The Other Side of Holy Thursday
William Blake was a nineteenth century author and creative individual who is considered a huge figure of the Romantic Age. His writings have influenced many writers and artists through the ages, and he has been deemed both a serious author and a creative thinker. One William Blake 's works are “Holy Thursday from Songs of Innocence” and “Holy Thursday from Songs of Experience.” These two poems by Blake are simple examples of how deep and interesting poetry can be, many people might not understand it reading them for the first time. It can be a little complicated to analyze. However, reading these two versions of the poem line by line is the best way to understand it. Naser Emdad, the author of
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Paul 's Cathedral. In this poem, Blake makes the readers visualize a beautiful moment of these children singing at church during this beautiful holiday. The main point of this poem is to show the religious atmosphere during a Holy Thursday, how everybody gets together including the children from the orphanage. The way Blake compares these poor kids with flowers is a beautiful way to see more than clothes and financial situation. It is really sweet and adorable how Blake refers to them as "flowers of London town!" because they are beautiful kids all around London. Blake talks about them in a positive way, however, they were poor kids that may not be clean the whole time, maybe they do not wear clean clothes the whole time. He also talks about the guardians of those kids, they were not alone they were always sitting with their guardians, because those kids are from orphans they have to go to certain places with their guardians. In "Holy Tuesday" from Songs of Experience Blake shows us the same theme, however, with a different way to see the presented situations. In this poem, Blake expresses directly his points, without any fear. In this poem Blake sounds more powerful, full of anger, his language is completely different comparing it with "Holy Thursday" from Songs of Innocence. It is more expressive and you can notice the concern about the difficult situation of the kids, this situation touches the heart of many readers. In the first strophe, Blake says,
The main idea that Jane Shore is making in "High Holy Days" is that the child or young teenager is a "Chosen One," (line 54) and she must free the Jews from Anti-Semitism and the Nazis just as Moses saved the Israelites from the Egyptians. She had no idea she was going to be the chosen one just as Moses did not. Moses was lost too just like she was before God helped him find his way. Jane Shore uses diction, tone, and imagery in order to convey the main idea.
Blake had written many poems, but the four I will be discussing are rather unique because of the fact that each one of these poems is a symbol of innocence or experience. The four poems I am referring to is The Lamb, The Tyger, The Chimney Sweeper, and Infant Sorrow. Through my study I had to determined the two poems that were Innocent and the two that were a symbol of experience. Blake's views were on point in my opinion he shows the right balance between innocence and experience. Blake has this view that everything starts off innocent and within time we all gain experience which makes us turn from lambs to tigers. The question is however do we decide if we are more like a lamb or a tiger and in time I do believe we find the answer to that question.
The Great Gatsby is a book that almost proves the phrase “Money can’t buy happiness”
Blake wanted to show that there are two sides to every situation by writing companion pieces for most of his works. “The Chimney Sweeper”, for example, has the same title in Songs of Innocence and Songs of Experience, as well as “Holy Thursday” that appears in both. “The Lamb” and “The Tyger” are also paired poems contrasting the concept of good and evil that Blake focused on through out his poems.
Families attended church feeling safe and secure because no one ever died in church. Her mother knew if her daughter participated in the march that she may not make it home as the chance of death was present, so she sent her to the one place she thought she would be safe. Her daughter was to be at no risk attending church and singing in the choir unlike the march as it was a chaos of violence. Therefore, the fact that the child died in a church bombing instead of at the Freedom March is nothing but irony, and it shapes this poem entirely. The one place that is sacred ended up being the burial ground of a child who would have been safer at the march, and who would have made it back home to her
In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).
Through this, Blake is showing the hypocrisy of religion, a theme commonly shown throughout “Experience.” Throughout “Innocence” a simple, child-like portrayal of religion is explored. This could show Blake as primarily a religious poet as there are common, simple themes running throughout many of his poems in “Innocence.” This simple view of both Christ and religion contrasts the complex metaphors used to represent religion in “Innocence.”
In this essay I am going to be looking at two poems from the Songs of innocence and experience works. These poems are The Lamb and The Tyger written by William Blake. Both these poems have many underlying meanings and are cryptic in ways and both poems are very different to each other. In this essay I will be analysing the two poems, showing my opinions of the underlying themes and backing them up with quotes from the poems. I will compare the poems looking at the similarities and differences between them and also look at each one individually focusing on the imagery, structure and the poetic devices William Blake has used. Firstly I will look at the Tyger a poem about experience.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and
The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of
William Blake was deeply aware of the great political and social issues during his time focusing his writing on the injustices going on in the world around him. He juxtaposed the state of human existence through his works Songs of Innocence (1789) and Songs of Experience (1794), showing differentiating sides of humanity. The contrast between Songs of
Critics of William Blake’s Songs of Innocence and Experience not surprisingly have focused their attention on the galaxy of characters whose voices are heard throughout Blake’s poems. Along with the cacophony of voices of London’s disenfranchised—the men, women and children, the chimney sweeper or the harlot who thronged London’s streets and whose piteous cries became the object of Blake’s concern, the two set of artistic manifestation portray a seamless blending between innocence, a gradual loss of innocence and finally a metamorphosis into a higher state of innocence. In addition to the spoken voices there runs throughout the Songs an undercurrent of silent voices—voices that can be inferred, or as Blake would say, imagined—which speaks no
These figures are the characters in many of his works. The role of Religion as a strong influence in Blake’s life was probably formed by the events he experienced during his upbringing. Blake came from a poor family and among other hardships witnessed the death of his older brother Robert at the relatively young age of 20. Robert’s death had a profound impact on Blake and after witnessing it he said that he saw his brother's soul "ascend heavenward clapping its hands for joy". The inspiration that William received from his brother death is an underlying theme in many of his works and most likely in his view of life as well. Songs of Innocence and Songs of Experience are two of Blake’s collections that emphasize his ideas. Many of the things that affected Blake’s life as a child: poverty, struggle, loss, confusion, and faith can be seen in these works.
Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.
The preacher is as dry as a desert, and the lessons of the gospels are spouted out to an unenthused distant audience. The child in this poem (though told by the bard) shares a close connection (as Blake believed all children did) with God that has not yet been clouded by the harshness of life. Therefore, he can make such observances and offer his advice. Children share a connection with God that is innocent and fair, this theme is made apparent in mostly all of Blake's poems. Consequently, God is still a loving father to this child (as stated in lines xiii - xiv), and not the vengeful God that the preacher most likely is painting him to be. This poem is used by Blake as a way to communicate his belief that the church was suffering from cold militant preaching rather than warm intoxicating