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The Pity Of War By Niall Ferguson

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An Embarrassment to Humanity In The Pity of War, Niall Ferguson set out to prove that WWI was England’s fault. The book is not about strategic and tactical military issues, but rather a comment on social and economic considerations (p. xxv). To set the social atmosphere to the years just prior to the war, Ferguson details the anti-war poetry and fiction; examples include Alfred Lichtenstein, H. G. Wells, and D. H. Lawrence (p. xxxviii). He gives examples of journalists, including war correspondents, as pro-war. In other words, these writers were promoting nationalism and patriotism for their countries. After the war some of them took the opposite view. War is hell with old men sending the seed of their nations to be slaughtered, while the military establishment grew rich (p. xxix). The social devastation on the human level is depicted in the gut-wrenching film, “All Quite on the Western Front.” This prelude sets up Ferguson’s principal arguments. His approach was analytical guided by a few main points. First, was the war inevitable as most traditional historians maintain? For one thing, the European people where not behind the prospect of war; Ferguson maintains they had “turned their backs on militarism” (p. 30). However, the power elites in the arms industry, in all the countries involved, stood to gain huge monetary awards, along with the bankers who supported them (p. 32). On the diplomatic front, an Anglo-German alliance was killed, says Ferguson,

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