The Poisonwood Bible: Analysis of Orleanna Price

Orleanna is the mother of four daughters and her being this character as well as her personality of being caring and invested in others creates her purpose for the story as retelling the story of her family and their trip to the Congo. She is creating this scene to show what happened and how she has learned from this experience and hopes to improve others lives based on her experiences. In the political allegory, Orleanna is the person in the world who has seen the wrong doing’s of the world, in this case the imperialism of countries, and advises those to step up and support the cause bettering lives of those less fortunate. Her character creates a call to action through the miseries she has seen her family struggle through. The author’s purpose in writing The Poisonwood Bible is to not only show the different influences and outcomes that colonialism has on people and nations, but to also show that it is wrong and not necessarily the superior way of doing something. Orleanna is the spokesperson for how the colonialism is wrong and something must

The way that you develop and discover yourself and your personal attributes is largely impacted by the environment you grow up in, as shown in The Poisonwood Bible. Each member of the Price family reacts differently to their being thrown into a completely new location, culture, and livelihood; the maturation path of each child varies drastically from the others, and their exposure to the Congo impacts each of them in a different way, which we observe through each character’s language and behavior in the book. The stylistic formatting, tone, and figurative language used in Leah Price’s narratives in The Poisonwood Bible change as she grows, and the maturation of her physical structure and overall mentality correlate to her development in language throughout the story. Leah enters the Congo as a religious, rule-following adolescent from the suburbs of Bethlehem, Georgia, but as time passes and she becomes accustomed to the land, Leah begins to develop in ways that were once unforeseen by her and her family.

In her writing titled “A Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson”, Mary lies out for the reader her experience of being held in captivity by Indians during the King Philip’s War. Perhaps one of the most significant aspects of this writing is the glimpse that the reader gets into Rowlandson’s faith and religion. Faith was a major aspect of life in the Colonial Period. It was of widespread belief that God was to be feared, and that he was the only way to redemption (Kizer). Mary Rowlandson was no different, but the extreme conditions of her captivity caused her faith to occasionally waiver. Most of the time throughout her journey in captivity, she depended on God, and the

breaks free from Nathan. Even though Orleanna finds her freedom, she loses her faith. Orleanna

Book two is entitled “The Revelation” and the girls’ sections is entitled “The Things We Learned.” The Revelation was intended to mainly the Price family, excluding the father. The theme revelation has another definition: apocalypse. In the bible, the apocalypse leads to destruction and demise right before when God makes it a better place. In connection to the book, at this time the new prime minister, Patrice Lumumba was elected. This election set the stage for the independence movement in the Congo. In addition, Methuselah (the parrot) passes away as soon as he is freed, after being banned from liberation for most of his life. This foretells the destiny of Congo and the delicate independence they acquired. The Book of Revelation explains about how God’s creation encountered savagery and anguish so that it will become altered. The Belgian doctor who treats Ruth May for her broken arm has a little conflict with the Reverend. He prophesies that Congo will experience savagery and anguish if it changes to a self-determining state from a colony. In the Revelation section of the story, all the members of the Price family come to face a new sense of comprehension about the Congo’s culture, plants, animals and tradition. Throughout the book, the characters go through many hardships and success which permits them to learn

During the beginning of the Price family’s arrival at the Congo, the family settles in an unfamiliar land of Kilanga and Nathan is being portrayed as the physical representation of the American perspective on the African people by creating conflict. Since the family is from Georgia, the surroundings and the atmosphere of

On the other hand, McIntosh commented in her interview that the neighboring master “have lots of land…and fixed up his slaves their own cabin” where missionaries came and preached. In another account, Nellie Jones of Savannah describes how “a gray-headed planter catechized us negro children …But I heard of the missionary instructing a large number of colored boys and girls at the big-planters farm”

