The Movie ' The Warlords ' Essay

John Berger, in his non-fiction work, “Ways of Seeing” (1972), asserts that art is a representation of history and it has been manipulated by the ruling class for control of the lower-class. Berger supports his assertion by showing examples of historical paintings that were commissioned by the higher-class to show favor towards them instead of the true representation of history, thus “A person or a class which is cut off from its own past is far less free to choose and to act as a people or class than one that has been able to situate itself in history” (Berger 33). His purpose is to make his reader aware of the manipulation that has been done to the lower-class viewer on what has been taken away from them in order to control the populist to deter rebellion. In the Wachoski siblings film, The Matrix (1999) centers around the concept that one’s reality may be distorted from what is real. The Matrix is about the human race living in a artificial reality ignorant of their true existence and their oppression by the machines. John Berger asserts in “Ways of Seeing” that art is a representation of history and it has been manipulated by the ruling class for control of the lower-class, in the film the Matrix, the agents of the matrix are controlling society by manipulation of the innocent, they exercises control by mystification similar to Berger’s assessment of the art historian.

Menace II Society, a film about a young Black man who has lived the “hustler” lifestyle and is struggling to leave it, is a perfect example of deviance as the main character, Caine Lawson, and the characters around him violate many of society’s norms. Throughout the film, the characters swear incessantly, carry around guns and drugs as most people would carry around cell phones, commit street crimes, especially burglary and mugging, on a regular basis, and beat and kill people unscrupulously. The following quote captures just how deviant Caine and the other characters in this film were, “[Caine] went into the store just to get a beer. Came out an accessory to murder and armed robbery. It's funny like that in the hood sometimes. You never

In his book, More Than a Movie: Ethics in Entertainment, F. Miguel Valenti examines nine “hot buttons” of violence – “creative elements that filmmakers use to manipulate viewers’ reactions to onscreen violence.” (99) These elements, posited by researchers conducting The National Television Violence Study (Valenti, 99) are “choice of perpetrator, choice of victim, presence of consequences, rewards and punishments, the reason for the violence, weapons, realism, use of humor, and prolonged exposure” (Valenti, 100) .

Every war will have those who support the war and those who are against the war. In 1965, those who were against the Vietnam War made their views known by many forms of protesting such as forming organizations, rallying, and anti-war protest music. Anti-war protest music was an opportunity to put people’s perspectives into song to hopefully spread their message. Buffy Sainte-Marie wrote the song “Universal Soldier” in 1962 and her message was that “Universal Soldier is about individual responsibility for war and how the old feudal thinking kills us all” (Boulanger). The song “Universal Soldier” was used as a protest anthem during the Vietnam War and attempts to untangle one of the paradoxes of life that war never leads to peace through

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

It was the ancient Greek philosopher, Empedocles, who first established the four elements: earth, water, air and fire. He also stated that everything in the world is structured by and rooted in these four elements. However during times of conflict and violence, humans begin to disturb this harmony. When this happens, the elements stop representing life and start representing a form of destruction. Throughout Robert Ross’s journey in The Wars, Timothy Findley exemplifies this theory by displaying the four elements in two diverse ways: benevolent and harmful.

“The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles

Kurt Vonnegut's novel Slaughterhouse-Five; or The Children's Crusade: A Duty-Dance with Death is, as suggested by the title, a novel describing a crusade that stretches beyond the faint boundaries of fiction and crosses over into the depths of defogged reality. This satirical, anti-war piece of literature aims to expose, broadcast and even taunt human ideals that support war and challenge them in light of their folly. However, the reality of war, the destruction, affliction and trauma it encompasses, can only be humanly described by the word “war” itself. Furthermore, oftentimes this term can only be truly understood by those who have experienced it firsthand. Therefore, in order to explain the unexplainable and humanize one of the most

Discuss the advantages and disadvantages of the Terror as an instrument of the French Revolution.

    Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.

To begin with this essay, I will be focusing on two pieces of media. I had recently read a book named "The Scarlet Letter" by Nathaniel Hawthorne and watched a movie called "Easy A". People say that Easy A is a good portrayal of The Scarlet Letter. Don 't get me wrong, the movie shares some of the same themes and the movie is influenced by the book, but in reality, Easy A is not a good portrayal of The Scarlet Letter.

The romantic idea of the auteur is described by film theoretician, André Bazin, observing the film form as an idealistic phenomenon. Through the personal factor in artistic creation as a standard reference, Bazin primarily refers to an essential literary and romantic conception of the artist as central. He considers the relationship between film aesthetics and reality more important than the director itself and places cinema above paintings. He described paintings as a similar ethical creation to film stating a director ‘can be valued according to its measurements and the celebrity of the signature, the objective quality of the work itself was formerly held in much higher esteem.’ (Bazin, 1967: 250). Bazin contemplates the historical and social aspects that indeed hinder a director’s retribution to their own personalised film, thus en-companying their own ideological judgement upon the world ‘more so in cinema where the sociological and historical cross-currents are countless.’ (Bazin, 1967: 256)

According to film theorist Thomas Schatz, “a genre approach (to film) provides the most effective means for understanding, analyzing, and appreciating the Hollywood cinema (Schatz vii).” His approach to film is strongly supported by theorist Edward Branigan’s and the narrative representation of character interaction (Branigan), and André Bazin’s arguments that the objective reality pressed against audience interpretation.

The movie Once Were Warriors was released in New Zealand in 1994. The film focuses on an urban family of Maori descent, the Hekes. Within the family there is a lot of poverty and domestic violence, primarily from the father, Jake. The family also includes the mom (Beth), oldest son (Nig), teenage son (Mark aka Boogie), 13 year old daughter (Gracie), and a very young son and daughter. Although any family member would make for an interesting case study, I choose to focus on the mom, Beth.

“The hearts and mind (HAM) theory is identified as winning the hearts and minds of the population which is a technique based on the implementation of the counter-insurgency (COIN) strategy of persuading the population to support the government and reject the insurgents.” The counter-insurgency (COIN) strategy as outlined by President Obama and General Petraeus’s most closely embrace is the heart and minds (HAM) theory. President Obama speech identified the United States strategic approach with Afghanistan in three elements. The three core elements addressed by President Obama during his speech on the strategy in Afghanistan are identified as: 1) utilize the military effort to create conditions for transition, 2) a civilian surge that