again. In the cinematic analysis that preceded over the Algerian struggle for their independence from France exposed the ambiguous nature of Western imperialism in an effort to combat the resistance and terrorism that followed. Judging by how the filmmakers oriented the visuals throughout the movie, it was clear that they depicted the French as having some sort of counterinsurgency tactic such
After watching both Battle of Algiers and Bloody Sunday I have come to have a better understanding of the motivations behind these two very important revolutions. It is important to understand why the FLN and IRA decided to engage in “terrorist” activities, because analysis of the motivations behind their actions will allow us to see how “terrorists” are labeled and who is labeling them. The ways in which these groups are labeled and characterized has a large impact
Mahatma Gandhi’s Hind Swaraj, Frantz Fanon’s Black Skin, White Masks; and Gillo Pontecorvo’s film, The Battle of Algiers each respond to different aspects of colonialism and anti-colonialism. Fanon focuses on the effects colonialism has on the psyche of the colonized; Gandhi rejects western civilization and argues in favor of a non-violent approach to gaining independence; Pontecorvo’s film depicts revolutionaries and counter-revolutionaries using mostly violent means in an attempt to obtain victory