The Paintings On The Ceiling Of The Sistine Chapel

The Renaissance period was the period that was referred to as the "the rebirth" of Classical culture. During this era, many Italians believed that they observed the rebirth of antiquity or Greco-roman civilization (334). Throughout this time period, the art that came out was similar to the growth that happened in philosophy, literature, music and science. Renaissance art focused more on humans, the accurate portrayal of the natural world as well as the old architecture of the Romans. The Renaissance art was reflected politically because during this time, the cities were ruled by wealthy families. Families such as the Medici family were extremely powerful and influential during this time (335). In their prime days, the Medici family was considered the most influential money lenders and best bank in Europe (335).

The Renaissance brought many new concepts and influential people to Rome that helped shape the country. During this time, a rebirth of interests in Greek and Roman art emerged, and attention shifted to the world of nature. It was primarily a time of the revival of classical learning after a long period of cultural inactivity and decline. This allowed people to be more open minded which allowed for another intellectual movement, Humanism, to emerge and spread throughout the country. The Medici family lived in Rome during this period of rebirths and movements. The Pazzi and Albizzi families would take their turn as head of government in Florence before the Medici’s. The Medici family would eventually become the political dynasty during the mid-15th century. The Medici family had a major influence on the growth of the Renaissance through their establishment of the first system of banking, patronage of the arts, and their power in Florence.

Michelangelo Buonarroti was a sculptor, architect, painter, and poet. He was, perhaps, the most potent force in the Italian High Renaissance. His work exerted a tremendous influence on his

A comparison of the style between the famous Italian Renaissance Sculptors Michelangelo, Bandinelli, and Giambologna

The work shows a conflict between line and form with the muscles of the adolescent frame and the flat planes. The dynamic emotion is conveyed through the tightened muscles and wrinkles upon the face in concentration, just as those of every man before a fight (Hart 112). David’s large hands represent his strength and are characteristic of the later mannerism style, while the rest of his form is somewhat true to the conventions of the High Renaissance (Shaked 1). Michelangelo’s work embodies the influences of his time just as Bernini’s.

Creighton, Gilbert E. "Michelangelo." History Reference Center. EBSCO, 3 Jan. 2012. Web. 5 Nov. 2014. <http://web.a.ebscohost.com/src/detail?vid=13&sid=45487e88-a03b-4fd9-b78a-bbcaf9d66aa5%40sessionmgr4003&hid=4106&bdata=JnNpdGU9c3JjLWxpdmU%3d#db=khh&AN=32418098>

Michelangelo was sought out by Pope Julius II to paint a spectacular tomb for him in Rome. After two years the Pope ordered him to paint the ceiling of the Sistine Chapel. In July 1508 Michelangelo started work on the Sistine Chapel. Michelangelo did not want to paint. He considered himself a sculptor. He complained to a friend how awful the job was. He mentioned how the job had given him a goiter and he was irritated with all the paint that kept falling on his face.

On the 10th of May 1508 I signed a contract to agree to fulfill Pope Julius’commission on painting the ceiling of the Sistine Chapel. I had bad feelings about thewhole thing from the day Julius commissioned me to paint instead of sculpt. I am anarchitect and sculptor not a fresco painter. It is not that I doubt my ability’s to completesuch a task, but I believe that there are other artists that would be much better suited for

Before reading about the Renaissance, the word meant nothing to me but the name of a fair, Raphael was just a ninja turtle in red and the pieces of art I could easily recognize weren’t anything but some old paintings. Little did I realize that though the Renaissance happened so long ago, it’s still very significant to our lives. The purpose of this essay is not only to bring knowledge about Raphael and his work during the Renaissance but also acknowledge how influential he was an artist and still continues to have influence on many artists today. Along with his works being famous around the world, each thought and detail he put into his artwork and all he designed is still appreciated. Not only was Raffaello Sanzio da Urbino an Italian

Buonarotti Michelangelo is another prominent and all arounder name of the period with his studies in sculpture, painting, architecture and poem. He also scrutinized the Roman artworks but he developed his own style in all his studies. Michelangelo mostly used marble while making his sculptures and most of his memorable works’ main equipment is marble. He used balance, kindship and proportion in a perfect way. His most outstanding feature is transforming figures which he used in painting, into sculpture figures. Like the other contemporary artists, he used the anatomy in his works perfectly. And as a common habit of the period’s sculptors, he depicted scenes from Torah and Bible.

The Italian Renaissance was the era of when Italy was the center of the humanistic revival of classical art, architecture, literature, and learning. Breaking from the medieval period in Europe, the Italian Renaissance became the center of philosophical thinking and scientific study. Numerous enlightened minds prospered, giving rise to the intelligent mind of Michelangelo di Lodovico Buonarroti Simoni. More commonly known simply as Michelangelo, he was one of the Renaissance’s most notable figures due to his vast knowledge as a painter, sculptor, architect, a poet, and even a military engineer. He was the epitome of the Italian Renaissance through his innovative work and revealed a divinity of humanity. His works met the ideals of the renaissance

The influence of humanism on the Medici (and therefore on Florence) is evidenced by the fact that they welcomed noted humanists into their family circle including such renowned figures of the Renaissance as Giovanni Boccaccio and Coluccio Salutati. This line traces directly back to Petrarch – both men had been friends and correspondents of the great one.

There are four sculptures we will analyze in this research paper. All of them try to capture, in some way or another, both a realistic image of the human body as well as mimic a Greco-Roman approach to sculpture. In order of discussion, those sculptures are “Hercules and the Centaur Nessus (1599)” by Giovanni da Bologna, “The Fountain of Neptune by Bartolomeo Ammannati (1563)” and Benvenuto Cellini’s “Bust of Duke Cosimo I (1545). Last but not least would be“The Medici Chappel Statues (1520-1534),” by Michaelangelo. But before looking at

During the renaissance Michelangelo had created many magnificent pieces of art, one of which is the most well-known pieces among the world; the sculpture of David. The Michelangelo sculpture of David wasn’t the only one created during its time, for Donatello had created one some years before hand. Among the two sculptures, Michelangelo’s has a more profound, fascinating, and exceptional quality to it that contributed greatly to the Renaissance.

The Renaissance was an essential time period in European history, which occurred roughly between 1300 and 1600 in Florence, Italy. During this epoch, attributes of the Renaissance, such as Classical humanism and an upbringing of political life spread throughout Western Europe. Moreover, out of the 50,000 people in Florence, around 100 families have influenced the Renaissance’s attributes; the most notable of these being the Medici family (Fiero 377-378). Beginning with Giovanni di Bicci de’ Medici’s establishment of the Medici Bank, the family acquired a significant amount of wealth, rising their power during the fourteenth century. The bank expanded to the farthest corners of Europe, in which they obtained political control over Florence and the Church. Apart from the political influence, out of the four generations of the House of Medici, Cosimo, or “Cosimo the Elder,” and Lorenzo, or “Lorenzo the Magnificent,” have influenced the components of Classical humanism, consisting of art, architecture, and literature. Due to their gain of wealth from the hands of Giovanni di Bicci de’ Medici, the family was appointed succession over Florence, allowing them to contribute to the rise of humanism and political ideals across Europe.