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'The Nutcrackers' By Tchaikovsky

Decent Essays

Tchaikovsky believed that “our aim in music must be beauty, nothing but beauty” and this ideology became the main disagreement between him and his contemporaries. Brown concludes from his researches that Tchaikovsky is cast as “a victim of his racial endowment, a casualty of the unbridgeable gap between “Russian instinct” and “Western method,” the latter as dogmatically and reductively conceived as the former” . Due to this statement, we can understand why he was obsessed and searched for purity and perfection and how he was able to forge a personal Russian style combing both his teachings from the conservatory as well as Russian music influences he received as a child and Glinka’s operas. He considered himself to be a professional composer …show more content…

He believed that the Russians had absorbed the western culture too quickly and that it was leading to a complete disintegration of Russian culture and music . This employed Russian folk songs, musical orientalism and exotic harmonies. “I’m watching with horror the increasing degeneration of music”. He did not approve of Tchaikovsky’s ‘The Nutcrackers suite” and believed he was ruining is own music in general with no depth musically . But he believed that the love theme of Romeo and Juliet is on of the best themes in Russian music …show more content…

In the city capital of St. Petersburg, there were 2 different ideology on music emerged. Anton Rubinstein had the opinion that in order for Russian classical art to move on, teaching and using the influence of western European values and techniques would be the right way forward. Mily Balakirev led the group of composers who opposed this ideology and instead they treasured the works of Glinka and believed in distinct Russian style of music not influenced by the West. The five (also known as the mighty five) was the name given to a group of composers who believed in the idea of Russian music and didn’t agree with the western European teaching and the composers were Mily Balakirev, Céser Cui, Modest Mussorgsky, Alexander Borodin and Nikolai Rimsky – Korsakov .

The folkloreism of Balakirev and the Kuchka had been largely modled on the protyazhnaya but since he composed May Night in 1878- 79, he was attracted to a different category of folk songs called the “calendar songs” which was music intended for particular ritual occasions. For him, the folklore being associated and bound up with nationalism and ideology was not so important to him and his views were different from Balakirev’s even when he was strongly active with “The

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