This is apparent by the use of the character’s perspective about nature and the ultimate result it has upon them. This is in its most apparent shape when Orleanna says “We aimed for no more than to have dominion over every creature that moved upon the earth... Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with us. What do we know, even now?” (Kingsolver 10). This quote by Orleanna about nature, shows the true power of it regarding the motifs of freedom and captivity. This is seen because of the fact that there is a progression and a change of thought that quickly evolves from the family and her thinking that they had the freedom to have dominion over nature, to she surrendering to nature and saying that she is captive forever because of nature that nature instead of being loving, betrayed her and is now seeking for the forgiveness of it. Another way this is seen it when Leah said “Its heavenly paradise in the Congo, and sometimes I want to live here forever,” (104). This extract from the novel at first glance may not seem like an important passage, but it is considering the fact that she feels that she has the motifs of freedom and love at her grasp as she feels free in the Congo and loves it. This ultimately will not last as their contrasting motifs will eventually kick in making her a prisoner of the Congo by her own merits keeping her captive in there for the rest of her life, while also betraying her because the land and the nature inside it made her lose her little sister. Finally, this connects to the thesis and the other paragraphs because of the fact that it shows this hope versus reality situation which is created when these motifs are combined, furthermore it shows the colorfulness of life in the book because of the fact that it shows the way

Patricia Bath is an African American woman who was called to” make the blind see”, a gift and anointing that could only be imparted by God himself. Patricia at a young age had an interest in science. Her mother who took notice of her interest and purchased a chemistry set for her and reinforced the pursuit of education. Her father, who was a newspaper columnist, taught Bath about the importance of exploring the world and new cultures. While developing and obtaining knowledge her craft and her academic career led her to meet professional people and obtain victories that “Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him” (I Corinthians 2:9).

Throughout a lifetime, many things are gained; experience, wisdom, knowledge, as well as a sure sense of self. But along with all these great things come regret, guilt, and shame of past events. Everyone deals with these in different ways, sometimes turning to religion and denial as coping mechanisms. In the novel The Poisonwood Bible, By Barbara Kingsolver, each member of the Price family deals with a personal guilt either gained while on their mission in the Congo or long before. This novel exemplifies the different types of guilt the Price family experienced throughout their stay in the Congo, and shows various means of reconciliation and forgiveness as the guilt is absolved.

“A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson” by Mary Rowlandson is a short history about her personal experience in captivity among the Wampanoag Indian tribe. On the one hand, Mary Rowlandson endures many hardships and derogatory encounters. However, she manages to show her superior status to everyone around her. She clearly shows how her time spent under captivity frequently correlates with the lessons taught in the Bible. Even though, the colonists possibly murdered their chief, overtook their land, and tried to starve the Native Americans by burning down their corn, which was their main source of food, she displays them as demonizing savages carrying out the devil's plan. There are many struggles shown

Religion is one of the main themes in her works and also in "Greenleaf." In this short story, the Southern writer exposes two of her major preoccupations about religion:

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

     Ada Monroe was the pampered daughter of a Charleston minister, Monroe. Sheltered by her father, who came to Cold Mountain to minister to the “heathen’s,” she is unprepared for his death. Like any lowland lady, she reads well, play the piano, and can plan parties. She knows not to plant, or sow, or reap. She comes very close to starving on her lovely mountain farm before Ruby comes walking up her lane. Ada’s savior is a scrawny mountain girl with will and work ethic for them both. She came to work the land with Ada, saying. “…if I’m to help you here, it’s with both us knowing that everybody empties their own night jar (68).” Ruby forces Ada off the porch rocker and into the fields. Through days of weeding,

These three perceptions are distinctly different, but ultimately speak to the contextual nature of Black theology—rooting worship, adoration, and discipleship within the notion a (conscious) living G-d. The first perception explored is the image G-d adored through the lens of Sister Sweet and Mother Darling. At first glance, these women appear different in life style and theology—different churches, different abilities, and different approaches to discipleship. But upon further examination, one discovers the same paradigm at work. Both have lost children to AIDS. Both have committed themselves to a praxis centered theology to process their loss. Mother Darling is street missionary and Sister Sweet is a disabled woman confined to a wheel that feeds the birds and attends to the needs of the Little piece of Heaven Church. Both have found peace in their personalized work for the Lord. Their G-d is a “shelter in a time of storm.” The second perception is the image of G-d as seen through Deacon Zee. This G-d is one of salvation and complacence for Deacon Zee. The “White Jesus” he prayed to for his assistance in finding his copy of the Wall Street Journal—a nuanced symbol for prosperity. This G-d speaks to the corporate nature and element of