The Paperhanger: Thought Provoking Short Story By William Gay

    Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).

"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of

In Willa Cather’s “Paul’s Case” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” readers are introduced to two different characters who have similar outlooks on the living situations that they have each been forced into. Paul and the narrator of “The Yellow Wallpaper” feel trapped by their surroundings, but the way they attempt to solve their problems is different. The authors vividly describe the feelings of the protagonists toward their respective environments, and the use of tone, style and symbolism allows the reader to connect with the protagonists.

"The Yellow Wallpaper" and "The Story of an Hour" are two very similar stories. Both deal with middle-aged women who long to attain their freedom. They share the same theme, but convey the message differently in terms of style and quality. The two stories are about women who are fighting for freedom, happiness, and the ability to be truly expressive in any way possible.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

Yet Edna and Gilman’s protagonist are women who receive their imperfections through their surroundings; the carnality and madness are the results of their oppression. Until the happenings of The Awakening, Edna has been married to Mr. Pontellier for a long time. She goes through her awakening after a vacation in the Grand Isle, but before, she has been a subordinate wife without any doubts in accordance to her role. Just as Mrs. Pontellier begins the story as an average, sensible woman, the main character of “The Yellow Wall-paper” begins as a mentally secure person. Gilman’s heroine depicts the “garden-- large and shady, full of box-bordered paths” (4), the “pretty old-fashioned chintz hangings” (5), and even “those sprawling flamboyant patterns” (5) of the wallpaper in an ultimately sensible manner, what serves as an indicator of her capability of thinking and speaking from a rational standpoint. What is more, she is sent away to the mansion not in a view of the fact that she has mental issues but because her husband believes that she has depression. She admits that she is of the opinion that if she “had less opposition and more society and stimulus,” she would get well sooner (4).

Charlotte Perkins Gilman is a woman who writes about personal experience, and in her short, “The Yellow Wallpaper,” we learn exactly who our author is based on the language and communication that appears throughout the story. “The Yellow Wallpaper” is a captivating tale, largely because the language and communication between characters translates to a feeling of near madness for the reader. The man, the dominant character in the story, has much to say about his wife’s mental condition and practically refuses to permit her feelings. Gilman explains how this story wasn’t made to drive people insane, but rather to save people from insanity. She realizes she has the power to create a powerful effect within literature and that is the thing that

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

The narrators in the following two short stories, Charlotte Perkins Gilman’s The Yellow Wallpaper and John Updike’s A&P, share several traits in common, which divulge their narrative perspectives to be overly subjective and as such, not showing the real image of events that are taking place. While Gilman’s protagonist is a woman slowly descending into madness, Updike’s young man possesses a provincial outlook on life, and the statements and thoughts of neither can be taken at face value. Quite the contrary, the readers should be very wary of the narrators’ presentation of events, as they are marred by a highly personal and subjective perspective.

Marriage has often been described as one of the most beautiful and powerful unions one human can form with another. It is the sacred commitment and devotion that two people share in a relationship that makes marriage so appealing since ancient times, up until today. To have and to hold, until death do us part, are the guarantees that two individuals make to one another as they pledge to become one in marriage. It is easy to assume that the guarantee of marriage directly places individuals in an everlasting state of love, affection, and support. However, over the years, marriage has lost its fairy

William Gay’s short story, “The Paperhanger” does an excellent job illustrating the theme that, “You can’t judge a book by its cover.” Today’s society is so focused on outward appearances, that they tend to forget this popular idiom. This expression can be interpreted in many ways, both literally, and abstractly. While a book may appear fun and adventurous on the outside cover, the inside context may lack excitement and adventure. On the other hand, those that look sweet and innocent on the outside may be manipulative and evil at the core. Moreover, those that seem rough around the edges may be the sweetest, most kindhearted individuals on the inside. The main character in “The Paperhanger” is a great example of a man whose outward appearances and actions do not match his inner personality traits. While the paperhanger appears honorable to the outside world, deep down he is devious and spiteful.

Similarly, both “The Yellow Wallpaper” and “The Lottery” portray that traditions drive a wedge between communities and the world at large, rather than unite them. One may observe the perpetuation of harmful ideologies and actions that continue throughout the stories, for the sake of maintaining tradition. Namely, Tessie’s willingness to sacrifice her family for the sake of her own well-being show how traditions such as the community lottery break familial bonds. She would rather “...Don and Eva, ...[should be made to] take their chance!" (pg. 46, “The Lottery”) rather than sacrifice herself. Another example of traditional ideas fraying familial bonds is how John and Jane’s relationship deteriorates due to his condescending attitude. To illustrate this, one may observe how he dismisses her opinion on her diagnosis as a “...false and foolish fancy. Can you not trust me as a physician when I tell you so?" (pg. 341, “The Yellow Wallpaper”). This further demonstrates that John does not care to hear what his wife has to say, because he believes that he is smarter than her, and that she should be kept under his control. As he acts upon the dichotomic belief that women are meant to be submissive housewives and that men are the dominant breadwinners, their relationship decays. In summation, both “The Lottery” and “The Yellow Wallpaper” demonstrate how even the closest of bonds can be broken, once a toxic tradition is used to justify maltreatment of others. Furthermore, traditions can be so powerfully destructive that they pit sections of society against one another.

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.