AC8 The Abomination of Music Piracy A new type of theft has had a spike in the recent years, in which the internet has become extremely prominent at this time. This new theft is called “online piracy” This theft occurs when an online user uses a P2P(Peer to peer) website for file sharing, and shares files such as songs or software. This is considered theft due the fact that the files aren’t free, they have a price to them. Music Piracy is an abomination to artistry, and the creation of Art. It must be abolished. According to the Musicmetric Digital Music Index;in 2012, The United States came in the highest in the number of illegal downloads of music with about 96.7 million downloads in the first half of the year. This is a huge …show more content…
If they don’t, then they will not sell enough concert tickets, and then their career is over. So they are more than often willing to give their songs away for free, in hopes that listeners will like their songs, and start to support them. The bigger name, artist however, already have the fame and money, their bigger concern is the mass distribution of their songs for free. That is taking millions of dollars away from the artist for the product that they are making.(US News) This however is not the right way to try and “help” an artist. You should go and watch live performances and judge from that. Even if the artist is a new artist, you are still taking money out of their pockets, as well as the producers and studio workers, who spent countless hours working hard to ensure that a quality product is released. A study has shown that the annual harm to the economy due to music piracy is around $12.5 Billion in losses. as well as more than 70,000 jobs, and $2 Billion in lost wages that were to be paid to the American people.(RIAA) Next, we have the legal aspect of illegal downloads of music. As many of us know Copyright Law vigorously protects the value of creative work. You may recall seeing a disclosure message at the beginning of a film or television show, stating something about an FBI warning about reproduction, or duplication. The exact same laws apply when it comes to
In Chapter 3 of "Surviving the Angel of Death," the turning point for Eva occurred when she demonstrated bravery during a terrifying situation. This incident could have affected her in different ways, such as making her stronger or more determined. Eva's resilient personality played a significant role in how she resolved the challenges she faced after this incident. For example, the text states, "I was not going to give up hope. I was determined to survive no matter what.
After the period elapses, any person can use, print, publish, and distribute the original work. The music industry has been in dispute for many years in respect to music piracy. It went after software and website developers, as well as consumers in the courts (Easley, 2005, p.163). As a result, this may be why governing the expansion of the music industry towards later benefits for the industry; however, not toward those who pirate from them (Easley, 2005, p.163). There is clear evidence of a willingness to pay for online music in general through legal download services such as iTunes (Easley, 2005, p.163). It is clear that some new markets are emerging; for example, services such as 4G LTE combine music with other services. These markets may provide both better margins and better copyright protection to the music industry. Nevertheless, some forms of music piracy may ultimately come to be seen as an effective marketing channel for those services (Easley, 2005, p.163). Clearly the industry is adapting piracy issues.
In the article “Internet Piracy Harms Artists”, Phil Gardson explains how internet piracy such as online music sharing and other forms of copyrighting music hurts hardworking singers and songwriters. He also asserts that it is imperative that Congress should in act a law against these types of crimes to help protect artists.
I also believe that if you are a true fan of a certain music artist, then you should want to pay the money for their music and help support them in their music career. Downloading songs for free is disrespectful to music artists and takes away the meaning of hard work they put into all of their musical work. I would tell any friend of mine who supported illegal downloading that it’s illegal and if they really wanted to support that music artist, then they would buy the music and prove their support and passion for music by paying for it.
The music industry has undergone radical changes since the end of the 1990’s, largely a function of the internet and its effects on sales and copyright. Besides placing artists and their music on the world stage, the internet also permitted the downloading of music from free-file- exchange networks. A parallel and equally worrisome, phenomenon is record pirating, a practice made easier by the proliferation of CD burners and access to high speed internet. Unauthorized downloading and pirating circumvent intellectual property laws and result in reduced sales. “In Atlantic Canada, average annual household expenditures on CDs and audio cassettes dropped by 27 percent between 1996 and 2001, from $96.00 to $70.00.”
Propaganda is most commonly associated with World War II, yet in our modern day society, we are still inundated with many forms of propaganda, both directly and indirectly. With current events such as the controversial election of President Donald Trump, propaganda has once again moved to the forefront of people’s minds, with an influx of ‘fake news’ and scandalous stories on an almost daily basis, as a consequence of the rise of social media.
Digital piracy on music has been a majorly disputed affair for the last eighteen years, about whether or not it favors the musical artists or affects them in a negative fashion. One of the many sides of the Digital piracy controversy expounds that it benefits the artist(s) by giving them a great deal of exposure that they may not have received had they not downloaded it for free, which in turn makes for a very significant acquisition in terms of sales on their part.
