mainly as a way to connect her characters with God and to make them recognize the true meaning of individual equality.

O’Connor borrowed these characteristics from her life and used them in the complex characters she would later create. Her Catholic faith is another point that drove O’Connor’s writing, especially given that she grew up in a Protestant-majority region. “Flannery O'Connor put much conscious thought into her dual role of Catholic and fiction writer” (Galloway). Her devout faith plays a huge role in her writing, as most of her characters grapple with salvation and grace. O’Connor’s influences in life were so powerful, they became the same topics that impacted her philosophy in writing.

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

    “A Good Man Is Hard to Find,” one of O’Connor’s best works, describes a family on a trip to Florida and their encounter with an escaped prisoner, The Misfit. Although “A Good Man Is Hard to Find” is an early work in O’Connor’s career, it contains many of the elements which are used in the majority of her short stories. The grandmother, a selfish and deceitful woman, is a recipient of a moment of grace, despite her many flaws and sins. A moment of grace is a revelation of truth. When the grandmother calls The Misfit her child and reaches out to touch him, the grandmother has a moment of grace that enabled her to see The Misfit as a suffering human being who she is obligated to love. The grandmother realizes that nothing will stop The Misfit from killing her but she reaches out to him despite this. The Misfit rejects her love and kills her anyway. This moment of grace is very important

Working Thesis: In “A Good Man is Hard to Find”, O’Connor uses the corrupt, manipulative character of the grandmother, as well as the story’s plot and theme in order to emphasize the flaws of the church and the need for grace.

The grandmother, the main character of the story, is manipulative. Her definition of a ‘good man’ refers to the characteristics that a ‘good man’ should possess.

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

In" A Good Man is Hard to Find" there are a variety of themes. The themes in this short story are: the grace of the grandmother and The Misfit, the vague definition of a “good man”, and the class of the grandmother. All of these themes are apparent to any reader, but it does not quite seem to match O’Connor’s depth style way of writing. The two characters, the Grandmother and the Misfit change from beginning to end. Even though they are both different as night and day, they both have principles and stand by their principles no matter what the circumstance.

Many had their own opinions of O 'Connor 's work. "The literary works of Flannery O 'Connor often contend that religious belief can only be consummated by direct confrontation with evil and for those uncommitted and unprepared, tragedy seems inevitable." (Cook Online). Many of the early critics never realized that O 'Connor 's worked with revelation, which at the time, others did not (Reagan Online). As Frederick Asals once said, "Conflict, often violent conflict, is the very center of Flannery O 'Connor 's fiction"(93). Although O 'Connor 's work was awarded greatly, it was also often "dismissed" because of its "Gothic Violence" (Reagan Online). I have to agree with Dorothy Walters when she says, "...nothing is more striking than her remarkable capacity to blend the comic and the serious in a single view of reality." (13).