The Power Of Chaos In Twelfth Night By William Shakespeare

Although he does not make any profound remarks, he seems to be the wisest person of all the characters in the comedy. Viola remarks this by saying, "This fellow's wise enough to play the fool"(III.i.61). Since Feste is a licensed fool, his main role in Twelfth Night is to speak the truth. This is where the humor lies, his truthfulness. In one example he proves Olivia to be a true fool by asking her what she was mourning about. The point Feste tried to make was that Olivia was mourning for a person whose soul is in heaven.

which is quite an expression of mad love and even admits it is “a most

What is evident on reading and listening to the play is that the chorus is a key character within the play with a number of functions, namely linking the narrative, introducing the historical perspective, action as a “devil’s advocate”/advisor to many of the characters and also serving as the voice of the city. It is clear that without the Chorus the play would have been quite unstructured and not had as much context within it. The chorus gave insightful historical and mythical

Music permeates Twelfth Night immediately in Act 1 Scene 2 with Orsino’s opening declaration of love ‘ If music be the food of love, play on’ (lines 1-2), through this he is established and characterised as an extravagant lover, indulging in his hyperbolic passion for a woman who does not return his love. His language is full of romantic clichés such as ‘…was I turn’d into a hart’ (line 21), this metaphor allows Shakespeare to not only intensify the exploration of the genre of

The chorus plays a vital role in interpreting what occurs throughout the play, just as the media plays a vital role in interpreting whether TV is good or bad. Reporters can be nosy and sometimes rude. At the same time, so can the chorus. "Do you really intend to steal this girl from your son?" (Sophocles 324). He's just saying it as if it is and laying out the facts, even though it may seem harsh. This makes it easier for the audience to better appreciate the play. The chorus says, "But the ancient wisdom speaks for our own

In Twelfth Night, the fools are the ones that control the comedy and humor in the play. They assist in the make believe game and fool around with characters who "evade reality or rather realize a dream". In Twelfth Night, Feste, Maria and Sir Toby are the fools that make the comedy work in many senses. They create the confusion through humor and it all works out in the end to make William Shakespeare's Twelfth Night a comical play of his time and today. In Twelfth Night, the clown and the fools are the ones who combine humor and wit to make the comedy work, just like in many comical plays in today’s society. Modern audiences would laugh from the foolery caused by these characters while the comic truth is unwinding to build up this comedy.

How does the music fit into the world of this play? When do characters tend to sing? What changes in the staging from when they are singing verses talking?

The music from the beginning always seems to be on in the background, sensory supplementing the themes of the play, mystery. In episode 1 it seems to becoming brighter emphasising the unity of time in the play. We are also introduced to Teiresias who enters from stage left towards the Kingdom, the chorus stand around the main centre in a semi-circle whilst Teiresias enters and takes a standstill in the

composed. It is also a controversial play within theatre. Many actors believe the play is cursed

“Then you are mad indeed, if you be no better in your wits than a

Order and disorder is a favorite theme of Shakespeare. In A Midsummer Night's Dream the apparently anarchic tendencies of the young lovers, of the mechanicals-as-actors, and of Puck are restrained by the "sharp Athenian law" and the law of the Palace Wood, by Theseus and Oberon, and their respective consorts. This tension within the world of the play is matched in its construction: in performance it can at times seem riotous and out of control, and yet the structure of the play shows a clear interest in symmetry and patterning.

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

William Shakespeare's play, "Midsummer Night's Dream" has many contrasting details about it. There are very dark and light moments, comparatively. The Athenian Courts do not show order and law. They have chaos. Because of one girl's love for another man than her father wants her to marry, she causes huge disruptions and disorder.

Themes of chaos and order can be seen throughout the play, Macbeth, and our own lives in the world. At the beginning of our lives and the play, it starts with order. This can be seen when we are infants and we have no responsibilities and experiences. At the beginning of the play, order is represented as the witch’s prophecy. However, this order gets disrupted by Duncan’s killing.

The chorus asks the audience to picture the armed forces and their horses and the battle scenes that took place when watching the play. And, that the events that happened took place over several years, and for the sake of brevity, many parts will have to be left out leaving many gaps throughout the story, jumping from place to place, "turning the accomplishment of many years into an hourglass; for the which to supply, admit me Chorus to this history" (li 30-32). The Chorus will help to fill in the gaps and to explain what is going on so the audience will not get lost as the play jumps around. The Chorus ends by asking the audience to be patient as they view the play. In this instance, the Chorus' function is setting the stage for the rest of the play. It doesn't reveal the plot or make any character developments. Instead, it serves as a mediator. Its function is to prepare the audience for the play that they are about to watch.