In the short time that computers and internet have existed in the modern era, the world has seen a complete 360 degree turn and in the various forms of electronic entertainment that people all over the world are now using. In the days before CD’s, DVD’s and the internet, not much was said if a vinyl album (remember these?), VHS cassette (or these?) or an audio cassette was loaned to a friend for their listening / viewing pleasure, but today with the availability of sending an email with three or four megabytes (mb) of information, one can enjoy a borrowed song but is assumed that it is piracy or stealing. Is this a fair assumption? This Author will not give
It is believed that illegal downloading does not affect the music industry and that recording artists are rich, so there is nothing wrong with grabbing a
had touched on how people are making a hobby of illegally downloading music. I found an article by Amy Adkins titled How Does Illegally Downloading Music Impact the Music Industry. She touches on a few subjects of how illegally downloading music directly affects the music industry. She opens up the article stating that 30 billion songs were illegally downloaded between 2004 and 2009 which is a staggering statistic. Napster came out in 1999 and was a free file sharing website where people were getting music illegally. The music industry has loss $12.5 billion due to the availability of free music. Some people have been taken to court for being found downloading illegally. In her article Adkins reveals that due to the illegal downloading of music
The question then became “Just because we can get the music we want without paying for it, should we?” (Tyson, 2000, p.1). This issue of illegal downloads, which is also referred to as piracy, has been a hot topic ever since the introduction of Napster. According to Recording Industry Association of America “In the decade since peer-to-peer (p2p) file-sharing site Napster emerged in 1999, music sales in the U.S. have dropped 47 percent, from $14.6 billion to $7.7 billion” (RIAA, 2014).
We are currently in the Digital Era of music. Music recording has been transformed from music stored on vinyl records and audio cassettes to the first introduction of the Compact Disc. The Compact Disc was a huge shift in how music would be recorded, distributed and heard. Following the Compact Disk (CD), technology continued to advance with more inventions to aid our listening enjoyment. Among those inventions were the MP3 player, iPod, iPad, smartphone and the current ultimate digital music store, iTunes. Each of these digital advancements in music have intertwined their ability to offer consumers music that is handheld, portable and digitally store hundreds to thousands of music files into an electronic music library. However, all that glitters is not gold. The ability to download music from the Internet has created a piracy frenzy. Online file sharing sites, such as the now out-of-use Napster, have given consumers a way to steal music from the artists. “Napster opened us up to a world where we had the luxury of sharing music files amongst a massive community of nearly 80 million users (at its peak) without ever spending one penny” (Alex Bracetti, 2013). The history of music is not the only element that has been affected by digital technology. Digital technology has also
“Before the days of YouTube and the Internet, a band 's chances of striking it big depended on record companies. If a band was lucky enough to get a record deal, it gained access to a label 's vast resources and connections. The company paid for the band 's studio time, … and got its music played on the radio, reaching millions of record buying Americans” (Majerol, 1). Now, anyone with talent can post a video of themselves and become an internet sensation, only to then receive a deal with a label to continue growing their career. The issue is, with the Internet came digital downloading, and with the growing popularity of digital downloading came illegal downloading, known as Digital Piracy, which has affected the music industry greatly. This issue affects everyone involved in the Music Industry. From the small CD store owner to the Artist on stage, everyone has and continues to be affected by the growing popularity of digital downloading services. Artists, producers, and songwriters lose an estimated 12.5 Billion USD every year to illegal digital music services. Further, the economic impact from [digital downloading] is an estimated loss of 2+ Billion USD (Storrs, 1). This money affects the “little guys” in the industry and the average worker within the industry.
Ever since the start of illegal music downloading there has been an ongoing debate. As with any controversy, there are those whose positions stand at one end of the spectrum or the other and also those who are moderate or nonchalant. Many believe that downloading a song without paying for it is not only illegal, but also immoral. None-the less, people continue to download songs, rationalizing that the record companies are getting what they deserve after years of overpriced CD's or that the artists won't really miss the money. Some people are not sure what to make of the situation, sympathizing in some respects with either side. There are several proposed solutions to this problem, but it has become obvious that there is not easy or clear
The downloading of music is also upsetting the artists who are writing and performing the songs. They spend months putting together CDs that people around the world will enjoy. According to an article from CBC News over 100 recording stars including Madonna, Sting, Luciano Pavarotti, B.B. King, Faith Hill, Dr. Dre,